and stained-glass window patterns::1 Veo prompts

hundreds of results

5 months ago

### Positive Prompt（正向提示） a gothic female silhouette in monochrome, black-and-white, grayscale, wearing an avant-garde opaque black short-sleeve top with sculptural asymmetric seams, high neckline, fully covered chest, no cleavage, subtle white glow at the sternum, wide-brim felt hat partly shading the eyes, high-contrast rim light outlining shoulders and neck, soft volumetric fog, slow-shutter motion-blur trails, cinematic portrait, ultra-noir, photorealistic, 4K, 35 mm, f/1.4, masterpiece, highly detailed ### Negative Prompt（反向提示） nipples, nipple, bare chest, bare torso, exposed breast, underboob, sideboob, cleavage, deep cleavage, see-through, sheer, transparent fabric, mesh, lingerie, corset, swimsuit, color, chromatic, vivid, saturated, red, blue, green, yellow, pink, bulky coat, overcoat, trench coat, cape, hoodie, (lowres:1.2), (bad anatomy:1.1), (extra limbs), (multiple faces), (deformed), (blurry), (text), (watermark), (logo), (nsfw), (cartoon), (jpeg artifacts), (poorly drawn hands), (bad proportions) ### Sampling & Model Settings • Model : Stable Diffusion XL 1.0 • Resolution : 1080 × 1920（9∶16 直式） • Sampler : DPM++ 2M Karras • Steps : 30 • CFG Scale : 7.5 • Seed : -1（先隨機，挑到喜歡的 Seed 再鎖定） • Clip Skip : 2 • VAE : 官方 SDXL VAE • Hires Fix : Off ### 可選強化 • LoRA : `gothic_fashion_v1` 權重 0.6（增加服裝藝術感） • ControlNet : OpenPose / Canny（若想鎖定姿勢或剪影）

superten0910 PRO
1 85

9 days ago

A very crowded office elevator during morning rush hour. The doors are closed at the start of the video, and as they begin to slowly open, we hear soft elevator music from the ceiling speakers and a gentle mechanical hum. The camera holds a single, continuous, eye-level shot, focused tightly on two well-dressed colleagues standing face-to-face — uncomfortably close due to the packed space. Just as the elevator doors are halfway open, the man calmly and confidently says: “I once sneezed in the all-hands and clicked ‘share screen’ at the same time. No survivors.” The woman reacts with genuine laughter — amused but never exaggerated. As the doors open fully, a tall, green-skinned alien in a perfectly tailored gray business suit steps into the elevator, holding a briefcase and adjusting his tie with quiet composure. His expression is calm and professional. The music continues softly. Around him, the other passengers subtly register his presence — a brief pause in scrolling, a tiny glance in the reflection, a suppressed smile — but no one openly reacts or comments. The man and woman exchange a quick, knowing look, then step out of the elevator together. The alien remains inside, blending in as if nothing were unusual. The camera stays fixed in place the entire time. The atmosphere remains realistic and restrained — no exaggerated movements, no dialogue after the alien enters. The characters never look into the camera. Do not include any captions, subtitles, or on-screen text.

