At the bottom of the screen prompts

6 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

6 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

4 months ago

{ "scene": { "concept": "augmented reality / 3D illusion", "style": "photo-realistic with surreal element", "mood": "playful, imaginative", "perspective": "low angle, close-up view of smartphone" }, "foreground_object": { "type": "smartphone", "orientation": "lying flat on wooden surface", "screen_content": { "background": "curving highway road with landscape and sky", "apps": [ { "icon": "gallery", "position": "bottom left" }, { "icon": "camera", "position": "bottom center" }, { "icon": "phone", "position": "bottom right" } ] }, "3d_element": { "object": "miniature man on yellow Vespa scooter", "style": "realistic with cartoon scale", "position": "riding off the phone screen from background to foreground", "details": { "helmet": "yellow", "jacket": "black", "pants": "jeans", "scooter_brand": "Vespa", "interaction": "blends physical and digital — wheels overlap phone edge" } } }, "background_surface": { "material": "wood grain desk or tabletop", "texture": "smooth with visible grain patterns", "lighting": { "type": "soft diffused natural light", "direction": "top left", "shadows": "mild shadows under phone and scooter" } }, "camera": { "lens": "macro or short telephoto", "focus": "sharp on phone and 3D rider", "depth_of_field": "moderate (slight background blur)", "framing": "diagonal composition with phone angled across frame" }, "effects": { "blend_mode": "AR illusion / 3D pop-out", "emphasis": "depth trickery and motion realism", "color_grading": "natural saturation with a bright pop on yellow scooter" } }

9 months ago

High resolution photography interior design, dreamy sunken living room conversation pit, wooden floor, small windows opening onto the garden- [ ] A connected globe showing africa, suspended in a futuristic environment, is centrally positioned in the image. The globe is a deep blue, showcasing detailed landmasses and illuminated city lights. Interconnected lines and data points, representing global networks, are visible around and through the globe. The background depicts a futuristic cityscape, with towering buildings and a water feature below. The perspective is from slightly above the globe and the cityscape, and computer screens with data visualizations are seen in the foreground. A cargo ship and an airplane are visible on a transparent surface below the globe. The overall style is futuristic and high-tech. The colors are primarily blues, grays, and whites, with highlights of gold and light. A sense of global connectivity and technological advancement is evoked. Numerous charts, graphs, and data visualizations appear on surfaces and are layered to create a complex and detailed scene. Light sources in the background give an ethereal effect to the display. A small group of figures can be seen near the bottom right of the image, appearing like silhouettes. The composition is complex and layered, emphasizing the interconnectedness of elements., bauhaus furniture and decoration, high ceiling, beige blue salmon pastel palette, interior design magazine, cozy atmosphere; 8k, intricate detail, photorealistic, realistic light, wide angle, kinkfolk photography, A+D architecture

2 months ago

Flat illustration of 2 Asian women and 1 Asian man , one women and one man happily eating grilled meat, one women happily eating matcha bingsu from glas Bowl together, the characters are located in the bottom right corner of the screen, colorful, panoramic, simple minimalist style, designed in the style of vector illustration, high resolution and high details, transparent background

5 months ago

Flat illustration of 2 Asian women and 1 Asian man happily drinking drinks from PET bottles together, the characters are located in the bottom right corner of the screen, colorful, panoramic, simple minimalist style, designed in the style of vector illustration, high resolution and high details

2 months ago

Flat illustration of 2 Asian women and 1 Asian man , one women and one man happily eating grilled meat, one women happily drinking drink from PET bottle together, the characters are located in the bottom right corner of the screen, colorful, panoramic, simple minimalist style, designed in the style of vector illustration, high resolution and high details

5 months ago

Flat illustration of 2 Asian women and 1 Asian man happily drinking drinks from PET bottles together, the characters are located in the bottom right corner of the screen, colorful, panoramic, simple minimalist style, designed in the style of vector illustration, high resolution and high details

7 months ago

A highly detailed illustration of an Afro-American girl with brown hair, looking upwards with tears streaming down her face. The tears are meticulously detailed, capturing the emotional depth of her joy. Her eyes are wide and glistening, reflecting the light. The background features a striking brushed texture, adding to the intensity of the scene. The image is perfectly framed to fit the screen without any cropping. At the bottom of the image, there is text that reads: "My Soul Has Been Lifted".

