6 months ago
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view High resolution photography. We're doing alright, Little jiving on a Saturday night, Come what may, We're gonna dance the day away, Jenny was sweet, She always smiled for the people she'd meet, On trouble and strife She had another way of looking at life. The news is blue It has its own way to get to you, What can I do? I'll never remember my time with you. So, pick up your feet You got to move to the trick of the beat, There is no elite, Just take your place in the driver's seat Jenny was sweet, There is no elite, So, pick up your feet. Gonna dance the day away Driver's seat, Just take your place in the driver's seat. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
5 months ago
[Image Type: High-resolution black and white photograph / Realistic grayscale digital portrait / Detailed oil painting] of Lord Kelvin (William Thomson). General Appearance: Age: Depicted in his older years, appearing as an elderly man (likely 70s-80s), with distinct signs of age. Expression: Calm, dignified, and sagacious. His gaze is direct and piercing, conveying deep intellect and wisdom. There's a subtle seriousness or introspection in his eyes. Facial Details: Face Shape: Long and somewhat narrow, with a prominent forehead and a distinct, long, and full beard contributing to the overall shape. His cheekbones are somewhat defined. Skin Tone: Fair complexion, rendered in a detailed range of grayscale tones (for photos) or with realistic aged skin texture (for paintings). Shows prominent wrinkles, especially around the eyes, forehead, and cheeks, reflecting his advanced age. Hair: Color: Predominantly white or silver-white, very thin on top, revealing a significant portion of his scalp. Style: Short and thinning on the sides, often appearing somewhat wispy or disheveled around the temples. Eyes: Color: Appears as dark to medium gray in grayscale, suggesting a darker eye color (e.g., blue or brown). His eyes are deep-set. Shape: Almond to slightly hooded, with a sharp, intelligent, and focused gaze that appears to look directly at the viewer or slightly past them. Eyebrows: Thin to medium density, often appearing light gray or white, and somewhat unruly or bushy, especially at the inner ends. Nose: Long, straight, and prominent, with a refined, slightly pointed tip. Mouth and Lips: Lips are mostly obscured by his beard. What little is visible suggests thin lips, usually closed in a neutral or slightly downturned expression. Chin: Completely covered by his prominent beard. Distinguishing Features: His most striking feature is a very long, full, and flowing white or silver-white beard, extending down past his chest in some depictions. The beard is thick and appears slightly unkempt or natural, not tightly trimmed. The hair on his head is distinctly sparse, contrasting with the fullness of his beard. Body and Clothing Details: Posture: Appears upright and distinguished, typically shown from the chest or waist up. In some paintings, he may be seen wearing academic robes. Clothing: Dressed in formal attire of his era (late 19th - early 20th century). Suit Jacket: A dark-colored (black or very dark grey) suit jacket, often made of a heavy fabric. Vest/Waistcoat: A dark vest (waistcoat) may be visible. Tie/Cravat: A dark tie or cravat, often with a subtle pattern or fold, worn beneath his prominent white collar. Shirt: A crisp white dress shirt with a high, stiff collar. Academic Robes (optional for paintings): In some artistic renderings, he might wear a dark academic gown with a distinctive orange or red academic sash/hood over his shoulders. Background and Lighting: Background: Simple, plain, and often dark or muted, typically a solid dark gray, black, or deep brown backdrop, or a subtly textured wall. The background should be non-distracting and softly blurred to keep the focus on him. Lighting: Soft, even lighting that sculpts his face and highlights the texture of his white hair and beard. The light often comes from the front or slightly to one side, creating subtle shadows that add depth to his aged features. Overall Mood/Atmosphere: Intellectual, venerable, wise, and iconic. The image should convey his profound scientific legacy and dignified presence.
8 months ago
As the monsters circled around the girl, she could feel her heart racing in fear. The creatures were grotesque and otherworldly, their growls sending shivers down her spine. She quickly scanned her surroundings for any means of escape, but the UFO appeared to have vanished, leaving her stranded in the middle of a dark and desolate landscape. With no other options left, she braced herself for whatever may come next, determined to survive the terrifying encounter with these mysterious beings.
6 months ago
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view High resolution photography. We're doing alright, Little jiving on a Saturday night, Come what may, We're gonna dance the day away, Jenny was sweet, She always smiled for the people she'd meet, On trouble and strife She had another way of looking at life. The news is blue It has its own way to get to you, What can I do? I'll never remember my time with you. So, pick up your feet You got to move to the trick of the beat, There is no elite, Just take your place in the driver's seat Jenny was sweet, There is no elite, So, pick up your feet. Gonna dance the day away Driver's seat, Just take your place in the driver's seat. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
6 months ago
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view High resolution photography. We're doing alright, Little jiving on a Saturday night, Come what may, We're gonna dance the day away, Jenny was sweet, She always smiled for the people she'd meet, On trouble and strife She had another way of looking at life. The news is blue It has its own way to get to you, What can I do? I'll never remember my time with you. So, pick up your feet You got to move to the trick of the beat, There is no elite, Just take your place in the driver's seat Jenny was sweet, There is no elite, So, pick up your feet. Gonna dance the day away Driver's seat, Just take your place in the driver's seat. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
6 months ago
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view High resolution photography. We're doing alright, Little jiving on a Saturday night, Come what may, We're gonna dance the day away, Jenny was sweet, She always smiled for the people she'd meet, On trouble and strife She had another way of looking at life. The news is blue It has its own way to get to you, What can I do? I'll never remember my time with you. So, pick up your feet You got to move to the trick of the beat, There is no elite, Just take your place in the driver's seat Jenny was sweet, There is no elite, So, pick up your feet. Gonna dance the day away Driver's seat, Just take your place in the driver's seat. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
6 months ago
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view High resolution photography. We're doing alright, Little jiving on a Saturday night, Come what may, We're gonna dance the day away, Jenny was sweet, She always smiled for the people she'd meet, On trouble and strife She had another way of looking at life. The news is blue It has its own way to get to you, What can I do? I'll never remember my time with you. So, pick up your feet You got to move to the trick of the beat, There is no elite, Just take your place in the driver's seat Jenny was sweet, There is no elite, So, pick up your feet. Gonna dance the day away Driver's seat, Just take your place in the driver's seat. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
6 months ago
Hyper realistic, photo realism, High Contrast, insanely detailed and intricate, elegant, ornate, super detailed zoomed out full body view High resolution photography. We're doing alright, Little jiving on a Saturday night, Come what may, We're gonna dance the day away, Jenny was sweet, She always smiled for the people she'd meet, On trouble and strife She had another way of looking at life. The news is blue It has its own way to get to you, What can I do? I'll never remember my time with you. So, pick up your feet You got to move to the trick of the beat, There is no elite, Just take your place in the driver's seat Jenny was sweet, There is no elite, So, pick up your feet. Gonna dance the day away Driver's seat, Just take your place in the driver's seat. it is night time, there are dark clouds rolling in on the night sky on the Reddish Orange sunset in the background. No poorly formed fingers, no extra arms, no extra legs, no extra fingers, no poorly formed hands, no poorly drawn body, no poorly drawn teeth, no bad anatomy.
4 months ago
Create a highly detailed, semi-realistic 3D advertising poster featuring a lively and charming anthropomorphic oil bottle character named Endro from Pertamina. Endro has a confident, friendly face, expressive eyes, and a wide smile. He wears bright red work gloves, red industrial boots, and black safety goggles perched on top of his head. His body resembles a modern Pertamina oil bottle, with a vibrant label in red and yellow tones, displaying the name “PERTAMINA Endro” and a glossy golden oil drop icon. Endro is posed standing tall with one fist raised in the air, symbolizing strength, enthusiasm, and reliability. The image is rendered in ultra-sharp 3D detail with Pixar-style lighting, rich textures, and micro-imperfections that add realism—like slight plastic shine, scuff marks, and subtle dew on the surface indicating coolness and freshness. The background uses an industrial gradient with soft metallic tones—steel gray fading into darker charcoal—suggesting a high-tech, professional garage or machinery environment. Optional elements such as sparks, motion lines, or subtle lighting flares may be added to reinforce energy and action. Lighting comes from the top-left, casting a soft spotlight and shadows under Endro’s feet for grounded presence and visual drama. The image blends playful character branding with professional-grade photorealism, emphasizing Pertamina’s reliability, innovation, and humanized connection to customers. The mood is bold, energetic, cinematic, and designed to appeal to mechanics, automotive enthusiasts, and modern consumers alike. Tagline suggestion: “Endro – Your Engine’s Best Buddy!”