JamesPH PRO
0 13

2 months ago

This is a true story, the scene is set on a sunbaked, dusty red plain on the outskirts of Canberra. The air shimmers with heat. In the distance, the geometric shapes of Parliament House are just visible against a deep blue sky. The Confrontation with Kicki: A massive **Red Kangaroo** stands its ground. He is a specimen of immense power, over two meters tall, with a broad, muscular chest covered in thick, rust-red fur. His arms are sinewy and strong, ending in long, curled fingers with formidable claws. His tail, thick as a man's thigh, rests on the ground like a living tripod, providing a perfect base for his immense weight. His face is a picture of primal, territorial defiance, ears swivelled forward, and dark, intelligent eyes fixed on the intruder. This is not just any kangaroo; this is a bush monarch. Confronting him is **Politician Clive Henderson**. His face, florid and beaded with sweat, is contorted in a mask of self-important anger. He weighs 120kg, and it's a heavy, soft 120kg, stuffed into a now-wilted pinstripe suit, his parliamentary pin still glinting on the lapel. He has stumbled away from his taxpayer-funded SUV, which sits with its door open, and is now wildly gesturing a fat finger at the kangaroo. "You're in violation of the National Land Management Act, subsection 12-C!" Henderson bellows, his heavy weight voice echoing absurdly across the silent outback. "This is a designated corridor for future infrastructure development! I'll see your entire mob relocated!" The kangaroo doesn't understand the words, but it understands the tone: aggressive, threatening, and invasive. It lets out a low, guttural growl, a sound like grinding stones. **The Natural Reaction - The Kung Fu Kick:** What happens next is a blur of instinctual, biomechanical perfection. The politician Clive Henderson, emboldened by his own bluster, takes a heavy step forward. The kangaroo reacts. It shifts its immense weight onto its powerful tail and thick, pillar-like legs, coiling like a spring. Its upper body leans back, an action so fluid and balanced it looks like a trained martial arts stance. In one explosive, breathtaking motion, it unleashes the full force of its hind legs, Politician Clive Henderson is sent backwards in to his SUV and back on to the ground. The photo captures the millisecond before impact. * **The Politician:** His expression has just begun to shift from anger to pure, unadulterated shock. His jowls are jiggling from the sudden abort of his step. His arms are flailing, beginning to pinwheel backwards as his center of gravity is utterly and irrevocably compromised. * **The Kangaroo:** Its form is the epitome of power. The kick is a perfect, straight-legged thrust, aiming squarely at the man's chest. The claws on its feet, capable of eviscerating a rival male, are extended and visible in terrifying detail. Every muscle in its haunches and core is taut with transferred energy. * **The Environment:** A puff of red dust explodes from the point where the kangaroo's tail braced against the earth. The politician's expensive leather briefcase is frozen in mid-air, papers—"Economic Impact Assessments" and "Constituent Complaints"—spilling out like bureaucratic confetti. It is not a kick of anger, but of pure, efficient, natural physics. It is the Australian wilderness delivering a unanimous, non-partisan vote of no confidence. It is Bruce Lee's one-inch punch, scaled up to two hundred pounds of outback justice. The caption writes itself: *The Member for Canberra, learning about a more direct form of constituent feedback.* JDHampton + AI | Creative Alliance

JDHampton PRO
0 52

25 days ago

A cinematic commercial film for Merci Vitamin C+ Extra Bright Serum, a premium skincare brand from Thailand. Opening scene: a beautiful young Thai woman with glowing skin stands by a large window bathed in soft morning light. The city outside is modern and elegant. She gently applies the serum to her face, smiling with confidence. The camera captures close-up shots of the serum bottle with golden reflections, droplets of serum falling in slow motion, and smooth skin texture with a soft natural glow. She speaks in Thai with a calm, confident tone: “แค่ 7 วัน…ผิวของฉันดูกระจ่างใสขึ้นจริง ด้วย Merci Vitamin C+” Transition to visuals of the product on a white and gold background — text appears: “เซรั่มวิตซีเข้มข้น 3 อนุพันธ์ เพื่อผิวใส ดูสุขภาพดี” End with the brand logo “MERCI SKIN CARE” and tagline: “เพราะผิวสวยเริ่มต้นที่ความมั่นใจของคุณ” Cinematic style, ultra realistic, 4K, soft lighting, warm color grading, macro skincare shots, depth of field, elegant atmosphere, minimal luxury aesthetic, professional Thai actress.  •   Mood: “warm morning light, modern luxury tone”    •   Camera style: “slow motion, close-up, handheld movement, depth of field”    •   Sound design: “soft piano, natural ambient sounds, elegant music crescendo at the end”

875834d0787 PRO
0 30