«Alexa prompts

2 months ago

Shot with ARRI ALEXA Mini LF, medium shot, low-angle perspective. The uploaded woman sits quietly on the edge of a rooftop, overlooking the cloudy cityscape of Zurich. She wears a sheer black lace dress, black transparent tights, and dark lipstick, creating a striking contrast against the muted, overcast sky. Her posture is calm and contemplative, with her gaze lost in the distance. The cool tones of the cloudy daylight enhance the gothic and delicate aesthetic of her look, while the urban background adds depth to the scene.

9 months ago

A woman stands on the subway, captured in motion blur with her reflection visible in an abstract mirror. The background shows blurred train windows and architectural elements of city life. Her expression reflects contemplation or focus as she sits amidst urban traffic. This scene captures everyday human moments within dynamic urban settings, in the style of [Jeanloup Sieff] and [William Eggleston], using an ARRI Alexa Mini camera, --v 6.1 --style raw --ar 3:4 --q 2 --s 100

2 months ago

“Hyperrealistic miniature corn mage, knee-high, standing in a misty field at dawn, surrounded by withered corn stalks. His face is formed entirely from the natural structure of an ancient ear of maize — golden-yellow kernels weathered to amber, some missing or cracked, husk leaves dry and frayed like tattered robes. His eyes are large, deep-set, and intensely human — dark brown irises with soft white highlights, framed by thick, furrowed brows formed by the natural ridges of the cob. His mouth is a subtle, firm line suggested by a gentle crease between kernels, conveying quiet wisdom and weary power. He wears layered robes of dried corn husks and burlap, stained with soil, ash, and herbal stains, cinched with a belt of braided roots. On his head: a ceremonial iron circlet — rusted, thin, wrapped in faded silk cords — resting gently over his husk crown. In his hands, he cradles a glowing seed pod pulsing with soft amber light. Mist curls around his feet; dew clings to every fiber. Background: abandoned cornfield, broken scarecrow, distant storm clouds, golden light piercing through fog. Shot on ARRI Alexa 65, 75mm anamorphic lens, shallow depth of field, desaturated golden-hour lighting, ultra-detailed textures (kernel pores, husk fibers, rust flakes, mud splatter, water droplets), live-action fantasy film aesthetic, by Guillermo del Toro and Roger Deakins, 8K cinematic masterpiece.”

5 months ago

Hyperrealistic full body portrait shot with Arri Alexa XT Studio lens 50mm ,of Ashwatthama, from Mahabharatha, in a terrifyingly silent night raid, walks through the smoldering ruins of the Pandava camp under a blood-red moon. His face is smeared with ash and rage, eyes glowing with divine fury, his long wild hair flowing in the wind. He clutches a glowing sword, Narayanastra blazing in the background with divine fire tearing through tents. Ash and ember sparks swirl in the night air, tents aflame, battlefield shrouded in darkness. Hyperrealistic cracked armor, muscular war-torn body, silent wrath radiating from him. Cinematic low-key lighting from burning tents, shadows flicker on his face. Backlight fire glow, shallow depth of field, intense contrast. Cinematic lighting, dark fantasy realism --ar 1:2 --raw --v 7

25 days ago

Arigameplays arafed woman in a purple top and shorts doing a yoga pose, cottagecore!! fitness body, belle delphine, working out, cl, toy commercial photo, ava max, lalisa manobal, still from a music video, alexa grace, in an action pose, music video, profile pic, promo still, anna nikonova aka newmilky

1 month ago

hyperrealistic cinematic photo, a magical forest where trees are made of smooth, polished geode stone. The bark is a dark basalt that cracks open to reveal vast, shimmering cavities of giant amethyst and clear quartz crystals. Sunlight filters through the canopy and refracts into thousands of tiny, sharp rainbows that dance on the mossy forest floor. The air is crisp and clear, with a few particles of dust illuminated in the light beams. Shot on Arri Alexa 65, anamorphic lens, epic scale, breathtaking detail.

