Flickering emergency lights cast long prompts

6 months ago

A surreal, black-and-white composition blending the raw emotion of Peter Lindbergh, the dreamlike distortion of Man Ray, and the textured abstraction of Mario Giacomelli. A solitary, rugged man, his weathered face and worn coat reminiscent of a Brontë novel protagonist, stands within a crumbling Celtic castle tower. The ancient stone walls, carved by time and isolation, seem to echo with forgotten voices. Before him, a translucent, ethereal female figure—a ghostly presence—emerges from the mist, her form sharp and intense, yet fading between worlds. She exudes a powerful, almost untamed aura, as if she’s a spirit both caught in and defying time. Through cracks in the stone, faint faces and symbols flicker. The sky above, stormy and chaotic, casts diffused, ghostly light, creating a cold, spectral glow. The texture is raw and grainy, reflecting the pain and longing that haunt both the man and the ghost, lost in time.

5 months ago

A highly realistic, photorealistic image of a dense forest at dusk, illuminated by the soft glow of twilight. A wise sage with long white hair tied in a traditional topknot sits cross-legged on a rocky ground, dressed in a flowing orange robe with intricate folds. His back is to the viewer, and his hands are pressed together in a prayer gesture (Anjali Mudra) at chest level, head slightly lowered in deep meditation. In front of him, a large, blazing bonfire with vivid orange and yellow flames casts a warm, flickering glow on his back and the surroundings, creating a mystical atmosphere. Above the bonfire, a radiant, ethereal figure of Lord Shiva emerges, glowing with golden light, his form partially translucent and surrounded by a fiery aura with subtle lightning sparks. His face is obscured by the intense golden light, exuding mystery and divine power. Lord Shiva holds a majestic, three-pronged golden trident (Trishul) with intricate engravings in his right hand, each prong emitting electric-like bolts that crackle with energy. His left hand is raised in a blessing gesture. His form is adorned with flowing garments that blend into the fiery aura, with hints of a tiger skin dhoti visible at his waist, ensuring his lower body is covered, and sacred ash markings subtly visible on his upper body. The forest is filled with tall, ancient trees with detailed bark textures, and weathered stone structures are positioned on either side of the fire, adding to the sacred, ancient atmosphere. Soft mist hugs the ground, enhancing the mystical ambiance. The scene features cinematic lens flare effects and soft bokeh circles, with dramatic lighting that contrasts the golden light from the fire and Lord Shiva with the darker forest tones. The image is ultra-detailed, with 8K resolution, rich colors, and sharp focus on both the sage and Lord Shiva, ensuring a natural and culturally authentic depiction of this divine encounter.

6 months ago

A surreal, black-and-white composition blending the raw emotion of Peter Lindbergh, the dreamlike distortion of Man Ray, and the textured abstraction of Mario Giacomelli. A solitary, rugged man, his weathered face and worn coat reminiscent of a Brontë novel protagonist, stands within a crumbling Celtic castle tower. The ancient stone walls, carved by time and isolation, seem to echo with forgotten voices. Before him, a translucent, ethereal female figure—a ghostly presence—emerges from the mist, her form sharp and intense, yet fading between worlds. She exudes a powerful, almost untamed aura, as if she’s a spirit both caught in and defying time. Through cracks in the stone, faint faces and symbols flicker. The sky above, stormy and chaotic, casts diffused, ghostly light, creating a cold, spectral glow. The texture is raw and grainy, reflecting the pain and longing that haunt both the man and the ghost, lost in time.

4 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

4 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

A highly realistic, photorealistic image of a dense forest at dusk, illuminated by the soft glow of twilight. A wise sage with long white hair tied in a traditional topknot sits cross-legged on a rocky ground, dressed in a flowing orange robe with intricate folds. His back is to the viewer, and his hands are pressed together in a prayer gesture (Anjali Mudra) at chest level, head slightly lowered in deep meditation. In front of him, a large, blazing bonfire with vivid orange and yellow flames casts a warm, flickering glow on his back and the surroundings, creating a mystical atmosphere. Above the bonfire, a radiant, ethereal figure of Lord Shiva emerges, glowing with golden light, his form partially translucent and surrounded by a fiery aura with subtle lightning sparks. His face is obscured by the intense golden light, exuding mystery and divine power. Lord Shiva holds a majestic, three-pronged golden trident (Trishul) with intricate engravings in his right hand, each prong emitting electric-like bolts that crackle with energy. His left hand is raised in a blessing gesture. His form is adorned with flowing garments that blend into the fiery aura, with hints of a tiger skin dhoti visible at his waist, ensuring his lower body is covered, and sacred ash markings subtly visible on his upper body. The forest is filled with tall, ancient trees with detailed bark textures, and weathered stone structures are positioned on either side of the fire, adding to the sacred, ancient atmosphere. Soft mist hugs the ground, enhancing the mystical ambiance. The scene features cinematic lens flare effects and soft bokeh circles, with dramatic lighting that contrasts the golden light from the fire and Lord Shiva with the darker forest tones. The image is ultra-detailed, with 8K resolution, rich colors, and sharp focus on both the sage and Lord Shiva, ensuring a natural and culturally authentic depiction of this divine encounter.

