smoking Veo prompts

3 months ago

Here’s a detailed cinematic image description in the style of *Mars Attacks!* with your elements: --- **Scene Description:** A wide, slightly tilted shot captures the chaos in a city square under a sickly greenish-yellow sky, reminiscent of 1950s pulp sci-fi. The art direction channels *Mars Attacks!*—satirical, exaggerated, colorful, yet grotesquely comical. In the foreground, panicked civilians in vintage-styled clothing — poodle skirts, horn-rimmed glasses, shiny suits — flee in all directions, their faces frozen in over-the-top expressions of terror. Some trip over debris, others scream upward at unseen attackers. A woman drops her tiny dog, who also yaps in cartoonish panic. Flames and black smoke billow from twisted metal structures. Amongst the rubble, several half-destroyed futuristic billboards flicker and spark. One prominently reads: **“TRY VEO 3 NOW ON PROMPTHERO”** The bold retro-futuristic font flashes intermittently, with part of the sign hanging loose, swaying dangerously. In the midground, a toppled hovercar smolders, while strange saucer-shaped ships hover ominously, firing neon-colored beams that disintegrate buildings into clouds of pixel-like dust. In the background, a cracked glass dome reveals a monstrous, oversized martian head leering down, its brain pulsating beneath a transparent helmet. The lighting is unnatural — sharp, high-contrast, with surreal, saturated colors that make the destruction feel both comedic and horrifying, true to *Mars Attacks!*’ satirical aesthetic.

2 months ago

Composition: Handheld selfie close-up, 35mm lens, shallow depth of field, golden hour flare, film grain Main Subject: Hercules—muscular frame, lion pelt over shoulder, visibly sweaty, lion claw gripping his chest. Scene Description: On the temple steps, Delphi bathed in late sun, with smoke wafting from burning offerings Visual Details: Hercules raises an eyebrow, lifts the camera to his face with his club slung behind, catches the sun glare and says, “So… turns out shagging too many priestesses gets you divine punishment. Who knew?” Cinematographic Style: Natural light, slight camera wobble for realism, backlighted flare Emotional Tone: Confessional irony, masking dread with charisma Audio Cues: Murmuring oracle chants behind him, torch crackle, ambient cicadas Color Palette: Earth tones, golden bleed Dialogue: Hercules (smirks): “Hey fam. Quick life update: I pissed off Hera. Again.” FINAL PROMPT: A handheld selfie-style close-up shot on a 35mm lens with shallow depth of field and light golden-hour flare, Hercules—muscular, bronze-skinned, curly dark hair, wearing a lion pelt and dusty chiton—leans toward the camera on the temple steps at Delphi, the smoky sunlight catching his eyes as he says, “Hey fam. Quick life update: I pissed off Hera. Again.” in a tone both casual and ominous. Background filled with murmuring priests, crackling torches, and dusty olive groves. Shot in cinematic style.

28 days ago

Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Deep engine roar + guitar distortion (Nirvana) building in intensity. Start-up (15 sec) – Rider's POV Low-angle camera (Sons of Anarchy style), the rider (face hidden under a matte black helmet) twists the throttle. Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.

28 days ago

Close-up of the engine (Image attached for reference: Custom Harley-Davidson with neon blue lights in the engine) the handlebars are high chopper type, like the usa bikers Ultra-detailed close-up of the engine running, the blue lights pulsing in sync with the opening chords of "Come As You Are" (Nirvana - slow, distorted version). Blue engine lights radiating through the smoke (simulated cold start). Gravel spray under the rear wheel (simulated in post-production). Roar of the Harley (authentic Twin Cam '96 sound) + explosive Nirvana drums starting up. Departure towards the street (20 sec) – Tracking shot back Camera moving at wheel height, following the motorcycle as it drives away down a deserted urban street (neon signs of unlit stores, wet ground reflecting blue lights). Color grading with a blue/black tint (inspired by Nicolas Winding Refn's "Drive"). Motion blur at the edges of the image to accentuate the speed. Sound: Mix of engine sound + Nirvana chorus (at 0:45 of the song for emotional impact). Excerpt from "Come As You Are" (Nirvana) – saturated instrumental version with accentuated bass. Low frequencies for the engine (20-80 Hz). Reverb on the guitar for an "underground garage" effect. Blue light trails behind the motorcycle (Tron-style, but subtle). Dust particles suspended in the headlight beams.

1 month ago

Aerial cinematic shot of a massive crater burning in the middle of a vast, empty desert. Thick black smoke rises into the sky as flames erupt from deep inside the crater, glowing with intense orange and red hues. The desert around it is scorched and cracked from the heat, with heatwaves distorting the horizon. The camera slowly circles the crater, capturing the fiery inferno below. Dramatic lighting with strong contrasts between the glowing fire and the shadowed desert terrain. Apocalyptic mood, realistic textures and heat distortion effects, like captured with a high-end drone.