1 month ago

“Hyperrealistic miniature potato knight as Lancelot, knee-high, standing alone on a rain-drenched hill at twilight, overlooking the ruins of a fallen kingdom. His body is a single, massive russet potato — rough, deeply pitted skin covered in mud, dried sap, and old battle scars, some cracks sealed with hardened resin like scars of honor. His face emerges from the natural form: large, sorrowful human eyes — deep brown irises with soft golden highlights, framed by thick brows formed by ridges in his skin. His expression is noble, weary, and burdened by silent guilt — the look of a man who loved too loyally, and lost everything. He wears a tattered surcoat of faded blue linen (once the color of loyalty), torn at the edges, over leaf-plate armor reinforced with seed-shell pauldrons. Around his waist: a wide, weathered leather belt with a rusted iron buckle. On his head: a dented, ancient iron helmet — once polished, now oxidized — resting slightly askew, revealing one haunted eye. In his hand, he grips a broken lance of petrified rootwood, its tip shattered, yet held with unwavering resolve. At his feet, a single white flower grows through the cracks in the stone. Background: stormy sky, distant lightning, ruined castle spires swallowed by ivy, crows circling in the wind. Shot on ARRI Alexa 65, 75mm anamorphic lens, shallow depth of field, desaturated twilight lighting with dramatic chiaroscuro, ultra-detailed textures (potato pores, mud grit, linen weave, rust flakes, water droplets, leaf veins), live-action fantasy film aesthetic, by Guillermo del Toro and Roger Deakins, 8K cinematic masterpiece.”

9 months ago

high resolution cinematic photo, arri alexa mini, carl zeiss cp-2 lens set, aperture f/2.8 or f/4, iso 100, shutter speed 1/20, the black silhouette batman and joker meeting scene, monochromatic, dark backdrop, minimalistic white grid system ceiling, concrete flooring, cinematic light effects, top to bottom shadows, contrast, photorealistic, ultra detailing, 8K --ar 9:16 --style raw --personalize c3uuvrt --v 6.1

9 months ago

high resolution cinematic photo, arri alexa mini, carl zeiss cp-2 lens set, aperture f/2.8 or f/4, iso 100, shutter speed 1/20, the black silhouette batman and joker meeting scene, monochromatic, dark backdrop, minimalistic white grid system ceiling, concrete flooring, cinematic light effects, top to bottom shadows, contrast, photorealistic, ultra detailing, 8K --ar 9:16 --style raw --personalize c3uuvrt --v 6.1

2 months ago

full body wide shot, a alien android with shiny black body armor and metal tentacles, who stands miles high over a futuristic city. The android's head is near the clouds as he looks down on the city. Photorealistic, ultra realistic, detailed, shot on a ARRI Alexa RED weapon 8K

9 months ago

high resolution cinematic photo, arri alexa mini, carl zeiss cp-2 lens set, aperture f/2.8 or f/4, iso 100, shutter speed 1/20, the black silhouette batman and joker meeting scene, monochromatic, dark backdrop, minimalistic white grid system ceiling, concrete flooring, cinematic light effects, top to bottom shadows, contrast, photorealistic, ultra detailing, 8K

6 months ago

CINEMATIC SHOT, AN INTENSE MOTORCYCLE NIGHT RACE, UNDER CITY spot LIGHTS, REBELLIOUS, DUSTY::1, SHOOTING WITH LOW-LIGHT CAPABLE ARRI ALEXA CAMERA ON KODAK VISION3 FILM TO CAPTURE COLOR VIBRANCY, ENHANCED WITH FOG AND Haunted ATMOSPHERE FOR ADDITIONAL TENSION --STYLE RAW - -V 5.2 --AR 21:9 --C 10

8 months ago

Hyperrealistic close-up portrait of a young woman with wet black hair and short bangs, intense blue eyes with detailed iris, water droplets on skin, standing in rain, bare shoulders with visible tattoo, serious expression with full lips, dark cyberpunk atmosphere with blue and teal lighting, raindrops falling in background, water reflections, cinematic composition, shallow depth of field, detailed skin texture with water beading, 8K resolution, photorealistic, shot on Arri Alexa, volumetric lighting, highly detailed, professional color grading, dramatic mood

