glasses Veo prompts

very few results

3 months ago

Here’s a detailed cinematic image description in the style of *Mars Attacks!* with your elements: --- **Scene Description:** A wide, slightly tilted shot captures the chaos in a city square under a sickly greenish-yellow sky, reminiscent of 1950s pulp sci-fi. The art direction channels *Mars Attacks!*—satirical, exaggerated, colorful, yet grotesquely comical. In the foreground, panicked civilians in vintage-styled clothing — poodle skirts, horn-rimmed glasses, shiny suits — flee in all directions, their faces frozen in over-the-top expressions of terror. Some trip over debris, others scream upward at unseen attackers. A woman drops her tiny dog, who also yaps in cartoonish panic. Flames and black smoke billow from twisted metal structures. Amongst the rubble, several half-destroyed futuristic billboards flicker and spark. One prominently reads: **“TRY VEO 3 NOW ON PROMPTHERO”** The bold retro-futuristic font flashes intermittently, with part of the sign hanging loose, swaying dangerously. In the midground, a toppled hovercar smolders, while strange saucer-shaped ships hover ominously, firing neon-colored beams that disintegrate buildings into clouds of pixel-like dust. In the background, a cracked glass dome reveals a monstrous, oversized martian head leering down, its brain pulsating beneath a transparent helmet. The lighting is unnatural — sharp, high-contrast, with surreal, saturated colors that make the destruction feel both comedic and horrifying, true to *Mars Attacks!*’ satirical aesthetic.

4 months ago

An ethereal, cinematic portrait of an impossibly beautiful woman seen fleetingly at an airport—a face that lingers in your memory like a ghost of a dream, never to be seen again. She stands frozen in time at the heart of the image, delicate and soft, with porcelain skin and flowing hair gently caught by an unseen breeze. Her expression is distant, introspective, as if she’s not fully part of the world around her. Around her, the airport pulses with blurred motion—travelers rushing by in streaks of abstract colors and bokeh lights, emphasizing the stillness of her presence. The chaos of human movement becomes an impressionistic whirlpool of life, but she remains untouched, a fragile island of serenity in the storm. The atmosphere is dreamlike, whispy, and soft focus, with cinematic depth of field that isolates her figure in the center—sharp yet veiled in a gentle haze, as if remembered through fogged glass. The colors are muted pastels with hints of teal, beige, and soft golden highlights, evoking the bittersweet feeling of something beautiful slipping away. Composition captures her from slightly below eye level, adding a sense of reverence and loss. Use subtle film grain, motion blur for the surroundings, and a delicate lens flare cutting through from overhead fluorescent lights. The scene is crafted to feel like a memory you can't quite place—fragile, aching, eternal. Shot with a Leica M11 paired with a vintage 50mm f/0.95 Noctilux lens, aperture wide open at f/0.95 to create an impossibly shallow depth of field, ISO 320, shutter speed 1/125 sec—designed to capture the surreal interplay of stillness and movement, focus and blur, presence and absence.