10 days ago a distant composed image, front angled, a strong and athletic female demon, and large, curved horns protruding from her forehead, Her long, black hair are styled in a ponnytail and falls back like a waterfall of night, reflecting the vibrant lighting effects that create an ethereal, radiant glow. Latex bodysuit with black, red and some bold transparent parts with intricate snakeskin patterns accentuating her curves. with an air of mystical, otherworldly presence, as if the gods themselves have descended upon her. She has fingerless glowes on her hands holding a pair of drumsticks. Earphones on her head She sits in a soundbooth in a recording studio, playing on a Tama drum battery. The room is filled with a big Tama drum-battery and the backround wall is shoundproofed. The electric atmosphere is palpable, with warm, golden tones and subtle lens flare, reminiscent of a Kodak Ektar lens, capturing the raw energy and elegance of the performance. Inspired by the dark, mystical works of Zdzisław Beksiński and H.R. Giger, with the intricate, biomechanical details of Ashley Wood, the hyper-realistic 3D rendering style of Syd Mead, the atmospheric lighting of Roger Dean, and the majestic cinematic composition of Ash Thorp Lastdance PRO 0 4
10 days ago a distant composed image, left angled, a strong and athletic female demon, and large, curved horns protruding from her forehead, Her long, black hair are styled in a ponnytail and falls back like a waterfall of night, reflecting the vibrant lighting effects that create an ethereal, radiant glow. Latex bodysuit with black, red and some bold transparent parts with intricate snakeskin patterns accentuating her curves. with an air of mystical, otherworldly presence, as if the gods themselves have descended upon her. Black gothic makeup and black lipstick. She has fingerless glowes on her hands holding a pair of drumsticks. Earphones on her head She sits in a soundbooth in a recording studio, playing on a Tama drum battery. The room is filled with a big Tama drum-battery and the backround wall is shoundproofed. The electric atmosphere is palpable, with warm, golden tones and subtle lens flare, reminiscent of a Kodak Ektar lens, capturing the raw energy and elegance of the performance. Inspired by the dark, mystical works of Zdzisław Beksiński and H.R. Giger, with the intricate, biomechanical details of Ashley Wood, the hyper-realistic 3D rendering style of Syd Mead, the atmospheric lighting of Roger Dean, and the majestic cinematic composition of Ash Thorp Lastdance PRO 0 8
10 days ago a distant composed image, front angled, a strong and athletic female demon, and large, curved horns protruding from her forehead, Her long, black hair are styled in a ponnytail and falls back like a waterfall of night, reflecting the vibrant lighting effects that create an ethereal, radiant glow. Latex bodysuit with black, red and some bold transparent parts with intricate snakeskin patterns accentuating her curves. with an air of mystical, otherworldly presence, as if the gods themselves have descended upon her. She has fingerless glowes on her hands holding a pair of drumsticks. Earphones on her head She sits in a soundbooth in a recording studio, playing on a Tama drum battery. The room is filled with a big Tama drum-battery and the backround wall is shoundproofed. The electric atmosphere is palpable, with warm, golden tones and subtle lens flare, reminiscent of a Kodak Ektar lens, capturing the raw energy and elegance of the performance. Inspired by the dark, mystical works of Zdzisław Beksiński and H.R. Giger, with the intricate, biomechanical details of Ashley Wood, the hyper-realistic 3D rendering style of Syd Mead, the atmospheric lighting of Roger Dean, and the majestic cinematic composition of Ash Thorp Lastdance PRO 0 7
10 days ago a distant composed image, front angled, a strong and athletic female demon, and large, curved horns protruding from her forehead, Her long, black hair are styled in a ponnytail and falls back like a waterfall of night, reflecting the vibrant lighting effects that create an ethereal, radiant glow. Latex bodysuit with black, red and some bold transparent parts with intricate snakeskin patterns accentuating her curves. with an air of mystical, otherworldly presence, as if the gods themselves have descended upon her. Black gothic makeup and black lipstick. She has fingerless glowes on her hands holding a pair of drumsticks. Earphones on her head She sits in a soundbooth in a recording studio, playing on a Tama drum battery. The room is filled with a big Tama drum-battery and the backround wall is shoundproofed. The electric atmosphere is palpable, with warm, golden tones and subtle lens flare, reminiscent of a Kodak Ektar lens, capturing the raw energy and elegance of the performance. Inspired by the dark, mystical works of Zdzisław Beksiński and H.R. Giger, with the intricate, biomechanical details of Ashley Wood, the hyper-realistic 3D rendering style of Syd Mead, the atmospheric lighting of Roger Dean, and the majestic cinematic composition of Ash Thorp Lastdance PRO 0 6
10 days ago a distant composed image, left angled, a strong and athletic female demon, and large, curved horns protruding from her forehead, Her long, black hair are styled in a ponnytail and falls back like a waterfall of night, reflecting the vibrant lighting effects that create an ethereal, radiant glow. Latex bodysuit with black, red and bold cutout parts with intricate snakeskin patterns accentuating her curves. with an air of mystical, otherworldly presence, as if the gods themselves have descended upon her. Black gothic makeup and black lipstick. She has fingerless glowes on her hands holding a pair of drumsticks. Earphones on her head She sits in a soundbooth in a recording studio, playing on a Tama drum battery. The room is filled with a big Tama drum-battery and the backround wall is shoundproofed. The electric atmosphere is palpable, with warm, golden tones and subtle lens flare, reminiscent of a Kodak Ektar lens, capturing the raw energy and elegance of the performance. Inspired by the dark, mystical works of Zdzisław Beksiński and H.R. Giger, with the intricate, biomechanical details of Ashley Wood, the hyper-realistic 3D rendering style of Syd Mead, the atmospheric lighting of Roger Dean, and the majestic cinematic composition of Ash Thorp Lastdance PRO 0 8