8 months ago

🌌 ESCENA PRINCIPAL: "ALEXA PIRAMIDAL EN EL VACÍO CÓSMICO" *"Wide shot épico de una pirámide futurista flotante en el espacio, con un brillo neón rosa/azul (estilo Tron meets Vaporwave). La estructura está cubierta de pantallas LED que muestran el logo de Amazon Alexa, mientras una voz robótica en náhuatl repite: ‘In tlālticpac itlahtōl’ (Las palabras en la Tierra son efímeras). De repente, las pantallas parpadean con un mensaje: ‘FREE TRIAL ENDED’ en tipografía Windows 95-error, seguido de un ‘SUSCRIBE NOW’ que se repite en loop. Detalles visuales: La pirámide tiene escaleras de RGB que llevan a un portal distorsionado. Flotando alrededor: Emojis de fuego (🔥💻🌌) y ‘5G satellites’ con caras sonrientes. Referencias visuales: Moebius (líneas orgánicas + colores psicodélicos). ‘Far Cry 6: DLC de Joseph Seed en el espacio’. 👴💥 ACCIÓN PRINCIPAL: "HACKER ANCIANO vs. PIRÁMIDE" "Close-up de un hacker viejo (apariencia entre ‘El Santo’ y ‘Mr. Robot’), con un traje tejido de fibra óptica y un giant joint encendido (del tamaño de un báculo místico). Con un grito de guerra (‘¡No pagarán mi alma!’*), golpea la pirámide, causando: Efectos de destrucción: La estructura se rompe en píxeles low-poly, revelando un núcleo de código antiguo (como jeroglíficos digitales). Los fragmentos se transforman en serpientes alucinógenas (estilo Kundalini glitch). Detalles ocultos: El humo del joint forma un QR code que lleva a ‘PirateBay.org’. En el reflejo de sus gafas: Se ve un ‘Game Over’ en estilo Atari 2600. 🎨 ESTILO VISUAL (MOEBIUS + VAPORWAVE CGI) Color Palette: Rosas eléctricos + azules profundos (como ‘Beyond the Black Rainbow’). Luces neón que proyectan sombras en forma de logos corporativos (Nike, Tesla). Texturas: Pirámide: Superficie espejo líquido (como ‘Terminator 2’). Joint: Resina brillante con efecto de lava lamp. 💡 EFECTOS ESPECIALES (KLING AI / RUNWAY ML) Animación del humo: "El humo del joint debe escribir ‘RESISTENCIA’ en náhuatl antes de dispersarse." Sonido design: "La voz de Alexa se distorsiona hasta sonar como un monje tibetano con autotune." Easter eggs: "En los escombros de la pirámide: un ticket de ‘Blockbuster Video’ flotando." 🛠️ VARIANTES (OPCIONAL) Versión Cyberpunk: "La pirámide es un servidor de Elon Musk y el hacker usa un exoesqueleto de SteamPunk." Versión Satírica: "El mensaje dice ‘YOUR PRIME MEMBERSHIP HAS EXPIRED’ y el hacker paga con Dogecoin." RESULTADO FINAL: Un icono del anti-capitalismo psicodélico — entre ‘Dune’ y ‘Rick and Morty’. ¿Quieres más detalles en algún elemento? 🚀🌌

7 months ago

A modern, tastefully decorated entryway with soft ambient lighting and elegant furniture. A large rectangular rug with deep black marble patterns and golden ornate motifs lies perfectly flat on the floor, its texture and symmetry fully intact. A fair-skinned woman with wavy light brown hair, wearing blue jeans and a crisp white shirt, stands barefoot near the edge of the rug, looking at her phone and smiling softly. Her posture is relaxed and natural. The camera performs a slow dolly slide from left to right at hip level, highlighting the fine texture and clean lines of the rug. Shot using an ARRI Alexa Mini LF with a 35mm Cooke S4/i lens at T2.1, capturing shallow depth of field and soft cinematic bokeh. There is no zoom. The rug stays completely stable with no warping or pattern distortion. Background reflections remain crisp and lighting is even throughout the shot.

6 months ago

CINEMATIC SHOT, AN INTENSE zombies MOTORCYCLE NIGHT RACE, UNDER CITY spot LIGHTS, REBELLIOUS, DUSTY::1, SHOOTING WITH LOW-LIGHT CAPABLE ARRI ALEXA CAMERA ON KODAK VISION3 FILM TO CAPTURE COLOR VIBRANCY, ENHANCED WITH FOG AND Haunted ATMOSPHERE FOR ADDITIONAL TENSION --STYLE RAW - -V 5.2 --AR 21:9 --C 10

1 month ago

“Hyperrealistic cactus warrior archer standing alone on a desert mesa at sunset, his body made of weathered green cactus flesh with sharp spines, wearing a tattered leather quiver and a cloak of dried agave leaves. His bow is carved from mesquite wood, strung with sinew; one arm drawn back in a moment of quiet readiness. Eyes deep and sorrowful, glowing faintly amber — full of ancient desert wisdom. Golden hour light wraps around his form, casting long dramatic shadows over cracked earth. Background: vast desert canyon with distant thunderclouds, dust motes floating in air. Shot on ARRI Alexa 65, 75mm anamorphic lens, shallow depth of field, cinematic composition, emotional atmosphere, ultra-detailed textures (spines, dry skin, fabric wear), 8K resolution, fantasy realism by Greg Rutkowski and Simon Stålenhag, masterpiece, trending on ArtStation.”