2 months ago

Generate a hyper-realistic video showing a mysterious glowing object already on a crowded beach — people gather around in confusion, some filming with their phones. One curious bystander slowly approaches and reaches out to touch it, while others scream and back away in fear. The sand around the object is scorched and lightly smoking. Make it look like amateur phone footage, with shaky cam, chaotic sounds, and dramatic lighting. Style: found footage, cinematic realism.

30 days ago

A dramatic cinematic scene: Two men stand near the base of an erupting volcano. One man holds a microphone and interviews the other. The background shows glowing lava, ash clouds, and smoke rising from the crater. The interviewee looks tense but answers calmly. Both are wearing rugged outdoor clothing. The atmosphere is intense, with warm red and orange lighting from the lava, and dramatic camera movement. Realistic human faces, 16:9 format, ultra-detailed, high dynamic range.

3 months ago

Steampunk bio-morphic ethereal glow. Acrylic splash art, opaline pearlescent ink, translucent glaze. Anthropomorphic Steampunk biomorphic Australian Dreamtime Faeries, life creation. Dot art, hyper textured, spiral fractals concentric circles. A dazzlingly unkempt Digital artwork with intricate details, including dark colors and flawless gradients in precise Pantone shades. A super cute SD-style Buddhist monk riding a wooden fixed-gear bicycle. The monk has a fully shaved head with a large round brown prayer bead headband, eyes closed in peaceful meditation, wearing a dark grey samue-style robe with the white kanji "空" on the shoulder. He wears no gloves. The bike is entirely wood-textured with a straight bar handle, and a small incense burner is attached to the rear, releasing a wisp of smoke. Intricate details and expert execution. Layers of Light, explores chiaroscuro and color layering, creating luminous, lifelike portraits. Warm and cool tones blend seamlessly, bringing depth to skin, while rich fabrics in deep reds and greens add movement. More than technique, this exhibition captures emotion, resilience, and presence, honoring the timeless beauty of the human experience through light and shadow.

9 days ago

{ "shot": { "composition": "handheld shaky framing with slight zoom as the camera struggles to focus", "lens": "consumer camcorder / smartphone lens, low dynamic range", "frame_rate": "30fps", "camera_movement": "erratic handheld movements with quick pans between tourists and erupting volcano" }, "subject": { "description": "a group of shocked tourists on the summit of a volcano suddenly reacting as the crater erupts violently with smoke, fire, and falling ash", "wardrobe": "casual summer clothes, backpacks, hats, cameras hanging from their necks", "props": "selfie sticks, water bottles, backpacks, hiking poles" }, "scene": { "location": "volcano summit with panoramic view of the crater", "time_of_day": "late afternoon with cloudy sky", "environment": "lava bursting, smoke columns rising, ash and dust in the air, glowing red rocks ejecting from the crater" }, "style": { "realism": "raw, amateur travel footage", "aesthetic": "slightly grainy, overexposed highlights, imperfect focus for realism", "mood": "sudden panic and awe as eruption begins" } }

2 months ago

a highly detailed UFO crashed in a realistic spruce forest, smoke coming from the UFO, Cracked ground, onlookers

27 days ago

A stunning, realistic female space fighter pilot with fierce green eyes and a futuristic armored flight suit stands confidently on the edge of a battle-scarred landing deck aboard a massive starship. Behind her, the hangar glows with red emergency lights and rising smoke. Sleek fighter jets hover mid-air under a starlit sky filled with alien warships. Explosions flicker in the distance, casting orange and blue reflections on her metallic gear. Her short hair is wind-blown, and her face is determined. Cinematic lighting. Ultra-realistic textures. Intense sci-fi atmosphere. Film scene quality. DOF, anamorphic lens, 4K.

14 days ago

A cinematic, family‑friendly 4K video sequence with an awe‑inspiring, subtly eerie mood (not horror). An enormous, enigmatic giant octopus rises smoothly from a calm twilight ocean. Its long, elegant tentacles with soft bioluminescent patterns move with grace. A large, unbranded ocean cruise liner (empty decks, no people visible) glides on still water. In a stylized, non‑violent interaction, the octopus’s tentacles align along the ship’s midline. The vessel appears to separate cleanly into two symmetrical sections, as if along a pre‑designed seam—no splintering, no smoke, no fire, no debris. The two halves drift apart gently on a mirror‑like sea, guided by the creature’s serene presence. Cinematography: wide aerial establishing shot; smooth dolly‑in; elegant close‑ups of bioluminescent textures; brief underwater view of tentacles gliding; slow‑motion wide shot of the ship’s clean separation and the two halves gliding apart. Lighting: soft twilight blues and violets, subtle rim light. Sound: calm ambient score and ocean hush; no alarms, screams, or panic. Style: realistic CGI or tasteful photoreal stylization, steady camera, high detail. Duration: 20–30 seconds. SFW: no violence, no injury, no fear, no distress, no passengers.