setting Veo prompts

very few results

2 months ago

The image is a waist-up portrait of a woman standing on a beach, wearing an elaborate, fantasy-style costume in shades of blue and green. The background consists of a bright blue sky and the ocean. The Woman: She is the central figure, positioned in the middle of the frame and facing the viewer. The Costume: The main part of the costume, a metallic, scale-patterned bodysuit, covers her torso. It is layered under a flowing blue robe. The Background: The ocean horizon is visible behind her, roughly at her waist level. The upper two-thirds of the background is a clear, bright blue sky with a few faint clouds on the left. The Woman's Appearance: She has long, thick brown hair blowing gently in the breeze. She has light-colored eyes and is looking directly at the camera with a neutral expression. Her fingernails are painted a vibrant royal blue. Clothing and Accessories: Bodysuit/Armor: The core of the outfit is a form-fitting piece that resembles armor or intricate body paint. It has an iridescent, metallic finish that shifts between turquoise green and deep blue. The surface is detailed with a pattern that looks like fish or dragon scales. It features a deep, plunging neckline. Robe: She wears a lightweight, royal blue robe or cloak with an open front and long, wide, flowing sleeves. The shoulders are cut out. Accessories: Around her neck, she wears a matching blue necklace with a design that culminates in a dagger-shaped pendant. The costume also has decorative elements at the hips, including small silver-colored charms and tassels made of a leathery material. Environment: The setting is a bright, sunny day on a beach. The lighting is direct and strong, highlighting the metallic sheen of her costume.

1 month ago

Futuristic epic adventure scene, a massive **Tartaria-incredible megalithic building** in the background with **two ancient mythological flying spaceships** hovering, powered by **mercury rotational engines**. The setting is a **thick, lush jungle at sunrise**, with **bioluminescent flora** casting an ethereal glow. An **incredibly advanced spaceship** arrives for inspection at the **Transolar Line’s Arrival Depot**, stationed near the Tartaria structure. The **spaceship** features: - A **sleek, ultra-strong front pilot window** with a **geometric sleek armoured design** - **Large, intricately designed wings** with **ochre-orange markings** along the hull - **Complex futuristic engines** glowing with **neon reflections** - **Symmetrical, hyper-detailed** hard-surface design with **triadic color accents** In the background, a **massive hyperspace-capable mothership** looms, emitting a **soft radiant glow**. Nearby, **cybernetically enhanced humans and robots** watch the arrival—some with **polished metallic limbs, synthetic musculature, and advanced AI-enhanced optics**, blending organic and robotic traits seamlessly. **Art Style & Technical Details:** - **Cinematic hyper-realism** with **Unreal Engine 5 RTX shaders** - **Octane render, ultra-HD textures**, and **golden ratio composition** - **Wide-angle shot**, balanced symmetry, **dynamic lighting** (sunrise + bioluminescence) - **Metallic silver, ochre-orange, and vibrant neon** color scheme - **Professional digital artwork**, resembling a **sci-fi movie poster** - **Mysterious, immersive atmosphere** with **highly detailed mechanical elements** --ar **9:16** --style **raw** --v **6.1** JDHampton + AI | Creative Alliance

2 months ago

FOCUSING ON NICE CLEAR STABLE FOOTAGE of the following: "Futuristic epic adventure scene, a massive **Tartaria-inspired megalithic building** in the background with **two ancient mythological flying spaceships** hovering, powered by **mercury rotational engines**. The setting is a **thick, lush jungle at sunrise**, with **bioluminescent flora** casting an ethereal glow. THE CAMERA ANGLE WIDE STEADY PACE FROM CLOSE UP AND MOVING AWAY AND CAN STILL SEE SPACESHIP AND ALL THE LANDSCAPE. An **the incredibly advanced which is a highly detailed spaceship,** arrives for inspection at the **Transolar Line’s Arrival Depot**, stationed near the Tartaria structure. The **spaceship** features: - A **sleek, ultra-strong front pilot window** with a **geometric sleek armoured design** - **Large, intricately designed wings** with **ochre-orange markings** along the hull - **Complex futuristic engines** glowing with **neon reflections** - **Symmetrical, hyper-detailed** hard-surface design with **triadic color accents** In the background, a **massive hyperspace-capable mothership** looms, emitting a **soft radiant glow**. Nearby, **cybernetically enhanced humans and robots** watch the arrival—some with **polished metallic limbs, synthetic musculature, and advanced AI-enhanced optics**, blending organic and robotic traits seamlessly. **Art Style & Technical Details:** - **Cinematic hyper-realism** with **Unreal Engine 5 RTX shaders** - **Octane render, ultra-HD textures**, and **golden ratio composition** - **Wide-angle shot**, balanced symmetry, **dynamic lighting** (sunrise + bioluminescence) - **Metallic silver, ochre-orange, and vibrant neon** color scheme - **Professional digital artwork**, resembling a **sci-fi movie poster** - **Mysterious, immersive atmosphere** with **highly detailed mechanical elements** --ar **9:16** --style **raw** --v **6.1** Clear, precise, accurate movement, steady pace on the image, get it correct one time. easy work JDHampton + AI | Creative Alliance

12 days ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance

12 days ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance