surrealism Veo prompts

very few results

4 months ago

Here’s a detailed cinematic image description in the style of *Mars Attacks!* with your elements: --- **Scene Description:** A wide, slightly tilted shot captures the chaos in a city square under a sickly greenish-yellow sky, reminiscent of 1950s pulp sci-fi. The art direction channels *Mars Attacks!*—satirical, exaggerated, colorful, yet grotesquely comical. In the foreground, panicked civilians in vintage-styled clothing — poodle skirts, horn-rimmed glasses, shiny suits — flee in all directions, their faces frozen in over-the-top expressions of terror. Some trip over debris, others scream upward at unseen attackers. A woman drops her tiny dog, who also yaps in cartoonish panic. Flames and black smoke billow from twisted metal structures. Amongst the rubble, several half-destroyed futuristic billboards flicker and spark. One prominently reads: **“TRY VEO 3 NOW ON PROMPTHERO”** The bold retro-futuristic font flashes intermittently, with part of the sign hanging loose, swaying dangerously. In the midground, a toppled hovercar smolders, while strange saucer-shaped ships hover ominously, firing neon-colored beams that disintegrate buildings into clouds of pixel-like dust. In the background, a cracked glass dome reveals a monstrous, oversized martian head leering down, its brain pulsating beneath a transparent helmet. The lighting is unnatural — sharp, high-contrast, with surreal, saturated colors that make the destruction feel both comedic and horrifying, true to *Mars Attacks!*’ satirical aesthetic.

5 months ago

An ethereal, cinematic portrait of an impossibly beautiful woman seen fleetingly at an airport—a face that lingers in your memory like a ghost of a dream, never to be seen again. She stands frozen in time at the heart of the image, delicate and soft, with porcelain skin and flowing hair gently caught by an unseen breeze. Her expression is distant, introspective, as if she’s not fully part of the world around her. Around her, the airport pulses with blurred motion—travelers rushing by in streaks of abstract colors and bokeh lights, emphasizing the stillness of her presence. The chaos of human movement becomes an impressionistic whirlpool of life, but she remains untouched, a fragile island of serenity in the storm. The atmosphere is dreamlike, whispy, and soft focus, with cinematic depth of field that isolates her figure in the center—sharp yet veiled in a gentle haze, as if remembered through fogged glass. The colors are muted pastels with hints of teal, beige, and soft golden highlights, evoking the bittersweet feeling of something beautiful slipping away. Composition captures her from slightly below eye level, adding a sense of reverence and loss. Use subtle film grain, motion blur for the surroundings, and a delicate lens flare cutting through from overhead fluorescent lights. The scene is crafted to feel like a memory you can't quite place—fragile, aching, eternal. Shot with a Leica M11 paired with a vintage 50mm f/0.95 Noctilux lens, aperture wide open at f/0.95 to create an impossibly shallow depth of field, ISO 320, shutter speed 1/125 sec—designed to capture the surreal interplay of stillness and movement, focus and blur, presence and absence.

5 months ago

A breathtaking, painterly 2D animated continuous visual narrative, rendered with the lush, vibrant, and slightly surreal, almost dreamlike, infused with the intricate, delicate detail of traditional Japanese woodblock prints (Ukiyo-e), follows a young, adventurous, and kind-hearted girl (perhaps with bright, curious eyes and wearing simple, practical, beautifully patterned traditional Japanese farm attire) as she befriends a colossal, gentle, ancient Forest Spirit. The Spirit is a magnificent, awe-inspiring creature, its form a harmonious blend of animal and plant – perhaps with moss-covered, antler-like branches, fur like shimmering leaves that change color with its mood, and eyes like deep, tranquil forest pools. They meet in a sun-dappled, sacred grove deep within an ancient, primeval forest, where impossibly tall, gnarled trees form a living cathedral and tiny, glowing, friendly forest sprites (Kodama-like) peek from behind mossy rocks and giant, fantastical mushrooms. The girl, initially awestruck, offers the massive Spirit a small, carefully cultivated offering – perhaps a perfectly ripe persimmon or a handful of wild berries – her gesture one of pure, innocent respect and affection. The Forest Spirit responds with a slow, gentle inclination of its massive head, its leafy fur rustling like a thousand whispers, and perhaps causes a shower of magical, luminous flower petals to drift down from the canopy, or a tiny, new sapling to sprout at the girl's feet. The animation captures the incredible, detailed textures of the forest, the Spirit's majestic yet gentle presence, and the profound, unspoken emotional connection forming between the child and this ancient guardian of nature. The color palette is a rich symphony of deep forest greens, earthy browns, vibrant floral hues, and the soft, magical glow of the sprites and the Spirit's own subtle luminescence. This continuous, sweeping visual journey is a celebration of the profound, often mystical, bond between humanity and nature, the innocence and courage of childhood, and the power of kindness and respect to bridge even the most fantastical of divides, an affectionate, visually intoxicating ode to ecological harmony and interspecies understanding. The only implied sounds are the gentle rustling of leaves, the distant calls of unseen forest birds, the girl's soft, respectful breathing, the Spirit's deep, resonant, almost inaudible hum, and a soaring, emotionally resonant, orchestral score.

12 days ago

Image is a digital painting with an abstract style, featuring a dreamlike surrealism and ethereal composition. The layout is dynamic, with swirling colors and fluid lines that create a sense of movement. Image is a exotic botanical garden, bold vibrant colorful pollywoggle hybridized polymorphic nautilus crab and seahorse, steampunk elements, neon graphic pop art vector design for a ready to print Tee shirt motif, fantasy black light illustration steampunk elements surreal abstract Mandelbrot mirrored duality, 3D, splash art. A Rorschach Klecksography pop art graphic vector design of a symmetrical exotic wildflower garden, orchids, bromeliads, ferns anthropomorphic lotus-orchid hybrid, bursting with detail. The illustrative sketches are hand drawn depicted as a composite of different art mediums, oil paint ink wash, blend seamlessly with the surrounding colors, giving an impression of unity with the environment. The background is a blend of warm and cool hues, suggesting a sunset or sunrise, with a soft glow that enhances the serene and mystical atmosphere. The overall effect is one of tranquility and grace, the flowers as a focal point amidst the abstract swirls of color. Using only Egyptian hieroglyphics create a masterful composite 3D Digital watercolor and ink wash HDR artwork featuring a distinct fantasy garden, Iridescent colors and dramatic cinematic style define a surreal, close-up illustration of a a surrealistic Rorschach garden. The double exposure Rorschach style uses a film-like composition with iridescent reflections.

2 days ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance

2 days ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance