and glass and paint floating from their head to other points in the image in a crystal-like form Veo veo-3.1 prompts

6 days ago

A beautiful woman covered in a purple hooded cloak walks barefoot, close-up of her feet, with gold rings on her ankles in the desert, a huge planet in the sky. Maximum realism, warm light.

1 month ago

[0–2s] A LEGO city street freezes mid-motion as a black-clad LEGO minifigure in tiny sunglasses dodges incoming plastic bullets in slow motion—Matrix-style. The camera rotates as bricks hover midair, suspended in bullet-time. [2–4s] Cut to a LEGO TIE Fighter chase above a blocky Death Star. A minifig Jedi deflects red laser bolts with a glowing blue LEGO lightsaber, spinning through zero gravity with exaggerated flair. [4–6s] Now a misty LEGO forest—Fellowship of the Ring vibe. A LEGO Gandalf raises his staff as a glowing blue light bursts from the tip. Orc minifigures flee in comedic panic, bricks flying everywhere. [6–8s] Final shot: a LEGO Spider-Man swings between skyscrapers made of stacked plastic, leaving a trail of translucent web behind him. He flips and lands on a rooftop, giving a thumbs-up to the camera.

2 days ago

A 25-year-old beautiful Hispanic woman with long, dark, wavy hair pulled back in a high ponytail and an athletic build stands on a sandy surface against a dark background. She wears ornate, dark metal armor covering her torso, arms, and legs. The armor includes a bra-like chest plate, large breasts, pauldrons, bracers, greaves, bare feet, a leather skirt, and several chains. She wields two swords: one in her left hand, held downward, and another, larger, ornate sword resting on her right hip. The lighting is dramatic, with strong highlights on the armor and a soft, diffused light illuminating her face and body. The image features a realistic digital art style, with particular attention to texture and detail. hair in the wind, he starts walking towards the camera, ascetic music with a woman's voice.

2 days ago

A beautiful 25-year-old Hispanic woman with long, dark, wavy hair pulled back in a high ponytail and an athletic build stands on a sandy surface against a dark background. A massive moon looms in the sky behind her. She wears ornate, dark metal armor covering her torso, arms, and legs. The armor includes a bra-like chest plate, large breasts, pauldrons, bracers, greaves, bare feet, a leather skirt, and several chains. She wields two swords: one in her left hand, held downward, and another, larger and more ornate, resting on her right hip. The lighting is dramatic, with strong highlights on the armor and a soft, diffused light illuminating her face and body. The image features a realistic digital art style, with particular attention to texture and detail. With her hair flying, she begins walking toward the camera, which zooms in on her feet. The music is ascetic and female-voiced.

21 days ago

A close-up cinematic shot inside a cozy podcast studio. Warm, soft lighting fills the room. On a wooden table, a hand carefully holds a sharp jeweler’s knife, slicing through a brilliant diamond. The blade glides slowly and precisely, splitting the diamond cleanly into two shimmering halves. Tiny particles of light scatter as the diamond divides, reflecting across nearby microphones and studio equipment. The background remains softly blurred — faint silhouettes of two podcast hosts can be seen, one speaking into the mic, the other watching in awe. Ultra-realistic textures, macro lens, shallow depth of field, cinematic lighting, 4K detail.

22 days ago

Inside a sleek, modern office elevator packed with professionals dressed in business attire during morning rush hour. The camera holds a steady, eye-level shot, framed symmetrically to capture the confined space filled with people checking their phones, adjusting their bags, and avoiding eye contact — all calm, silent, and detached. At the center stands a tall figure in a perfectly tailored gray suit and black tie — but with a distinctly alien head, smooth green skin, and large, dark eyes. The alien remains composed and expressionless, blending in naturally among the humans. Without any music or dialogue, the alien reaches into its jacket pocket, pulls out a folded slice of pizza, and casually takes a slow bite. The action is quiet, deliberate, and oddly mundane. None of the passengers react — not a glance, not a word. The elevator continues its ascent in total silence, the only sound being the faint hum of the machinery and the soft chew of the pizza bite. The camera never moves, and no one looks into it. No text, subtitles, or captions appear. The tone remains cinematic, deadpan, and subtly surreal — as if this is an entirely normal morning.

6 days ago

A beautiful, barefoot, long-haired warrior woman in bikini armor trains, swinging two swords at a mannequin fixed to the ground in the courtyard of an ancient temple at dawn. Realistic, cinematic imagery, warm lighting.

29 days ago

A realistic wildlife scene showing a cheetah chasing an antelope across the African savanna under the bright midday sun. The sky is clear and intensely blue, and the harsh sunlight creates sharp contrasts and vivid natural colors. The cheetah bursts into a full-speed sprint through tall, dry grass, kicking up dust as it closes in on the fleeing antelope. The antelope leaps and changes direction rapidly while the camera tracks the action with precision, capturing every muscle movement and particle of dust. Filmed with a professional Sony cinema camera (no watermark or visible branding), using a 600mm telephoto lens, high-speed 8K recording at 60 fps, and steady dynamic tracking. The image is crisp, with natural motion blur and realistic heat haze in the background. Sound includes wind, distant animal calls, and hoof impacts on dry soil — no music or narration. Style & technical details: Ultra-realistic wildlife documentary aesthetic Bright daylight, high-contrast shadows, clear visibility Natural handheld stabilization and focus transitions Dust and motion blur effects visible 16:9 aspect ratio, HDR detail, no watermark

3 days ago

. two 70s gypsy flamenco performers with long hair and open retro shirts | one playing a flamenco guitar, the other wearing black glasses and a wide-brimmed black hat, clapping to the rhythm | vibrant street performance during golden hour | surrounded by an applauding crowd | retro vintage style | warm analog film tones | authentic gitano look

5 days ago

A beautiful woman covered in a purple hooded cloak walks barefoot, zoom in of her feet, with gold rings on her ankles in the stony desert, a huge planet in the sky. Maximum realism, warm light.

1 month ago

[0–2s] A LEGO version of Times Square bustles with traffic—until Spider-Man swings into frame, skimming low over LEGO taxis. He flips mid-air and sticks to a billboard, striking a heroic pose as confetti bursts from a parade float below. [2–4s] Cut to the side of a LEGO skyscraper. Spider-Man clings sideways as Doctor Octopus crashes through a window, swinging mechanical arms. Spidey launches a web, tangling two of the arms with comedic precision as bricks scatter. [4–6s] In a rainy alley, Spider-man drops upside down from a fire escape. Neon reflections ripple in puddles made of translucent tiles. A cat in a tiny Spider-Man mask watches him from a dumpster lid. [6–8s] Final shot: Spider-Man swings across the screen in slow motion as Spider-Man Noir strikes a detective pose in silhouette on a rooftop behind her. Lightning flashes, revealing a LEGO Green Goblin flying by in the background.

1 month ago

A 12-second 3D animated short film in DreamWorks style, featuring expressive, humorous anthropomorphic fruits with attitude. Scene 1 (0–4s): A confident strawberry with raised eyebrows and a smirk walks across a kitchen table like a hero entering the scene, dramatic backlight. Scene 2 (4–8s): A mischievous banana swings in like a stunt double, slipping on a grape on purpose and striking a pose as if nothing happened, exaggerated facial expressions. Scene 3 (8–12s): A bold pineapple wearing cool sunglasses crosses its arms, nodding with swagger while all the fruits exchange playful glances, like they’re planning an adventure. Cinematic lighting, dynamic camera angles, expressive animation, full of personality and DreamWorks humor.

24 days ago

a video of some tourists in a cable car with a glass floor that suddenly starts to crack

1 month ago

A very dark, hyperrealistic cinematic scene of a beautiful, hypermodel astronaut with medium-length blue hair, an athletic build, and ample breasts. She is barefoot, wearing a white crop top, orange sweatpants, a high-tech backpack, and a futuristic rifle. She moves carefully, slowly, through an alien temple whose walls are filled with alien eggs of various sizes. Suspenseful music plays. The woman moves toward the camera, with the camera.

1 month ago

The camera dives into the blue flame inside the lantern — revealing a surreal dream world of floating candles, gears, and clock hands suspended in the dark. The skeleton boy floats weightlessly, his reflection shattered into multiple versions of himself. Strange gothic creatures with stitched smiles drift by like lost souls. A mechanical clock strikes midnight — the echo breaks the illusion. (End with the flame bursting open — light flashes — transition back to real world.)

1 month ago

A very dark, hyperrealistic cinematic scene of a beautiful, hypermodel astronaut with medium-length blue hair, an athletic build, and ample breasts. She is barefoot, wearing a white crop top, orange sweatpants, a high-tech backpack, and a futuristic rifle. She moves carefully, slowly, through an alien temple whose walls are filled with alien eggs of various sizes. Suspenseful music plays. The woman moves toward the camera, with the camera.

2 days ago

A 25-year-old beautiful Hispanic woman with long, dark, wavy hair pulled back in a high ponytail and an athletic build stands on a sandy surface against a dark background. She wears ornate, dark metal armor covering her torso, arms, and legs. The armor includes a bra-like chest plate, large breasts, pauldrons, bracers, greaves, bare feet, a leather skirt, and several chains. She wields two swords: one in her left hand, held downward, and another, larger, ornate sword resting on her right hip. The lighting is dramatic, with strong highlights on the armor and a soft, diffused light illuminating her face and body. The image features a realistic digital art style, with particular attention to texture and detail. hair in the wind, he starts walking towards the camera, ascetic music with a woman's voice.

20 days ago

A very crowded office elevator during morning rush hour. The doors are closed at the start of the video, and as they begin to slowly open, we hear soft elevator music from the ceiling speakers and a gentle mechanical hum. The camera holds a single, continuous, eye-level shot, focused tightly on two well-dressed colleagues standing face-to-face — uncomfortably close due to the packed space. Just as the elevator doors are halfway open, the man calmly and confidently says: “I once sneezed in the all-hands and clicked ‘share screen’ at the same time. No survivors.” The woman reacts with genuine laughter — amused but never exaggerated. As the doors open fully, a tall, green-skinned alien in a perfectly tailored gray business suit steps into the elevator, holding a briefcase and adjusting his tie with quiet composure. His expression is calm and professional. The music continues softly. Around him, the other passengers subtly register his presence — a brief pause in scrolling, a tiny glance in the reflection, a suppressed smile — but no one openly reacts or comments. The man and woman exchange a quick, knowing look, then step out of the elevator together. The alien remains inside, blending in as if nothing were unusual. The camera stays fixed in place the entire time. The atmosphere remains realistic and restrained — no exaggerated movements, no dialogue after the alien enters. The characters never look into the camera. Do not include any captions, subtitles, or on-screen text.

11 days ago

**"Bloodmoon Caravan"** A Shadoei Wyrme assassin slithers through the mist, their body a living shadow puppet controlled by the pulsing fire-crystal grafted to their ribcage. The artifact—a stolen god's heart—thrums with forbidden power, casting hellish light on: **The Assassin's Curse** - Skin stretched taut over a serpentine skeleton, tattooed with moving constellations of past victims' last breaths - A cloak woven from executed monks' prayer ropes, still whispering damnation in 13 dead languages - Venom-dripped daggers forged from a fallen star **The Black Caravans** - Wheels carved from petrified Wyrme bones that sing mournful dirges when rolling - Lanterns fueled by trapped will-o'-wisps screaming in eternal hunger - A grotesque living wagon with ribcage arches and stretched-skin curtains painted with dying screams **The Forgotten Ritual** - Dark monks perform the "Dance of Severed Tongues" around a cauldron of molten shadow - Gypsy witches pluck spider-silk harp strings connected to the assassin's nervous system - The fire-crystal's pulse syncs with the heartbeat of a dying kingdom *(Style: Gothic grotesque meets dark fantasy realism. Every texture tells a horror story—the assassin's armor is made from preserved betrayal contracts, their boots soled with sinners' skin. The composition frames them mid-stride between two caravans, their elongated shadow stabbing toward the viewer while the fire-crystal's light reveals ghostly faces in the smoke.)* **Easter Egg:** The assassin's reflection in wagon puddles shows their true form—a skeletal Wyrme wearing human skin like ill-fitting armor.

22 days ago

A very crowded office elevator during morning rush hour. The doors are closed at the start of the video, and as they begin to slowly open, we hear soft elevator music from the ceiling speakers and a gentle mechanical hum. The camera holds a single, continuous, eye-level shot, focused tightly on two well-dressed colleagues standing face-to-face — uncomfortably close due to the packed space. Just as the elevator doors are halfway open, the man calmly and confidently says: “I once sneezed in the all-hands and clicked ‘share screen’ at the same time. No survivors.” The woman reacts with genuine laughter — amused but never exaggerated. As the doors open fully, a tall, green-skinned alien in a perfectly tailored gray business suit steps into the elevator, holding a briefcase and adjusting his tie with quiet composure. His expression is calm and professional. The music continues softly. Around him, the other passengers subtly register his presence — a brief pause in scrolling, a tiny glance in the reflection, a suppressed smile — but no one openly reacts or comments. The man and woman exchange a quick, knowing look, then step out of the elevator together. The alien remains inside, blending in as if nothing were unusual. The camera stays fixed in place the entire time. The atmosphere remains realistic and restrained — no exaggerated movements, no dialogue after the alien enters. The characters never look into the camera. Do not include any captions, subtitles, or on-screen text.

1 month ago

*A funny scene of an overweight man stuck inside a transparent plastic tube slide at an amusement park. His face shows surprise and embarrassment as he struggles to move, while sunlight reflects on the clear surface of the tube. The background shows colorful rides and people laughing in the distance. Realistic lighting, detailed textures, captured in a humorous and cinematic style.*

22 days ago

Inside a sleek, modern office elevator packed with professionals dressed in business attire during morning rush hour. The camera holds a steady, eye-level shot, framed symmetrically to capture the confined space filled with people checking their phones, adjusting their bags, and avoiding eye contact — all calm, silent, and detached. At the center stands a tall figure in a perfectly tailored gray suit and black tie — but with a distinctly alien head, smooth green skin, and large, dark eyes. The alien remains composed and expressionless, blending in naturally among the humans. Without any music or dialogue, the alien reaches into its jacket pocket, pulls out a folded slice of pizza, and casually takes a slow bite. The action is quiet, deliberate, and oddly mundane. None of the passengers react — not a glance, not a word. The elevator continues its ascent in total silence, the only sound being the faint hum of the machinery and the soft chew of the pizza bite. The camera never moves, and no one looks into it. No text, subtitles, or captions appear. The tone remains cinematic, deadpan, and subtly surreal — as if this is an entirely normal morning.

1 month ago

A cinematic commercial film for Merci Vitamin C+ Extra Bright Serum, a premium skincare brand from Thailand. Opening scene: a beautiful young Thai woman with glowing skin stands by a large window bathed in soft morning light. The city outside is modern and elegant. She gently applies the serum to her face, smiling with confidence. The camera captures close-up shots of the serum bottle with golden reflections, droplets of serum falling in slow motion, and smooth skin texture with a soft natural glow. She speaks in Thai with a calm, confident tone: “แค่ 7 วัน…ผิวของฉันดูกระจ่างใสขึ้นจริง ด้วย Merci Vitamin C+” Transition to visuals of the product on a white and gold background — text appears: “เซรั่มวิตซีเข้มข้น 3 อนุพันธ์ เพื่อผิวใส ดูสุขภาพดี” End with the brand logo “MERCI SKIN CARE” and tagline: “เพราะผิวสวยเริ่มต้นที่ความมั่นใจของคุณ” Cinematic style, ultra realistic, 4K, soft lighting, warm color grading, macro skincare shots, depth of field, elegant atmosphere, minimal luxury aesthetic, professional Thai actress.  •   Mood: “warm morning light, modern luxury tone”    •   Camera style: “slow motion, close-up, handheld movement, depth of field”    •   Sound design: “soft piano, natural ambient sounds, elegant music crescendo at the end”

17 days ago

A herd of elephants crosses a river at sunset. The water glows orange, rippling around their legs. Camera: drone shot pulling back slowly to reveal the savanna horizon. Style: cinematic nature documentary. Ambiance: golden hour light, warm tones. Audio: splashing water, distant birds, soft narration describing migration.