framed by thin Veo prompts

3 months ago

Create a hyper-realistic video that looks like found footage recorded on a shaky smartphone. A group of hikers is exploring a dense, foggy forest just after sunrise. Suddenly, they hear strange growling sounds echoing between the trees. One of them zooms in and captures a tall, thin humanoid creature partially hidden behind the trees — pale skin, glowing eyes, unnatural movements. As the hikers whisper and panic, the creature slowly turns its head and begins to approach. The camera becomes unsteady as they run, panting and screaming, with the last few frames showing a distorted figure rushing toward them. Style: handheld, eerie sound design, ambient forest noises, natural low light.

2 months ago

A photorealistic, cinematic, 8K HDR, unbroken one-take shot. The camera is locked-off in a wide shot of a modern, stylish living room. A 21-year-old fit woman in a workout bra, yoga pants, and running shoes sits on a couch holding a large cupcake. She smiles and says, "These always go straight to my thighs," then takes a huge bite. The moment she swallows, a magical two-stage transformation begins. First, only her lower body swells at a cartoonish rate; her massive thighs and legs cause the couch frame beneath her to groan and shatter. Her yoga pants and running shoes stretch seamlessly, the high-tech fabric becoming paper-thin and translucent under the strain, perfectly conforming to her immense size without tearing. After a moment of shocked panic, the rest of her body explodes outwards, growing to a colossal scale that fills the entire room, toppling furniture. Her workout bra also stretches impossibly, becoming a single, seamless layer over her expanding form. Her final form is a joyous, room-sized giantess, her impossibly stretched clothes perfectly containing her massive body. Her panic melts into a blissful, satisfied smile as she murmurs, "...worth it."

20 days ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance

20 days ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance