distorted Veo prompts

1 month ago

A cinematic back view of a black musician sitting in a professional recording studio. The camera is positioned behind him, showing his back, shoulders, and the studio setup in front of him: large mixing console, glowing LED lights, studio monitors, and acoustic panels. She wears headphones and slightly nods to the rhythm while listening to music. The studio is dimly lit with colorful ambient lighting, creating a moody and creative vibe. High realism, 4K, slow camera movement forward over his shoulder. The scene is calm and slow but the distorted bass of the music coming out the studio headphones is energetic and buzzing, probably grime music

27 days ago

Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Deep engine roar + guitar distortion (Nirvana) building in intensity. Start-up (15 sec) – Rider's POV Low-angle camera (Sons of Anarchy style), the rider (face hidden under a matte black helmet) twists the throttle. Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.

1 month ago

Aerial cinematic shot of a massive crater burning in the middle of a vast, empty desert. Thick black smoke rises into the sky as flames erupt from deep inside the crater, glowing with intense orange and red hues. The desert around it is scorched and cracked from the heat, with heatwaves distorting the horizon. The camera slowly circles the crater, capturing the fiery inferno below. Dramatic lighting with strong contrasts between the glowing fire and the shadowed desert terrain. Apocalyptic mood, realistic textures and heat distortion effects, like captured with a high-end drone.

2 months ago

"A professional news broadcast interrupts regular programming with a bright red 'BREAKING NEWS' banner. The screen cuts to a live aerial shot of a nuclear power plant, just as a massive explosion tears through one of the reactor buildings. A blinding white flash is followed by a fireball, shockwave, and rising mushroom cloud. The camera shakes and distorts from the blast. Cut to a news anchor in the studio, visibly shaken but trying to stay composed. He says: 'We are interrupting live to bring you urgent news: a catastrophic explosion has just occurred at the Clearwater Nuclear Facility. We repeat — a nuclear reactor has exploded. The cause is currently unknown. This footage is live.' The broadcast cuts between chaotic live footage: panicked evacuations, emergency crews, distant sirens, and ash raining from the sky. On-screen graphics show a map with a growing red contamination zone. Radiation levels scroll across the bottom ticker. Cut to a field reporter in a hazmat suit near the exclusion perimeter. She yells over the noise: 'The situation here is rapidly deteriorating — the radiation is spiking, and officials are urging all residents within 30 kilometers to evacuate immediately. I can see fire crews moving in, but—' The feed glitches out briefly, then returns with static and emergency alerts. The segment ends with the anchor solemnly saying: 'This is a developing situation. Stay indoors. Do not go outside. More updates as we get them.'*

3 months ago

glitch art portrait, single woman with clearly defined edges, gaze, pure white background, clean minimal aesthetic, vertical digital distortion and fragmented interference patterns overlaying figure, corrupted pixelation, randomized vertical glitch artifacts, subtle data corruption aesthetic, softly diffused ambient lighting, gentle pastel hues accentuating glitches, high-definition ultra-detailed digital noise texture --ar 9:16 --raw --profile ue2yzjl --stylize 300 --v 7

3 months ago

glitch art portrait, single woman with clearly defined edges, gaze, pure white background, clean minimal aesthetic, vertical digital distortion and fragmented interference patterns overlaying figure, corrupted pixelation, randomized vertical glitch artifacts, subtle data corruption aesthetic, softly diffused ambient lighting, gentle pastel hues accentuating glitches, high-definition ultra-detailed digital noise texture --ar 9:16 --raw --profile ue2yzjl --stylize 300 --v 7

1 month ago

Create a hyper-realistic video that looks like found footage recorded on a shaky smartphone. A group of hikers is exploring a dense, foggy forest just after sunrise. Suddenly, they hear strange growling sounds echoing between the trees. One of them zooms in and captures a tall, thin humanoid creature partially hidden behind the trees — pale skin, glowing eyes, unnatural movements. As the hikers whisper and panic, the creature slowly turns its head and begins to approach. The camera becomes unsteady as they run, panting and screaming, with the last few frames showing a distorted figure rushing toward them. Style: handheld, eerie sound design, ambient forest noises, natural low light.

27 days ago

Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) the handlebars are high chopper type, like the usa bikers Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.

3 months ago

glitch art portrait, single woman with clearly defined edges, gaze, pure white background, clean minimal aesthetic, vertical digital distortion and fragmented interference patterns overlaying figure, corrupted pixelation, randomized vertical glitch artifacts, subtle data corruption aesthetic, softly diffused ambient lighting, gentle pastel hues accentuating glitches, high-definition ultra-detailed digital noise texture --ar 9:16 --raw --profile ue2yzjl --stylize 300 --v 7

16 days ago

{ "prompt": "Extreme close-up ASMR-style video of a large, glossy white gelatin dessert on a spotless white table. Inside the wobbling gelatin, an iPhone is clearly visible, its shape distorted by the translucent surface. Two clean human hands slowly approach from both sides, gently squeezing and pressing the gelatin, creating satisfying wobble and squish movements. Suddenly, the hands tear into the gelatin with exaggerated, slow force, producing sticky, juicy sounds as pieces stretch and snap apart. The iPhone begins to emerge as gelatin chunks fall and splatter on the table. The camera focuses on every micro-detail: glistening gelatin fibers, droplets sliding down the phone, and finger movements sinking into the jelly. The audio captures intense ASMR sounds — squelches, squishes, and pops — in crystal clarity, mixed with subtle ambient silence for maximum focus. The pace alternates between slow, teasing motions and sudden satisfying destruction.", "style": "ASMR close-up, ultra-realistic macro cinematography, sensory satisfaction", "camera": "handheld macro, extreme close-ups, focus pulls on texture and phone", "lighting": "bright, soft, high-key studio lighting with specular highlights on gelatin", "sound": "high-fidelity ASMR audio of squelching, tearing, wobbling, and gentle hand movements", "effects": "slow motion at key moments, shallow depth of field, micro focus shifts", "aspect_ratio": "9:16", "resolution": "8K", "framerate": "120fps" }