blacks Veo prompts

very few results

3 months ago

Here’s a detailed cinematic image description in the style of *Mars Attacks!* with your elements: --- **Scene Description:** A wide, slightly tilted shot captures the chaos in a city square under a sickly greenish-yellow sky, reminiscent of 1950s pulp sci-fi. The art direction channels *Mars Attacks!*—satirical, exaggerated, colorful, yet grotesquely comical. In the foreground, panicked civilians in vintage-styled clothing — poodle skirts, horn-rimmed glasses, shiny suits — flee in all directions, their faces frozen in over-the-top expressions of terror. Some trip over debris, others scream upward at unseen attackers. A woman drops her tiny dog, who also yaps in cartoonish panic. Flames and black smoke billow from twisted metal structures. Amongst the rubble, several half-destroyed futuristic billboards flicker and spark. One prominently reads: **“TRY VEO 3 NOW ON PROMPTHERO”** The bold retro-futuristic font flashes intermittently, with part of the sign hanging loose, swaying dangerously. In the midground, a toppled hovercar smolders, while strange saucer-shaped ships hover ominously, firing neon-colored beams that disintegrate buildings into clouds of pixel-like dust. In the background, a cracked glass dome reveals a monstrous, oversized martian head leering down, its brain pulsating beneath a transparent helmet. The lighting is unnatural — sharp, high-contrast, with surreal, saturated colors that make the destruction feel both comedic and horrifying, true to *Mars Attacks!*’ satirical aesthetic.

1 month ago

A muscular, heavily tattooed man is caught mid-movement outdoors in a candid paparazzi-style magazine photo. He is shirtless and sweaty, wearing only loose black nylon athletic shorts with a drawstring and black wristbands that say “Skyhill” and “Push the Limit.” His head is slightly turned, but his face is looking directly into the camera with a confident, intense expression. He wears dark, reflective, wraparound sport sunglasses. His beard is thick and sculpted, his hair short and styled. The focus is on his numerous tattoos, rendered with extreme precision: – Right arm: a full-sleeve tribal geometric tattoo, densely filled with black ink, angular motifs, and symmetrical linework. – Left chest: a hyper-realistic lioness tattoo, expressive eyes, deep shading, fur texture. – Right collarbone: cursive writing tattoo, possibly a name or phrase. – Left side of the torso: a detailed anatomical heart in fine linework. – Lower abdomen: a small black cross tattoo, just above the waistband. – Left and right arms: additional tattoos include flowers, Roman numerals, and small symbolic designs. His chest and stomach are naturally very hairy, which contrasts with the sharp, clean lines of the tattoos. He has a sheen of sweat from physical effort, highlighting his defined abs and muscular torso. The background is softly out of focus: an outdoor grassy field, fencing, a second athletic man blurred in the distance, possibly a training partner. Lighting is realistic, sunlit but diffused, enhancing texture and mood. The style mimics a paparazzi snapshot: unposed, dynamic, slightly off-centered, with a gritty, masculine intensity — like a leaked photo from a celebrity’s outdoor CrossFit session.

26 days ago

Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Deep engine roar + guitar distortion (Nirvana) building in intensity. Start-up (15 sec) – Rider's POV Low-angle camera (Sons of Anarchy style), the rider (face hidden under a matte black helmet) twists the throttle. Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.