• The image should be viewed from a low perspective prompts

8 months ago

professional photo of a exceptionally beautiful 18-year-old disgusted tween with short blonde low pigtails wearing a tiny skimpy two-piece high-cut glossy black latex triangle string outfit taking a low angle perspective selfie looking down at the camera at the beach (4k), (high res),ultra-detailed, photo-realistic, front view, highly detailed, volumetric, dramatic light Perfect graphics, ultra-detailed, photo-realistic, full image view, full body view, front view

5 months ago

professional photo of a exceptionally beautiful 18-year-old disgusted tween with short blonde low pigtails wearing a tiny skimpy two-piece high-cut glossy black latex triangle string outfit taking a low angle perspective selfie looking down at the camera at the beach (4k), (high res),ultra-detailed, photo-realistic, front view, highly detailed, volumetric, dramatic light Perfect graphics, ultra-detailed, photo-realistic, full image view, full body view, front view

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

5 months ago

"A towering chrome knight viewed from worm’s-eye perspective glitters beneath noon skies. Thousands of micro-chain links made of stardust cascade from pauldrons like an unstoppable silver waterfall, each link flaring rainbow flares as sunlight ricochets across the polished surface. The knight’s intricate visor is a black abyss; in both hands he braces a colossal mirrored greatsword whose edge lenses the sun into a blazing starburst." Style Tags: cosmic couture, low-angle heroism, lens-flare realism Camera / Medium: 14 mm ultra-wide anamorphic, HDR photoreal CGI Color & Light: midnight blue sky, holographic silver, rainbow lens flares, hard sunlight Aspect-Ratio: 2.35:1 Quality Settings: model=gpt-image-1 • size=1024×1536 • quality=high

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures like SHAH. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of Family. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

9 days ago

Octane render, cinematic photo. Full body image, front view of a female Finnish resistance sniper from an extreme low-angle perspective, night, snowing, winter. A Finnish female resistance sniper lies on her stomach, in a prone firing position, sunken in the deep soft snow, between the trees. The white bipod that supports the rifle digs into the soft snow. Dark clouds hide the moon behind her. She looks into the scope, aims her white rifle at the viewer. She is cool, and dangerous as the night. She wears a futuristic white stealth suit from head to feet with a scale-like pattern. The suit covers her head, her eyes barely visible under her orange goggles. The suit is reinforced by protective padding on her shoulders, elbows, hips and knees. A Finnish white and blue insignia on her shoulder. The tight suit hugs her sleek shapely figure. She is perfect in her camouflage, lit only by rays of soft moonlit through the trees. She is silent , graceful and deadly, detailed, hyperrealistic,8k

8 months ago

Wet asphalt road, autumnal perspective. Yellow lane lines on a dark, wet road, reflecting the surrounding foliage. Dense forest lines the road, with vibrant, golden-orange and muted green trees. Fallen autumn leaves, some oak leaves, litter the road. Water puddles reflect the trees and sky. Low angle, close-up perspective focuses on the road's texture and the details of the yellow lines. Moody, serene autumnal atmosphere. Muted tones of gray, dark brown, deep orange, and muted yellow. The lighting is soft, diffused, characteristic of an overcast day. Road texture is visible, showing wetness and the slight imperfections of the asphalt. Yellow lane markers are prominent, with some visible wear and tear. Natural, organic, and detailed image. Photorealistic, artistic autumnal view.

9 months ago

Photograph of a construction site with a pile of wood planks and pallets, a green conveyor belt, and a large pile of gravel. The sky is overcast with dramatic clouds, and the sun is partially obscured. The image has a high dynamic range and a wide field of view, capturing the details of the wooden planks and the industrial setting. The colors are muted, with earthy tones dominating the scene. The perspective is from a low angle, looking up at the pile of gravel and the conveyor belt. The overall mood is industrial and rugged.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

5 months ago

"A towering chrome knight viewed from worm’s-eye perspective glitters beneath noon skies. Thousands of micro-chain links made of stardust cascade from pauldrons like an unstoppable silver waterfall, each link flaring rainbow flares as sunlight ricochets across the polished surface. The knight’s intricate visor is a black abyss; in both hands he braces a colossal mirrored greatsword whose edge lenses the sun into a blazing starburst." Style Tags: cosmic couture, low-angle heroism, lens-flare realism Camera / Medium: 14 mm ultra-wide anamorphic, HDR photoreal CGI Color & Light: midnight blue sky, holographic silver, rainbow lens flares, hard sunlight Aspect-Ratio: 2.35:1 Quality Settings: model=gpt-image-1 • size=1024×1536 • quality=high