the sun is setting Veo prompts

6 months ago

Surreal Medium: Wet-on-wet Blended and Layered acrylic impasto painting, Subject: swirling sandstorms, Djinn, a lone withered tree on the left. The color palette is predominantly sepia and gradient sunset tones, enhancing the ancient, mystical atmosphere, dreamlike atmosphere, otherworldly ethereal, featuring a swirling desert landscape with a prominent vortex rising from the sands into the sky. The vortex forms the face of a Djinn with glowing yellow eyes and flowing hair that blends seamlessly into the swirling clouds. Her skin is a warm, sandy hue, complementing the desert tones. The background showcases a barren tree on the left and a setting sun on the right, casting a golden glow across the scene. The sky is filled with dynamic cloud formations, enhancing the dramatic and mystical atmosphere of the composition.

3 months ago

beautiful detailed digital animation, fluid smooth graphics, professional slow motion animation featuring a mechanical Gryphon with intricate details, it soars up banks left and swoops down to land . The Gryphon has a metallic body with visible gears and joints, giving it a robotic appearance. Its wings are large and feathered, with a gradient of orange and brown hues, adding a sense of realism and texture. The gryphon's head is adorned with sharp gaping beak, glowing red eyes and magnificent mane of translucent luminous feathers, creating an intense and fierce expression. The background is a muted, rocky mountain landscape, with clouds lingering around the mountain tops tinged with an ethereal beauty from the setting sun, enhancing the focus on the Gryphon. The overall composition is dynamic, with the gryphon positioned in a powerful stance, just lifting off into the twilight sky showcasing its detailed craftsmanship and imaginative design, it soars up banks left and swoops down to land, perfect, mechanical form, master crafted, brilliant design. hauntingly beautiful ethereal fantasy music

5 months ago

surreal semi realistic landscape photograph, cool blue light to dark gradients, muted soft tones, dark blue light blue midnight blue gradient tones just after the sun sets, blue hour twilight, featuring a surreal and ethereal double exposure style. It depicts the profile of a female figure with a serene expression, her skin appearing smooth and luminous. a large, wispy trailing wave of faint translucent wispy shapes that resembles mares tail cirrus clouds, star filled filled night sky integrated into the design. The color palette is a blend of blues, light and dark contrasting shades and shadows, and faint wispy diffused muted hues, creating a dark emotionally charged atmosphere. The background is a dark gradient, enhancing the powerful tumultuous quality of the scene. The overall composition is balanced but powerful, with intricate details and a sense of elemental power, cool luminous glow., adding a serene tone to the image. The overall composition is rich in color and detail, creating a soothing and meditative atmosphere.

2 months ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance

2 months ago

Cinematic fusion of Ned Kelly and the Mad Max 2 Ford V8 Interceptor, brought to life in the Australian outback, image captured by the best wildlife photographer in the whole wide world The Outback holds its breath in the hour before dawn. The air is cold, the silence absolute, broken only by the faint, ticking sound of a cooling engine. He is a spectre from two legends, a figure forged in the crucible of Australian myth. Clad not in the crude black iron of the Kelly Gang, but in a battle-hardened amalgam of scrap metal and salvaged history. His helmet is a fearsome, sculpted steel skull, its narrow eye-slit reflecting a sliver of the coming sun. The iconic square breastplate is still there, but it's welded to worn leather and car body panels, etched with the scars of the wasteland. He stands beside his mechanical steed: the last of the V8 Interceptors. The Ford Falcon XB Coupe is a beast of gleaming menace and dust-caked grit. Its supercharger juts from the hood like a blackened cannon, and the fuel tanks strapped to its sides hint at a terrible, explosive power. The paint is long gone, replaced by the raw, sun-baked patina of the desert. The scene is set on a vast, salt pan, its cracked white surface stretching to a horizon of low, rugged hills. The sky above is a masterpiece of deep indigo, against which the Milky Way spills a river of diamond dust. To the east, a thin band of tangerine and magenta bleeds into the darkness, casting the entire landscape in a surreal, cinematic glow. The photographer, a master of capturing the soul of the wild, has framed this moment perfectly. The long exposure has captured the stillness of the earth and the dizzying spin of the cosmos. The car's chrome gleams with starlight; the figure of the armoured man is an unmoving monument of defiance against the epic scale of the universe. It is a portrait of the last bush-ranger, the road warrior king, waiting for the sun to rise on another day of survival in a world gone mad. JDHampton + AI | Creative Alliance