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Prompt by Chorlo

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7 months ago

A woman stands still in the dim light, her head tilted slightly as a small, ornate vial of poison is pressed to her lips (1.5). Her eyes are closed tightly, her expression steeped in sorrow and regret, as though haunted by memories of lost love. A single tear rolls down her cheek, catching the faint green glow of the poison as it trails across her face. Her lips part slightly, trembling as she drinks the bitter, cold liquid, her body tense with the weight of her decision. The vial is delicate, crafted from glass that glows faintly with an ominous greenish light. Its liquid swirls unnaturally, casting faint reflections on her pale skin and trembling fingers. She wears a flowing, sheer white robe (1.4), its translucent fabric clinging softly to her body, revealing faint outlines of her figure beneath. The robe ripples gently around her arms and waist, as though stirred by an invisible breeze, and the poison’s green glow reflects faintly off its delicate folds. Beneath her skin, a smoky, luminous green line is visible, beginning at her throat and trailing downward in a diffused, ethereal path (1.5). The line pulses softly, its edges hazy and shifting like luminous smoke, yet remaining unified as it flows through her body. The glowing trail brightens subtly as it descends, coiling delicately around her heart in a soft, radiant glow. The eerie green light from the poison interacts with the translucent robe, casting faint shadows and glowing highlights across her chest, amplifying the surreal beauty of the scene. Her free hand rests lightly against her chest, as though feeling the poison’s icy presence as it travels through her. The other hand holds the delicate vial, her fingers gripping it tightly, the tension in her body underscoring her resolve and the bitter pain of the moment. She stands upright, her figure illuminated by the glowing green line and the faint light of the vial. The dark, minimal background fades into shadows, ensuring the glowing poison and her tear-streaked face remain the focal points. The atmosphere is suffused with emotional tension, the glowing green line serving as both a visual and symbolic representation of the poison’s cold, invasive power. Her sheer robe, trembling posture, and closed eyes convey a haunting mix of regret, sorrow, and the inevitability of her choice.

7 months ago

A woman stands still in the dim light, her head tilted slightly as a small, ornate vial of poison is pressed to her lips (1.5). Her eyes are closed tightly, her expression steeped in sorrow and regret, as though haunted by memories of lost love. A single tear rolls down her cheek, catching the faint green glow of the poison as it trails across her face. Her lips part slightly, trembling as she drinks the bitter, cold liquid, her body tense with the weight of her decision. The vial is delicate, crafted from glass that glows faintly with an ominous greenish light. Its liquid swirls unnaturally, casting faint reflections on her pale skin and trembling fingers. She wears a flowing, sheer white robe (1.4), its translucent fabric clinging softly to her body, revealing faint outlines of her figure beneath. The robe ripples gently around her arms and waist, as though stirred by an invisible breeze, and the poison’s green glow reflects faintly off its delicate folds. Beneath her skin, a smoky, luminous green line is visible, beginning at her throat and trailing downward in a diffused, ethereal path (1.5). The line pulses softly, its edges hazy and shifting like luminous smoke, yet remaining unified as it flows through her body. The glowing trail brightens subtly as it descends, coiling delicately around her heart in a soft, radiant glow. The eerie green light from the poison interacts with the translucent robe, casting faint shadows and glowing highlights across her chest, amplifying the surreal beauty of the scene. Her free hand rests lightly against her chest, as though feeling the poison’s icy presence as it travels through her. The other hand holds the delicate vial, her fingers gripping it tightly, the tension in her body underscoring her resolve and the bitter pain of the moment. She stands upright, her figure illuminated by the glowing green line and the faint light of the vial. The dark, minimal background fades into shadows, ensuring the glowing poison and her tear-streaked face remain the focal points. The atmosphere is suffused with emotional tension, the glowing green line serving as both a visual and symbolic representation of the poison’s cold, invasive power. Her sheer robe, trembling posture, and closed eyes convey a haunting mix of regret, sorrow, and the inevitability of her choice.

4 months ago

Create an image for me that fits DIN A4. A beautiful woman with an african background. It should be a portrait in black and white – creative – surreal – abstract – with a reference to migration. Feel free to play with motion blur (but not too much – perhaps a subtle motion blur). The motif should be darker. The background should be light. Magazine editorial style. And please only the person. No other motifs. (The portrait will later be edited with a coloured background and text will be added – but I will do that myself). In photography, there are various rules and techniques for improving image composition, including the rule that people in the image should not look out of the frame. This is often considered part of image composition, as it is intended to draw the viewer's attention to the most important elements in the image. If a person is looking at the edge of the image, this can often create a feeling of incompleteness and distract the viewer from the main focus. A common practice is to position the person so that they are looking into the image rather than out of it. This creates a connection between the subject and the viewer and can enhance the emotional impact of the image. For example, if a person is looking to the left, the focus of the image should be on leaving enough space on the right side of the image to show the movement of the gaze. This technique goes hand in hand with other photographic rules, such as the rule of thirds or the golden ratio, which serve to harmonise the composition and increase visual interest. Only the person! No animals! No motion blur in the face!

9 months ago

Two ethereal figures entwined in a celestial embrace float above a mirrored cosmic lake, their bodies woven from stardust and iridescent light. Their faces are radiant yet undefined, reflecting the universal duality of love—fated connection and free will, passion and soul recognition. Above them, a monolithic, holographic heart hovers, fracturing and reforming in infinite loops, pulsating with the energy of the cosmos. From its core, golden threads extend outward, binding the lovers together, symbolizing the invisible forces of destiny and divine love. Behind them, a massive, neon-winged angel with a translucent, ever-shifting face looms in the sky, eyes glowing with celestial fire, representing divine guidance and protection. The background melts into surreal, liquid dreamscapes of golden clouds, spiraling DNA strands of light, and endless neon floral gardens blooming into infinity. On either side, two cosmic trees stand—one ablaze with molten gold and opal blossoms, the other coated in silver ice and shifting astral symbols, embodying the eternal balance between creation and destruction, love and transformation. A staircase made of fractured starlight ascends from the lake, disappearing into a vortex of swirling dimensions, a reminder that love is both a path and a choice. Salvador Dalí surrealism, hyper-detailed, divine energy, radiant, 4K cinematic surrealism, neon cosmic textures, dreamlike atmosphere, iridescent lighting, ethereal glow, celestial beauty. --avoid: malformed, extra limbs, distorted anatomy, blurry, low-resolution, pixelated, oversaturated, exaggerated facial expressions, poorly drawn hands, cartoonish, low-poly, unrealistic physics, artificial reflections, noisy, stretched elements, watermark, text artifacts.

7 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

7 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.