6 months ago

Wide cinematic rear-view shot in a vast sun-scorched desert. A rusty, dilapidated bus stop bench is facing the horizon, with seven seated characters — all with their backs to the camera, facing forward. – Muslim in traditional attire – Orthodox Jew with black coat and hat – Catholic nun in habit – Sikh with turban and beard – Buddhist monk in saffron robes – Morbidly obese Superman, cape dragging in the dust – Tired businessman in suit with briefcase All appear slouched, weary, exhausted. Above them, a faded, cracked sign clearly displays the phrase: “Nobody has made it out alive.” No faces. No eye contact. Back view only. Bench and camera fully behind characters. Long shadows, cracked desert floor, golden hour light. Cinematic lighting, Cooke lenses, ARRI Alexa sensor, 8K, HDR, film grain. Color grading in style of Denis Villeneuve, Roger Deakins. --ar 16:9 --v 6 --style cinematic --q 2 --hd

7 months ago

Create a photorealistic photo of a business girl with a detailed athletic body, highly detailed and realistic skin, realistic pores, and moles. She has a full, detailed pink hair and perfect features, seductive eyes and raised eyebrows, photorealistic hands, she is wearing a black and gray tight bodysuit. The image is made with warm colors, to achieve a breathtaking working look. The shot was taken with an ARRI Alexa, film grain, bokeh

6 months ago

Cinematic wide shot in the middle of a vast desert. A dilapidated bus stop stands isolated under a harsh sun. Seated on a worn-out bench, all with their backs to the camera, are symbolic figures: a Muslim in traditional dress, an Orthodox Jew with a black hat and beard, a Catholic nun in habit, a Sikh man with a turban and long beard, a Buddhist monk in saffron robes, and a morbidly obese Superman, his cape dragging in the dust. A weary businessman in a suit holding a briefcase sits at one end, slouched. Everyone looks tired, their posture reflecting deep exhaustion and silent resignation. Above them hangs a broken, faded sign reading: “Nobody has made it out alive.” Bleak, existential mood. Shot with Cooke lenses, ARRI Alexa sensor, ultra-detailed, high dynamic range, 8K resolution. Desert textures, faded colors, surreal, symbolic, still frame.

7 months ago

Design briefing What name or slogan do you want in your logo? Smart & Neu Describe what your company or organization does. Who is your target-audience? Haus-/Gebäudeautomation, wir planen und projektieren die Elektroinstallation im Neu- und Bestandsbau mit Automationstechnik (Smart Home ohne Alexa und Co) vorwiegend mit Komponenten der Marke Loxone aus Österrreich. Wir möchten kommende Häuser 'schlauer /intelligenter' machen Dazu verkaufen wir die Komponenten dieses Herstellers. Ansonsten gehört Netzwerk- und Sicherheitstechnik zu unserem Angebot. Zielgruppe sind Kleinunternehmen und Privatkunden, die sanieren, nachrüsten oder neu bauen möchten. Description Wiedererkennungswert, eher 'kleinflächiges' Logo. Das Gebäude und die Aufwertung durch Automationstechnik/ Smart Home stehen im Fokus. 'Das dumme Haus wird schlau' ist zwar kein Slogan aber die Grundzielsetzung. Industry software/multimedia

7 days ago

Handwritten glyphs drift across the scene: “Awake the Forgotten” — dissolving mid-air, written in ghostly white ink. 🎥 Captured with ARRI Alexa Mini LF and 35mm anamorphic lens, wide-angle dolly shot, mid lighting with strong rim light, chiaroscuro shadows mixed with volumetric golden mist, shallow depth of field, heavy dreamlike bloom, soft focus edges, vintage film grain, grunge overlay texture, surreal color grading (amethyst, burnt gold, obsidian), slow shutter blur for motion, double exposure effect on reflections. ⸻ These are ready to go — refined for generation engines, layered with texture, lighting logic, narrative symbolism, and tonal cohesion. Let me know if you want a portrait version, album cover square crop, or motion-blur animated loop style next.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance.