deep black Veo prompts

very few results

2 months ago

A muscular, heavily tattooed man is caught mid-movement outdoors in a candid paparazzi-style magazine photo. He is shirtless and sweaty, wearing only loose black nylon athletic shorts with a drawstring and black wristbands that say “Skyhill” and “Push the Limit.” His head is slightly turned, but his face is looking directly into the camera with a confident, intense expression. He wears dark, reflective, wraparound sport sunglasses. His beard is thick and sculpted, his hair short and styled. The focus is on his numerous tattoos, rendered with extreme precision: – Right arm: a full-sleeve tribal geometric tattoo, densely filled with black ink, angular motifs, and symmetrical linework. – Left chest: a hyper-realistic lioness tattoo, expressive eyes, deep shading, fur texture. – Right collarbone: cursive writing tattoo, possibly a name or phrase. – Left side of the torso: a detailed anatomical heart in fine linework. – Lower abdomen: a small black cross tattoo, just above the waistband. – Left and right arms: additional tattoos include flowers, Roman numerals, and small symbolic designs. His chest and stomach are naturally very hairy, which contrasts with the sharp, clean lines of the tattoos. He has a sheen of sweat from physical effort, highlighting his defined abs and muscular torso. The background is softly out of focus: an outdoor grassy field, fencing, a second athletic man blurred in the distance, possibly a training partner. Lighting is realistic, sunlit but diffused, enhancing texture and mood. The style mimics a paparazzi snapshot: unposed, dynamic, slightly off-centered, with a gritty, masculine intensity — like a leaked photo from a celebrity’s outdoor CrossFit session.

2 months ago

Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Deep engine roar + guitar distortion (Nirvana) building in intensity. Start-up (15 sec) – Rider's POV Low-angle camera (Sons of Anarchy style), the rider (face hidden under a matte black helmet) twists the throttle. Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.

4 months ago

CINEMATIC STYLE: Neo-noir thriller, premium commercial grade, film noir lighting aesthetics CAMERA: First-person POV perspective, handheld steadicam, subtle micro-movements, professional cinematography, starts medium-close, slowly pushes in to close-up MAIN SUBJECT - ALEX CHARACTER: Male, 30s, sharp angular facial features, piercing green eyes, defined jawline with subtle stubble Dark hair, black fedora hat with silk band, impeccably styled Black tailored suit jacket, crisp white dress shirt, geometric patterned dark tie Seated on champagne/cream leather sofa, upright posture, commanding presence Minimal movement - only slight head tilt, subtle eye tracking, controlled breathing Poker face expression, penetrating gaze that follows camera Final 2 seconds: leans forward toward camera, lips begin to part for speech BACKGROUND COMPOSITION: Behind Alex: champagne-colored leather sofa Above/behind: Black tapestry wall space REPLACED with: WATCH MECHANISM INSET VIDEO (30° angle, occupying tapestry space) Extreme macro: luxury watch internal components Golden balance wheel rotating slowly, hairspring coiling/uncoiling Jeweled bearings glinting, escapement mechanism oscillating Main barrel, bridge components, caliber gears turning Rotor spinning, tourbillon cage rotating once per minute All components pristine, polished, catching light beautifully Subtle golden reflections, precise mechanical ballet Components move in perfect synchronization Depth of field: sharp focus on rotating elements LIGHTING SETUP: Key light: Warm tungsten, 45° angle, creates dramatic shadows Fill light: Soft ambient, prevents harsh contrast Rim light: Subtle edge lighting on Alex's profile Background: Dramatic chiaroscuro on wall tapestry area Watch mechanism: Micro LED illumination, golden reflections MOVEMENT CHOREOGRAPHY: 0-2 sec: Static establishing shot, Alex motionless, eyes tracking 2-4 sec: Subtle head micro-movement, watch gears begin rotating 4-5 sec: Camera inch forward, Alex's gaze intensifies 5-8 sec: Alex leans toward camera, delivers complete monologue with slow, deep, rough voice DIALOGUE DELIVERY: Alex speaks with slow, deliberate pacing, deep rough voice, caring yet chilling tone: "So, you said, you want to test your limits?" Complete sentence delivered within final 3 seconds Audience fully hears and processes entire line Voice matches his commanding, authoritative presence AUDIO LANDSCAPE: Subtle lounge ambiance, low-frequency hum Delicate mechanical ticking (barely audible) Room tone: upscale, intimate space acoustics Alex's voice: Deep, rough, measured delivery, caring but menacing undertone TECHNICAL SPECIFICATIONS: 4K resolution, 24fps cinematic frame rate Color grade: Warm shadows, cool highlights Contrast: High dynamic range, deep blacks Focus: Rack focus capability, watch mechanism sharp Motion blur: Minimal, precise mechanical movements MOOD/ATMOSPHERE: Tension building toward climactic question Luxurious, sophisticated, slightly menacing Time/precision symbolism dominant Authority, control, calculated patience Intimate confrontation setup

2 days ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance

2 days ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance