Concrete floors prompts

1 month ago

photography, perspective, central vanishing point, high-end digital photo, used camera is Canon EOS R5, 16-35mm f/2.8 wide-angle lens, ISO 100, tripod mounted, glowing fall style maple tree, vibrant golden and brown leaved, backlighting, industrial concrete corridor, rough textured walls, polished concrete floor, low-key ambient light set, ultra-high detail textures, subtle light reflections on floor, rich detailed --ar 9:16 --quality 2 --raw

6 months ago

photography, brutalist functional style, interior design of a modern space with raw concrete, functional forms, heavy structures, monolithic furniture, industrial elements, featuring raw, stark, and structural details, bench, industrial lamp and stool, with concrete, steel and leather materials, with structural columns, utilitarian objects and bare floors, brutalist, unadorned, midafternoon, stark contrasting lighting

6 months ago

A highly detailed, photorealistic image featuring three spray paint cans standing upright on a worn concrete floor, illuminated by warm, golden light that accentuates their metallic sheen. Each can is cleverly wrapped in iconic soda can branding: Coca-Cola, Pepsi, and Mountain Dew. Their labels are realistically worn and peeling in places, adding a touch of authenticity to the scene. The Coca-Cola spray can features the classic red label with bold white script, with deep brown paint dripping down its sides, mimicking the color of the soda. Its nozzle is a striking fire-engine red, and the plastic cap lies on the floor nearby, reflecting the ambient light. The Pepsi spray can showcases the signature blue and red branding, with rich brown paint dripping down in a way that evokes a freshly poured cola. Its cap, matching the brand's deep blue hue, is positioned close to the base of the can. The Mountain Dew spray can is wrapped in the dynamic green label with angular typography, while neon green paint drips down, resembling the soda’s vibrant color. Its matching green cap sits to the side, catching subtle reflections from the environment. The background is softly blurred, depicting an urban setting with hints of graffiti-covered walls and industrial elements, creating an atmosphere of street art culture. The lighting is soft and diffused, casting gentle highlights that enhance the realism of the metallic surfaces. The composition is balanced, with a close-up perspective and a shallow depth of field focusing on the cans while softly blurring the environment. The overall mood is energetic, creative, and gritty, reflecting both urban art and playful branding, with textures and details that emphasize scratches, imperfections, and drips for added realism.

8 months ago

high resolution cinematic photo, the black silhouette batman and joker meeting scene, monochromatic, dark backdrop, minimalistic white grid system ceiling, concrete flooring, cinematic light effects, top to bottom shadows, contrast, photorealistic, ultra detailing, 8K

5 months ago

First-person POV: you open your eyes while lying on a thin, hard mattress placed directly on the cracked linoleum floor of a cold, concrete-walled apartment. In front of you, your feet are visible under a faded wool blanket. Pale morning light seeps through a small, barred window covered in frost. The ceiling is low and stained. To the right, hanging above eye level, are two framed portraits of Kim Il-sung and Kim Jong-il, their eyes seemingly watching you even in the silence. The room is sparse—no furniture except a rusted metal cabinet and an old state-issued radio softly murmuring distant propaganda. Your breath fogs in the freezing air as the sound of a patriotic hymn echoes faintly from a loudspeaker outside. The atmosphere is quiet, rigid, and lifeless. The scent of old dust, damp cement, and faint coal smoke fills your lungs. Your body is stiff from the cold, and your fingers instinctively reach for the edge of the blanket, as if to pull reality back over your eyes. Visual specs: • 8K ultra-detailed cinematic realism, HDR, IMAX Laser style, stylize 750 • Camera: Canon R5 • Lens: 16mm • Aperture: f/4 • Lighting: weak dawn light from window, diffused and cold • Composition: perfectly centered first-person view, camera at eye level, feet visible stretched toward the wall

2 months ago

A spacious coliving interior with modern architectural design, open-plan layout, natural light flooding through large floor-to-ceiling windows. Neutral tones with textured plaster walls, polished concrete floor, and warm wooden accents. Place a cube-shaped wooden side table with a sculptural lamp on top, a modern upholstered armchair with soft curves in beige fabric, and a sleek tubular steel chair with patterned upholstery and wooden armrests. Add a low dark wooden side table with a ceramic decorative piece and book, and a long wooden console shelf with books and a large ceramic lamp. Arrange the furniture in a harmonious composition, blending functionality and aesthetic balance, with minimalist art objects and subtle greenery in the background. Ultra realistic, cinematic lighting, high detail, architectural photography style

3 months ago

A modern, spacious banner printing office in Lagos, Nigeria, with large floor-to-ceiling windows letting in abundant natural light. The space features sleek white walls, polished concrete floors, and bright pops of color from displayed sample banners along the walls. Several large-format, high-tech printing machines sit neatly in an open production area, while a stylish reception desk with a glossy finish welcomes customers. Comfortable seating with vibrant green and blue upholstery is arranged in the waiting area. The atmosphere is clean, professional, and vibrant,

4 months ago

A hyper-realistic, Captured with a full-body portrait lens (around 50mm) , ensuring the entire figure is framed from head to toe with natural proportions and no distortion. Centered in frame 8K fashion photo of a fit, very pale woman with a long, cascading blonde braid. She has pronounced curves, especially around the hips and glutes, balanced by a narrow waist and lean upper body. She is seated on a matte black sport motorcycle inside a dimly lit garage with concrete floors and exposed walls. Her back is facing the camera, showing her toned figure and athletic glutes, while she looks confidently over her shoulder at the viewer. She is wearing a fitted cropped black hoodie and tight high-waisted dark jeans. Her braid falls down her back. The garage is illuminated with cinematic neon lighting in deep purple and electric blue, casting dramatic highlights and reflections on the bike and her clothing. A soft mist or haze slightly diffuses the light for a moody, atmospheric effect. Everything is sharp and highly detailed — from her hair strands and denim texture to the glossy surfaces of the motorcycle. No blur or distortion. Ultra-detailed: skin texture, wet-glossy eyes, natural fingers, hair strands, and delicate body language.

8 months ago

A two-headed panther with black fur and glowing blue eyes, prowling through a maximum-security prison hallway, its sharp claws clicking against the cold concrete floor

8 months ago

high resolution cinematic photo, arri alexa mini, carl zeiss cp-2 lens set, aperture f/2.8 or f/4, iso 100, shutter speed 1/20, the black silhouette batman and joker meeting scene, monochromatic, dark backdrop, minimalistic white grid system ceiling, concrete flooring, cinematic light effects, top to bottom shadows, contrast, photorealistic, ultra detailing, 8K --ar 9:16 --style raw --personalize c3uuvrt --v 6.1

8 months ago

high resolution cinematic photo, the black silhouette batman and joker meeting scene, monochromatic, dark backdrop, minimalistic white grid system ceiling, concrete flooring, cinematic light effects, top to bottom shadows, contrast, photorealistic, ultra detailing, 8K

5 months ago

A black and white scene in Jarmusch's meditative style: A woman stands by a floor-to-ceiling window in an abandoned industrial loft. She's wearing a crisp white men's dress shirt unbuttoned over a black silk camisole, presenting a toned belly with clearly visible abs, paired with lowrise wide-leg black trousers. Early morning light streams through the massive factory windows, casting elongated shadows through the iron framework onto the concrete floor. The space is vast and mostly empty except for scattered pieces of antique furniture. The woman is captured in profile, perhaps holding a book or vintage camera, her silhouette sharp against the diffused light. The composition emphasizes the industrial architecture's strong vertical lines and the interplay of soft morning light with harsh industrial elements. Shot with Jarmusch's characteristic attention to texture and contrast, creating a painterly quality in the interaction between light, shadow, and architectural details.

8 months ago

high resolution cinematic photo, arri alexa mini, carl zeiss cp-2 lens set, aperture f/2.8 or f/4, iso 100, shutter speed 1/20, the black silhouette batman and joker meeting scene, monochromatic, dark backdrop, minimalistic white grid system ceiling, concrete flooring, cinematic light effects, top to bottom shadows, contrast, photorealistic, ultra detailing, 8K --ar 9:16 --style raw --personalize c3uuvrt --v 6.1

8 months ago

high resolution cinematic photo, arri alexa mini, carl zeiss cp-2 lens set, aperture f/2.8 or f/4, iso 100, shutter speed 1/20, the black silhouette batman and joker meeting scene, monochromatic, dark backdrop, minimalistic white grid system ceiling, concrete flooring, cinematic light effects, top to bottom shadows, contrast, photorealistic, ultra detailing, 8K

