On the wall next to him Veo prompts

6 months ago

A first-person POV vlog from a stormtrooper on duty aboard the Death Star. The stormtrooper gives a humorous, slightly sarcastic commentary as they walk through the sleek, metallic corridors. They complain about the uncomfortable armor, fail miserably at a blaster target practice session, and get startled when a high-ranking officer walks by. The environment is retro-futuristic — dim lighting, shiny walls, sliding doors. Synthwave music plays softly in the background. The trooper wraps up the vlog with a tired wave to the camera, saying, 'Another day, another patrol. Catch you next time!' Filmed with a smooth, GoPro-style helmet cam and a cinematic tone.

7 months ago

The scene explodes with the raw, visceral, and unpredictable energy of a hardcore off-road rally, captured with a dynamic, almost found-footage or embedded sports documentary aesthetic. The camera is often shaky, seemingly mounted inside one of the vehicles or held by a daring spectator very close to the action, frequently splattered with mud or water, catching unintentional lens flares from the natural, often harsh, sunlight filtering through trees or reflecting off wet surfaces. We are immersed in a challenging, untamed natural environment – perhaps a dense, muddy forest trail, a treacherous rocky incline littered with loose scree, or a series_of shallow, fast-flowing river crossings. Several heavily modified, entirely unidentifiable, and unbranded off-road vehicles are engaged in a frenetic, no-holds-barred race. These are not showroom models; they are custom-built, rugged machines – open-wheeled buggies with exposed engines and prominent roll cages, heavily armored pickup trucks with oversized, knobby tires and snorkel exhausts, their original forms and manufacturers completely obscured by extreme modifications, layers of caked-on mud, and a general air of brutal functionality. The dominant sounds are the deafening, guttural roar of powerful, untamed engines, the whine of transmissions, the percussive impact of suspension bottoming out, and the constant spray of mud and water. Within an 8-second sequence, one of the lead vehicles, a low-slung, open-cockpit buggy so caked in thick, brown mud that its original color is a mystery, approaches a wide, shallow river crossing at incredible speed. Without the slightest hesitation, its unseen driver powers straight into the water. The impact sends an enormous, almost solid, opaque sheet of muddy water, mixed with stones and debris from the riverbed, spectacularly high into the air, completely engulfing the small buggy for a terrifying moment, obscuring it from view as if it has been swallowed by the river itself. Right on its tail, a pursuing, equally mud-encrusted, custom-built truck – a hulking, high-clearance beast with a heavily reinforced external roll cage and no discernible badging – arrives at the river crossing just as this massive wall of airborne water reaches its peak. Instead of slowing or attempting to find a clearer path, the truck's driver, with unwavering aggression, plunges directly into and through this opaque, turbulent curtain of muddy spray at full throttle. A split second later, the truck bursts out from the other side of the deluge, water cascading from its roof and chassis, its oversized windshield wipers struggling frantically to clear the torrent of muddy water obscuring the driver's vision. It lands heavily on the far bank, suspension groaning, but still in hot pursuit of the now-reappearing buggy. This thrilling, messy, and visually spectacular sequence of one vehicle creating a massive environmental obstacle and the next immediately conquering it through sheer force, forms the core, immersive, attention-grabbing event of the 8-second sequence. The race continues with undiminished ferocity, the natural terrain itself an active participant in the conflict.

2 months ago

The camera changes every 3 seconds, creating a smooth cinematic sequence. All scenes take place inside a dark, vintage room with worn leather furniture, dim cinematic lighting, and an eerie, mysterious atmosphere — similar to an old philosophical interrogation room. Scene 1 (First 3 seconds): The protagonist is sitting in a deep red leather armchair, surrounded by dark walls and warm, low lighting. They slowly turn their head toward the camera and give a subtle, knowing smile. The room feels silent and heavy, filled with anticipation. Scene 2 (Next 3 seconds): A delivery guy enters the same room, walking across the dim space. He wears a food courier jacket and carries a wrapped kebab. The lighting casts long shadows, enhancing the dramatic tension as he approaches the protagonist. Scene 3 (Next 3 seconds): Close-up shot of the exchange. The protagonist calmly takes the kebab from the delivery guy. The focus is on the hands and the motion, with a shallow depth of field — the background remains blurred, showing hints of aged wallpaper and leather textures. Scene 4 (Final 3 seconds): Cut to the protagonist now sitting on an old couch within the same room, visibly stuffed after eating. They recline in a relaxed, almost philosophical daze. Half of the kebab lies beside them on a small table. The mood is darkly humorous, quiet, and introspective. No text.

27 days ago

A podcast recording scene inside a cozy, softly lit studio. Two people sit across from each other at a wooden table, each with a professional microphone and headphones. The atmosphere is calm and focused, with warm ambient lighting and acoustic panels on the walls. One of the hosts — a man wearing a black t-shirt and glasses — speaks into the mic while carefully cutting a sparkling diamond with a small, sharp jeweler’s knife on a side table next to him. Each precise movement sends tiny shards of light across the studio. The other host, a woman in a beige sweater, watches with fascination, smiling softly as reflections dance on her face. The camera slowly tracks in, focusing on the knife gliding over the diamond, capturing every glimmer and reflection with cinematic precision. Ultra-realistic lighting, shallow depth of field, 4K detail, cinematic color grading.