4 months ago

Visual: A stark, deep indigo/almost black background (the void, the cold). Centered is an old, cracked flip phone (symbolizing the unexpected, outdated call from Sasa) lying open on a worn, dirty-yellow laminate floor (grandmother's house, the vomit scene). The small, green-lit screen displays only two stark lines of pixelated text: INCOMING: SASA "TARIK IS COLD." Foreground: Resting precariously on the edge of the open phone, about to fall into the void of the background, is a single, impossibly bright blue ROXIE pill. It casts a small, sharp shadow. Next to the phone, barely noticeable, is a faint, ghostly outline of a body shape rendered in icy, translucent blue lines, fading into the dark. Text: "STICKS & STONES" in heavy, bleached-bone white letters, cold and unforgiving, dominating the top third. Author name very small, bottom corner. Color Palette: Deep Indigo/Black (void, cold), Dirty Yellow (floor, sickness), Sickly Green (phone screen), Electric Blue (pill), Bleached Bone White (text, ghost).

7 months ago

a crying donald Trump, dirty, leaning on a window, freezing, boots, end of the world, epic realistic, (hdr:1.4), (muted colors:1.4), apocalypse, abandoned, neutral colors, night, screen space refractions, (intricate details), (intricate details, hyperdetailed:1.2), artstation, cinematic shot, vignette, complex background, building, from bottom

4 months ago

The Shattered Pill (Most Literal & Graphic) Visual: An extreme close-up of a bright, electric blue ROXIE pill dominating the frame. It's violently shattered/cracked down the middle like fractured ice or broken stone. Within the crack, instead of powder, swirl a sickly, toxic mix of colors: icy white (fentanyl), harsh yellow (meth), dirty grey (cocaine), and inky black (other poisons). This ooze bleeds out slightly onto a stark, cold white background. Foreground: Lying partially under the shattered pill, slightly out-of-focus, is a cheap, discarded cell phone screen. The screen is dark/cracked, but the faint ghost-image of "SASA" is barely visible in the call log. A single, sharp crack in the screen points directly towards the pill's fracture. Text: "STICKS & STONES" in bold, heavy, chiseled concrete-gray letters, slightly fractured or eroded, positioned powerfully above or below the pill. Author name small, bottom corner. Color Palette: Electric Blue (pill), Harsh White (background), Sickly Yellow/Grey/Black (ooze), Cold Steel Gray (text).

5 months ago

A high-contrast digital poster with a black background. At the top, there is a bold yellow warning sign (a triangle with an exclamation mark inside, or just the word “WARNING” in bold yellow). In the center, large white text reads: “System crashed”. Beneath that, in smaller white text: “Please scan the QR (Quick Response) code for further instructions”. At the bottom center, a clear, scannable QR code linking to https://prompthero.com/aivisionspace. use the picture I attached for the QR (Quick Response) code The design should look sleek, futuristic, and slightly alarming — like a high-tech emergency screen.

8 months ago

A masterful modern reimagining of Michelangelo's "The Creation of Adam" that maintains the sublime energy of the original Sistine Chapel fresco while transporting it into our technological age. The composition features a single anatomically perfect human hand extending upward from below, rendered with Michelangelo's precise musculature, tendons, and natural skin tones under Renaissance lighting. The middle finger—rather than the index as in the original—reaches to touch the glossy screen of an iPhone 16 Pro that occupies the position where God's hand would be in the original fresco. The iPhone's screen displays a swirling cosmic nebula in rich golds, oranges, and browns—the new divine creation contained within our technology. The background features the characteristic aged fresco aesthetic with a light beige wash and authentic craquelure textures that evoke the Sistine Chapel ceiling. Four international emoji flags (🇺🇸, 🇷🇺, 🇪🇺, 🇨🇳) hover in space around the central elements, symbolizing how creation now spans global digital connections. A pair of white Apple AirPods with their charging case rest on one side of the composition, while a loose white Apple lightning cable curves through the space on the opposite side, creating visual balance and representing our contemporary sacred objects. In the bottom right corner, "De creatione" appears in elegant Renaissance calligraphy that mimics Michelangelo's handwriting. The scene balances hyperrealistic details with dreamlike, impressionistic qualities—the hand rendered with photographic precision while the surrounding elements have a more ethereal, flowing quality. The lighting creates dramatic shadows and highlights reminiscent of Renaissance chiaroscuro, emphasizing the reverent gesture of the finger about to touch the screen—a profound commentary on humanity's new relationship with creation through technology.