8 months ago

A young Caucasian girl, aged 13-15, smiles joyfully while cradling a small winged unicorn with hyper-detailed, lifelike features. The girl has long, light brown hair with natural flyaway strands, rosy cheeks, and realistic skin texture (slight pores, faint freckles). She wears a casual black cotton t-shirt and faded blue jeans, lit by harsh fluorescent overhead lights that cast sharp, naturalistic shadows. In her hands, the unicorn is anatomically plausible: its size proportionate to a small cat, with ultra-fine white fur showing individual strands, subtly matted in places for realism. Its wings are feathered in intricate detail (similar to a dove’s wing structure), veins visible under the light, and folded neatly against its body. The horn is pearlescent ivory, tapered like an antelope’s, with faint ridged texture—no cartoonish sparkles. The unicorn’s eyes are large but realistic, with moist reflective pupils and subtle eyelashes. The storage room backdrop features cluttered, dusty cardboard boxes labeled ‘Fragile,’ a concrete floor with scuff marks, and a flickering fluorescent panel. Shot on a Sony A7 IV with 85mm lens, f/2.8 aperture for shallow depth-of-field, emphasizing the unicorn’s fur texture and the girl’s hands. Style: Hyper-realistic CGI, photorealistic skin and fabric details, muted fantasy elements grounded in biological plausibility, ambient occlusion lighting blending harsh fluorescents with soft window light from an off-screen source.

5 months ago

First-person POV: you open your eyes while lying on a thin, hard mattress placed directly on the cracked linoleum floor of a cold, concrete-walled apartment. In front of you, your feet are visible under a faded wool blanket. Pale morning light seeps through a small, barred window covered in frost. The ceiling is low and stained. To the right, hanging above eye level, are two framed portraits of Kim Il-sung and Kim Jong-il, their eyes seemingly watching you even in the silence. The room is sparse—no furniture except a rusted metal cabinet and an old state-issued radio softly murmuring distant propaganda. Your breath fogs in the freezing air as the sound of a patriotic hymn echoes faintly from a loudspeaker outside. The atmosphere is quiet, rigid, and lifeless. The scent of old dust, damp cement, and faint coal smoke fills your lungs. Your body is stiff from the cold, and your fingers instinctively reach for the edge of the blanket, as if to pull reality back over your eyes. Visual specs: • 8K ultra-detailed cinematic realism, HDR, IMAX Laser style, stylize 750 • Camera: Canon R5 • Lens: 16mm • Aperture: f/4 • Lighting: weak dawn light from window, diffused and cold • Composition: perfectly centered first-person view, camera at eye level, feet visible stretched toward the wall

5 months ago

photography, bedroom design featuring a bed with storage drawers, large mirror, and decorative sconces, with storage bins, coat hanger, table clock, floor mat, transitional style, polished concrete, coffered ceiling, bifold doors, adorned with a textured throw and an heirloom trunk, pastel shades color, photographed on minolta x700, panoramic lens, digital, high noon, overhead white lighting

5 months ago

A futuristic, industrial-style dining hall with a spacious, symmetrical layout. The room features square tables arranged neatly in rows, each with minimalist chairs. The tables have small, functional accessories like napkin holders or condiment containers. The ceiling showcases a large circular structure with glowing, petal-shaped light panels radiating from the center, creating a sci-fi ambiance. The walls and floor are made of smooth concrete or metal with muted, earthy tones. At the far end of the hall is a wide, horizontal window revealing a barren, rocky landscape with distant hills and a single leafless tree under a pale sky. The overall atmosphere is clean, sterile, and slightly dystopian, evoking a sense of isolation and order.

6 months ago

Full body view (((show feet))) it of an event photography, deconstructionist. Fashion photo of a playful comedian, 24 years old, Ulster Scots-Tlingit, with a proud and determined expression. Her body features slightly protruding collarbones with slim contours, toned muscles, sculpted abs, a nice bust and a flat chest. Her skin is medium tan with a natural glow, even in tone and texture. The pores and texture of the skin are clearly visible and in focus. Her large bean-shaped eyes, a striking electric blue, are framed by long, elegant lashes. Her eyebrows are straight and slanted, complementing her delicate facial features. Deconstructed leather blazers in mixed textures, sleeveless, bare midriff, low crotch jeans with exposed seams, barefoot on stony floor (((shows feet))), one hand on hip and the other adjusting sunglasses, rule of thirds, against irregular concrete slabs forming a square, Diana Vreeland style.

6 months ago

((ultra‑wide‑angle interior photograph))::1.4 of a welcoming eco‑modern living room where ((concrete, glass and warm reclaimed wood surfaces))::1.3 blend seamlessly with ((living nature))::1.3 — a mature oak tree rises through the polished floor, its roots cradled by river‑stones and wild‑flower vines in soft pinks and whites. Through floor‑to‑ceiling glazing, an ((epic, tranquil panorama))::1.3 unfolds: mist‑veiled mountains descend to a mirror‑still lake that glows with dawn light. Golden volumetric morning rays stream across the room, carving bright shafts and deep shadows. Viewpoint: low‑corner perspective looking diagonally toward the tree and out to the distant lake valley, creating strong leading lines. Foreground: rough‑hewn walnut coffee table with a linen journal and ceramic mug. Mid‑ground: modular linen sofa in warm clay tones with knitted throws. Background: serene water, pine ridges, rising sun. Colour palette — muted clay, moss green, natural walnut, soft charcoal, pale sky gold. Captured in the photographic style of ((Fernando Guerra))::1.2, 16 mm tilt‑shift lens, f/4, ISO 200, gentle film grain and bloom for a cozy‑yet‑majestic *Grand Designs* cover feel.

7 months ago

POV first-person, I am a dog standing on my hind legs, looking down at my paws on the ground. My two hind legs are firmly planted on the floor, naturally positioned and straight. The camera angle is from my own eyes, looking directly down at my paws. The ground beneath me is clearly visible, showing realistic textures like wood, tile, or concrete. The lighting is soft and natural, casting gentle shadows for depth. Everything appears completely natural and realistic.

7 months ago

This photograph showcases a modern, minimalist architectural structure with a focus on concrete and geometric shapes. The image is taken from within the building, looking out towards the courtyard. The dominant color is various shades of grey, ranging from the dark, almost black concrete walls to lighter, sunlit areas. The walls are smooth with a polished finish, and the overall design is characterized by sharp angles and clean lines. In the foreground, a large concrete pillar with a slightly rough texture stands out, casting shadows on the polished concrete floor. To the right, a rectangular window with a wooden frame reveals a glimpse of lush greenery outside. Further back, another set of windows with similar wooden frames allows natural light to illuminate the interior spaces. The courtyard visible through these windows is sparsely landscaped, with a few small plants and a concrete planter. The ceiling, also made of concrete, has a slightly rougher texture than the walls, indicating different construction materials or techniques. The lighting is natural, likely from the sun, casting soft shadows that emphasize the depth and structure of the building. The overall atmosphere is serene and contemplative, with an emphasis on the interplay of light and shadow.

3 months ago

A modern, spacious banner printing office in Lagos, Nigeria, with large floor-to-ceiling windows letting in abundant natural light. The space features sleek white walls, polished concrete floors, and bright pops of color from displayed sample banners along the walls. Several large-format, high-tech printing machines sit neatly in an open production area, while a stylish reception desk with a glossy finish welcomes customers. Comfortable seating with vibrant green and blue upholstery is arranged in the waiting area. The atmosphere is clean, professional, and vibrant,

6 months ago

"A confident female detective in a sleek, form-fitting black dress enters a decaying warehouse, where the harsh, unforgiving light from overhead fluorescent bulbs casts sharp, jagged shadows across the cracked concrete floor. The warehouse reeks of age and abandonment, with rusted metal and peeling walls, the decay visible in every corner. The victim lies sprawled on the floor, illuminated by the cold, clinical light that only serves to highlight the brutal reality of the crime. Her black dress, perfectly tailored and clinging to every curve, contrasts sharply with the grimy, deteriorating environment. The oppressive silence is broken only by the faint hum of the flickering lights above, amplifying the tension in the air. As she steps forward, the sound of her stiletto heels clicking sharply against the hard, uneven floor echoes through the space, a constant reminder of her presence in this desolate scene. The only color in the room is the striking red of her lipstick, cutting through the bleak surroundings like a warning. The detective’s calm, composed expression betrays nothing, but her piercing gaze scans the room with a quiet intensity, knowing that every piece of decay—both in the building and the murder itself—holds a clue she must uncover