horn Veo prompts

3 months ago

Here’s a detailed cinematic image description in the style of *Mars Attacks!* with your elements: --- **Scene Description:** A wide, slightly tilted shot captures the chaos in a city square under a sickly greenish-yellow sky, reminiscent of 1950s pulp sci-fi. The art direction channels *Mars Attacks!*—satirical, exaggerated, colorful, yet grotesquely comical. In the foreground, panicked civilians in vintage-styled clothing — poodle skirts, horn-rimmed glasses, shiny suits — flee in all directions, their faces frozen in over-the-top expressions of terror. Some trip over debris, others scream upward at unseen attackers. A woman drops her tiny dog, who also yaps in cartoonish panic. Flames and black smoke billow from twisted metal structures. Amongst the rubble, several half-destroyed futuristic billboards flicker and spark. One prominently reads: **“TRY VEO 3 NOW ON PROMPTHERO”** The bold retro-futuristic font flashes intermittently, with part of the sign hanging loose, swaying dangerously. In the midground, a toppled hovercar smolders, while strange saucer-shaped ships hover ominously, firing neon-colored beams that disintegrate buildings into clouds of pixel-like dust. In the background, a cracked glass dome reveals a monstrous, oversized martian head leering down, its brain pulsating beneath a transparent helmet. The lighting is unnatural — sharp, high-contrast, with surreal, saturated colors that make the destruction feel both comedic and horrifying, true to *Mars Attacks!*’ satirical aesthetic.

2 months ago

Aerial tracking shot with a 35mm lens on an ARRI Alexa Mini LF, shallow depth of field, handheld vibration subtly mimicking the train’s rumble, 24fps with slight motion blur and soft Kodak film grain. A lean Indian man in his early 30s, dust-covered white kurta flapping in the wind, bare feet gripping the rusted top of a freight train wagon as it speeds through rural India. Late afternoon golden hour, with warm low sunlight casting elongated shadows across dried grass fields and distant banyan trees. In the distance, a dark stone bridge looms rapidly ahead. The man, drenched in sweat, eyes wide, doesn’t flinch—his jaw tightens as the camera tilts slightly to emphasize the shrinking space between his head and the arch. Background blurs as the train barrels forward, wheels clanking louder, tension building with every screech of metal on rail. Just as his skull seems seconds from cracking against stone, the camera abruptly cuts to a side dolly shot revealing a hidden gap between his head and the archway—only inches, but enough. The illusion breaks; the man passes under safely. His chest heaves once. Lighting remains warm but dappled, with slight lens flare from the sun streaking across frame. Emotional tone: Pure tension giving way to breathless relief. Audio cues: Rising train noise, ambient wind, an eagle’s cry overhead, distant horns. A sharp whoosh as the train clears the bridge, followed by the fading echo of rails humming. Color Palette: Earth tones, sun-baked yellows and browns, deep shadowed grays from the bridge. Dialogue: None. The silence after the near miss says everything. shot in cinematic style.

3 days ago

A massive lion has escaped and is wandering through a quiet residential neighborhood. The scene shows people on the streets screaming and running away in fear. Some drop their shopping bags, others try to hide inside their houses. Cars stop abruptly, horns blaring, while the lion roars and walks between parked vehicles. Shot in realistic handheld style, like amateur smartphone footage taken by a shocked neighbor. Tense, chaotic atmosphere, natural daylight, suburban houses and trees in the background. Ultra-realistic detail, dramatic and cinematic.

3 days ago

A massive lion has escaped and is wandering through a quiet residential neighborhood. The scene shows people on the streets screaming and running away in fear. Some drop their shopping bags, others try to hide inside their houses. Cars stop abruptly, horns blaring, while the lion roars and walks between parked vehicles. Shot in realistic handheld style, like amateur smartphone footage taken by a shocked neighbor. Tense, chaotic atmosphere, natural daylight, suburban houses and trees in the background. Ultra-realistic detail, dramatic and cinematic.