A sample prompt of what you can find in this page
Prompt by Selena_H

As she turns back to the mirror prompts

very few results

8 months ago

(Full-body shot, dramatic film-noir lighting, vintage 1960s aesthetics, ultra-detailed fabric and skin rendering, cinematic depth, alluring yet enigmatic presence, back to the camera) The femme fatale stands with her back to the camera, poised in the soft, flickering glow of a vintage mid-century bedside lamp. A luxurious fur boa wraps around her shoulders, cascading down her arms and trailing toward the floor in sensuous folds. Her figure is framed with cinematic elegance, the light tracing the contours of her silhouette. A silk slip or fitted evening gown peeks from beneath the fur’s embrace, clinging gracefully to her form. Stockings with delicate seams add a touch of vintage allure, catching the light with subtle highlights. She faces an antique vanity mirror, her reflection revealing an unreadable yet captivating expression. A vintage cigarette holder rests delicately in her fingers, its ember unlit but evocative of quiet tension. Wisps of earlier smoke linger in the air, swirling within the moody haze of the dimly lit room. Behind her, a velvet chaise lounge sits in the shadows, an old rotary phone off the hook, its coiled cord stretching across the vanity. A half-empty glass of whiskey reflects the warm light, hinting at a story left unfinished. The atmosphere is charged with mystery and quiet power—she is a woman who commands attention without ever turning to face it. Wrapped in shadow and elegance, she remains untouchable, a vision suspended between seduction and secrecy, like a forgotten frame from a lost noir masterpiece.

2 months ago

Turn lens 90° Extreme closeup portrait of a female demon, bathed in a warm, lightHer physique, honed from the fires of the underworld has a ample bosom, while her raven tresses cascade down her back like a waterfall of night, styled with sharp, choppy bangs that frame her heart-shaped face like a dark, gothic halo. Large, curved horns protrude from her forehead, casting a faint, otherworldly glow. She is clad in a black and red Latex bodysuit with a snakeskin pattern and bold cutouts that shimmers like polished obsidian, accentuating her athletic curves. Black latex boots rise up her legs like dark, glossy spires. She has a black and gold microphone in her hand. she's floating away on a Catwalk that reach out from the rock music stage background (demone female music players in the back, aduience on left and right side) - glowing ruby overhead strips and black mirror floor, red and blue lights, always camera-right. strides onto the catwalk in a wide full-body frontal shot, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty, atmospheric sensibilities, stands at the forefront of a rock music concert, her presence electrifying the air. With a Kodak Ektar lens-inspired aesthetic, warm, golden tones and subtle lens flare, the image exudes a sense of cinematic grandeur. Her athletic physique is accentuated by intricate, red snakeskin pattern shiny bodypaint, while her long, black hair cascades down her back like a dark waterfall, Large, curved horns protrude from her forehead, as if forged from the very metals of the earth. She plays a burning electric metal guitar, the instrument's body ablaze with fiery, hellish flames, as if the music itself has summoned forth the infernal forces. Ambient blue and red lighting effects dance across the scene, casting an ethereal, radiant glow, reminiscent of Syd Mead's hyper-realistic 3D renderings. The light dances across the metal accents of her boots, highlighting the detailed textures and surfaces, as if the gods themselves have descended upon the temple. With the atmospheric lighting of Roger Dean and the majestic cinematic composition of Ash Thorp,

2 months ago

Turn teh horned female to left Extreme closeup portrait of a female demon, bathed in a warm, lightHer physique, honed from the fires of the underworld has a ample bosom, while her raven tresses cascade down her back like a waterfall of night, styled with sharp, choppy bangs that frame her heart-shaped face like a dark, gothic halo. Large, curved horns protrude from her forehead, casting a faint, otherworldly glow. She is clad in a black and red Latex bodysuit with a snakeskin pattern and bold cutouts that shimmers like polished obsidian, accentuating her athletic curves. Black latex boots rise up her legs like dark, glossy spires. She has a black and gold microphone in her hand. she's floating away on a Catwalk that reach out from the rock music stage background (demone female music players in the back, aduience on left and right side) - glowing ruby overhead strips and black mirror floor, red and blue lights, always camera-right. strides onto the catwalk in a wide full-body frontal shot, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty, atmospheric sensibilities, stands at the forefront of a rock music concert, her presence electrifying the air. With a Kodak Ektar lens-inspired aesthetic, warm, golden tones and subtle lens flare, the image exudes a sense of cinematic grandeur. Her athletic physique is accentuated by intricate, red snakeskin pattern shiny bodypaint, while her long, black hair cascades down her back like a dark waterfall, Large, curved horns protrude from her forehead, as if forged from the very metals of the earth. She plays a burning electric metal guitar, the instrument's body ablaze with fiery, hellish flames, as if the music itself has summoned forth the infernal forces. Ambient blue and red lighting effects dance across the scene, casting an ethereal, radiant glow, reminiscent of Syd Mead's hyper-realistic 3D renderings. The light dances across the metal accents of her boots, highlighting the detailed textures and surfaces, as if the gods themselves have descended upon the temple. With the atmospheric lighting of Roger Dean and the majestic cinematic composition of Ash Thorp,

2 months ago

Turn the female 180 degreese around Extreme closeup portrait of a female demon, bathed in a warm, lightHer physique, honed from the fires of the underworld has a ample bosom, while her raven tresses cascade down her back like a waterfall of night, styled with sharp, choppy bangs that frame her heart-shaped face like a dark, gothic halo. Large, curved horns protrude from her forehead, casting a faint, otherworldly glow. She is clad in a black and red Latex bodysuit with a snakeskin pattern and bold cutouts that shimmers like polished obsidian, accentuating her athletic curves. Black latex boots rise up her legs like dark, glossy spires. She has a black and gold microphone in her hand. she's floating away on a Catwalk that reach out from the rock music stage background (demone female music players in the back, aduience on left and right side) - glowing ruby overhead strips and black mirror floor, red and blue lights, always camera-right. strides onto the catwalk in a wide full-body frontal shot, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty, atmospheric sensibilities, stands at the forefront of a rock music concert, her presence electrifying the air. With a Kodak Ektar lens-inspired aesthetic, warm, golden tones and subtle lens flare, the image exudes a sense of cinematic grandeur. Her athletic physique is accentuated by intricate, red snakeskin pattern shiny bodypaint, while her long, black hair cascades down her back like a dark waterfall, Large, curved horns protrude from her forehead, as if forged from the very metals of the earth. She plays a burning electric metal guitar, the instrument's body ablaze with fiery, hellish flames, as if the music itself has summoned forth the infernal forces. Ambient blue and red lighting effects dance across the scene, casting an ethereal, radiant glow, reminiscent of Syd Mead's hyper-realistic 3D renderings. The light dances across the metal accents of her boots, highlighting the detailed textures and surfaces, as if the gods themselves have descended upon the temple. With the atmospheric lighting of Roger Dean and the majestic cinematic composition of Ash Thorp,