Shot from above Veo prompts

very few results

3 months ago

Here’s a detailed cinematic image description in the style of *Mars Attacks!* with your elements: --- **Scene Description:** A wide, slightly tilted shot captures the chaos in a city square under a sickly greenish-yellow sky, reminiscent of 1950s pulp sci-fi. The art direction channels *Mars Attacks!*—satirical, exaggerated, colorful, yet grotesquely comical. In the foreground, panicked civilians in vintage-styled clothing — poodle skirts, horn-rimmed glasses, shiny suits — flee in all directions, their faces frozen in over-the-top expressions of terror. Some trip over debris, others scream upward at unseen attackers. A woman drops her tiny dog, who also yaps in cartoonish panic. Flames and black smoke billow from twisted metal structures. Amongst the rubble, several half-destroyed futuristic billboards flicker and spark. One prominently reads: **“TRY VEO 3 NOW ON PROMPTHERO”** The bold retro-futuristic font flashes intermittently, with part of the sign hanging loose, swaying dangerously. In the midground, a toppled hovercar smolders, while strange saucer-shaped ships hover ominously, firing neon-colored beams that disintegrate buildings into clouds of pixel-like dust. In the background, a cracked glass dome reveals a monstrous, oversized martian head leering down, its brain pulsating beneath a transparent helmet. The lighting is unnatural — sharp, high-contrast, with surreal, saturated colors that make the destruction feel both comedic and horrifying, true to *Mars Attacks!*’ satirical aesthetic.

4 months ago

An ethereal, cinematic portrait of an impossibly beautiful woman seen fleetingly at an airport—a face that lingers in your memory like a ghost of a dream, never to be seen again. She stands frozen in time at the heart of the image, delicate and soft, with porcelain skin and flowing hair gently caught by an unseen breeze. Her expression is distant, introspective, as if she’s not fully part of the world around her. Around her, the airport pulses with blurred motion—travelers rushing by in streaks of abstract colors and bokeh lights, emphasizing the stillness of her presence. The chaos of human movement becomes an impressionistic whirlpool of life, but she remains untouched, a fragile island of serenity in the storm. The atmosphere is dreamlike, whispy, and soft focus, with cinematic depth of field that isolates her figure in the center—sharp yet veiled in a gentle haze, as if remembered through fogged glass. The colors are muted pastels with hints of teal, beige, and soft golden highlights, evoking the bittersweet feeling of something beautiful slipping away. Composition captures her from slightly below eye level, adding a sense of reverence and loss. Use subtle film grain, motion blur for the surroundings, and a delicate lens flare cutting through from overhead fluorescent lights. The scene is crafted to feel like a memory you can't quite place—fragile, aching, eternal. Shot with a Leica M11 paired with a vintage 50mm f/0.95 Noctilux lens, aperture wide open at f/0.95 to create an impossibly shallow depth of field, ISO 320, shutter speed 1/125 sec—designed to capture the surreal interplay of stillness and movement, focus and blur, presence and absence.

2 months ago

Aerial tracking shot with a 35mm lens on an ARRI Alexa Mini LF, shallow depth of field, handheld vibration subtly mimicking the train’s rumble, 24fps with slight motion blur and soft Kodak film grain. A lean Indian man in his early 30s, dust-covered white kurta flapping in the wind, bare feet gripping the rusted top of a freight train wagon as it speeds through rural India. Late afternoon golden hour, with warm low sunlight casting elongated shadows across dried grass fields and distant banyan trees. In the distance, a dark stone bridge looms rapidly ahead. The man, drenched in sweat, eyes wide, doesn’t flinch—his jaw tightens as the camera tilts slightly to emphasize the shrinking space between his head and the arch. Background blurs as the train barrels forward, wheels clanking louder, tension building with every screech of metal on rail. Just as his skull seems seconds from cracking against stone, the camera abruptly cuts to a side dolly shot revealing a hidden gap between his head and the archway—only inches, but enough. The illusion breaks; the man passes under safely. His chest heaves once. Lighting remains warm but dappled, with slight lens flare from the sun streaking across frame. Emotional tone: Pure tension giving way to breathless relief. Audio cues: Rising train noise, ambient wind, an eagle’s cry overhead, distant horns. A sharp whoosh as the train clears the bridge, followed by the fading echo of rails humming. Color Palette: Earth tones, sun-baked yellows and browns, deep shadowed grays from the bridge. Dialogue: None. The silence after the near miss says everything. shot in cinematic style.

1 month ago

A Realistic and cinematic, generate an amazing video of an **angry koala bear throwing 1 banana back at realistic clumsy zoo keeper** confronting a **zoo keeper** over 1 banana: ### **Prompt:** *"A highly detailed, ultra-realistic 4K video clip of an angry koala bear standing on a tree branch in a zoo enclosure, fur bristling, ears pinned back, and growling at a surprised clumsy zookeeper. The koala clutches one bananas in its tiny paws but looks furious, as if offended by the offering of one bananas. The zookeeper, wearing a uniform and holding a fruit basket, steps back in shock. Natural sunlight filters through the trees, casting soft shadows. The koala’s expressive eyes and detailed fur should look life like, with subtle movements like twitching nose and aggressive posturing. Surrounding environment includes realistic zoo sounds (birds, distant chatter) for immersion."* ### **Enhancements for Realism:** - **Cinematic Lighting** – Soft golden-hour glow for dramatic effect. - **Micro-Expressions** – Koala’s face should show clear annoyance (narrowed eyes, flared nostrils). - **Dynamic Camera Angle** – Slightly low-angle shot to emphasize the koala’s defiance. - **Sound Design** – Add koala growls, rustling leaves, and the zookeeper’s surprised gasp and runs away. ### **Ideal AI Tools for This:** - **Runway Gen-2 / Pika Labs** – For high-quality video generation. - **DALL·E 3 / MidJourney** – For concept art before video rendering. - **Adobe Premiere Pro** – Post-processing for sound & effects. JDHampton + AI | Creative Alliance

3 months ago

"A professional news broadcast interrupts regular programming with a bright red 'BREAKING NEWS' banner. The screen cuts to a live aerial shot of a nuclear power plant, just as a massive explosion tears through one of the reactor buildings. A blinding white flash is followed by a fireball, shockwave, and rising mushroom cloud. The camera shakes and distorts from the blast. Cut to a news anchor in the studio, visibly shaken but trying to stay composed. He says: 'We are interrupting live to bring you urgent news: a catastrophic explosion has just occurred at the Clearwater Nuclear Facility. We repeat — a nuclear reactor has exploded. The cause is currently unknown. This footage is live.' The broadcast cuts between chaotic live footage: panicked evacuations, emergency crews, distant sirens, and ash raining from the sky. On-screen graphics show a map with a growing red contamination zone. Radiation levels scroll across the bottom ticker. Cut to a field reporter in a hazmat suit near the exclusion perimeter. She yells over the noise: 'The situation here is rapidly deteriorating — the radiation is spiking, and officials are urging all residents within 30 kilometers to evacuate immediately. I can see fire crews moving in, but—' The feed glitches out briefly, then returns with static and emergency alerts. The segment ends with the anchor solemnly saying: 'This is a developing situation. Stay indoors. Do not go outside. More updates as we get them.'*