5 months ago

A highly realistic, photorealistic image of a dense forest at dusk, illuminated by the soft glow of twilight. A wise sage with long white hair tied in a traditional topknot sits cross-legged on a rocky ground, dressed in a flowing orange robe with intricate folds. His back is to the viewer, and his hands are pressed together in a prayer gesture (Anjali Mudra) at chest level, head slightly lowered in deep meditation. In front of him, a large, blazing bonfire with vivid orange and yellow flames casts a warm, flickering glow on his back and the surroundings, creating a mystical atmosphere. Above the bonfire, a radiant, ethereal figure of Maa Durga emerges, glowing with golden light, her form partially translucent and surrounded by a fiery aura with subtle lightning sparks. Her face is obscured by the intense golden light, exuding divine power and fierce grace. Maa Durga is depicted with eight arms, each holding a different weapon: a shimmering golden trident (Trishul) with intricate engravings in one hand, a sword in another, a conch, a discus, a bow, an arrow, a lotus, and a mace, each weapon glowing faintly with divine energy. She is adorned with flowing red and gold garments that blend into the fiery aura, with a golden crown on her head and a garland of flowers around her neck. At her feet, a majestic lion stands, its mane glowing softly, symbolizing her divine mount. The forest is filled with tall, ancient trees with detailed bark textures, and weathered stone structures are positioned on either side of the fire, adding to the sacred, ancient atmosphere. Soft mist hugs the ground, enhancing the mystical ambiance. The scene features cinematic lens flare effects and soft bokeh circles, with dramatic lighting that contrasts the golden light from the fire and Maa Durga with the darker forest tones. The image is ultra-detailed, with 8K resolution, rich colors, and sharp focus on both the sage and Maa Durga, ensuring a natural and culturally authentic depiction of this divine encounter.

7 months ago

In a barren, volcanic landscape, a fierce woman stands amidst jagged black rocks, her presence both mesmerizing and terrifying, as if channeling the very force of the earth. Her pose is dynamic and full of intensity, her torso twisted, arms spread outward in a stance that suggests power and defiance. Her eyes are fixed directly ahead, with an unyielding gaze, and an expression that blends wrath and resilience. She’s dressed in scorched, tattered clothing, barely clinging to her figure in burnt strips that ripple with heat and expose much of her form, including one bare breast. barefoot. The charred remnants of fabric smolder along the edges, with faint embers glowing in the seams, as if she’s emerged from a firestorm. Ash and soot streak her skin, mingling with the dark patches of burns, giving her an appearance of gritty resilience. From her eyes and mouth, molten lava pours out in a slow, thick flow—a relentless torrent of glowing, molten rock spilling from her eyes like fiery tears and streaming down her chin from her open mouth. The lava is thick and vivid, with deep, pulsing reds and oranges, illuminating her face with a harsh, otherworldly light. The heat rising from her body distorts the air, casting smoky trails and faint wisps around her as if she’s engulfed in her own fiery aura. Around her, the rocky ground is covered with low-lying mist and smoke, hovering just above the surface, while subtle veins of lava pulse beneath the ground, casting a faint red glow through the mist like the earth's own blood. The volcanic terrain is punctuated by deep craters and rocky outcroppings, with hints of molten light seeping from below, giving the land a dangerous, primordial energy. Above her head, a brilliantly glowing atomic symbol floats, radiating a haunting atomic-green light. This symbol is surrounded by equations, scientific formulas, and symbols of physics that orbit like a crown of knowledge, each one glowing faintly and pulsing in sync with her energy. The symbols are both beautiful and ominous, casting an ethereal glow around her face and adding to her mystical, almost godlike aura. Embers and glowing particles swirl through the air around her, drifting in the rising heat like fiery snowflakes, glowing faintly and leaving trails of light as they move. These sparks catch the light from the veins of lava below, creating a dynamic, layered effect that makes the scene feel alive and chaotic. The landscape and the embers are rendered in hyperrealistic detail, capturing every texture from the scorched ground to the molten flow pouring from her eyes and mouth. Rendering Style: Hyperrealistic and cinematic, with a strong emphasis on dynamic lighting and fine detail. The scene combines gritty textures and vibrant glows, achieving a powerful balance between earthly elements and mystical symbolism. A masterpiece worthy of ArtStation, capturing the raw, untamed energy and ethereal might of this formidable figure. A mysterious cyberpunk woman with long, split-colored hair—one side white, the other black. Her glowing red and blue cybernetic eyes scan the dark dystopian cityscape. Her body is wrapped in aged bandages intertwined with metallic wires and exposed mechanical parts, revealing synthetic joints and circuits. Neon reflections and flickering holograms cast eerie shadows as she stands in the misty, high-tech underworld

4 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

4 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of " skynet " on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

27 days ago

<lora:2941998:1.0> ohwx man A rugged built man slick back black hair and a short trimmed black beard, golden rims black sunglasses [EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He's wearing a dark grey, scuffed, athletic sneaker. He's also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He's wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor's intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime. num_images=4 negative_prompt= seed=344362715 steps= cfg_scale= controlnet= input_image_url= mask_image_url= denoising_strength= controlnet_conditioning_scale= controlnet_txt2img=false super_resolution=true inpaint_faces=true face_correct=false film_grain=false face_swap=false hires_fix=false backend_version=0 ar=1:1 scheduler=euler_a color_grading= use_lpw=false w=896 h=1152 style=Cinematic tune_id=1504944

4 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

4 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

4 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

4 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

4 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

4 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

4 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

4 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of " skynet " on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

4 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of " skynet " on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

4 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

4 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

7 months ago

"A hyper-realistic first-person perspective of a person sprinting through the decayed, dimly lit asylum corridor, gloved hands pumping forward with each frantic step; the cracked tile floor slick with moisture, reflecting the flickering emergency lights above; overturned gurneys and rusted wheelchairs littering the path, casting long, jagged shadows along the walls; the sound of rapid, heavy breathing blending with the distant echo of something inhuman chasing from behind; blurred, motion-induced streaks of darkness creeping into the viewer’s peripheral vision, heightening the sense of panic; the only visible exit—a heavy metal door at the far end of the hall—slightly ajar, revealing an unknown darkness beyond; the air thick with the scent of rust, mildew, and fear; cinematic realism, immersive horror, UHD, RAW --ar 9:16 --v 6.1"

7 months ago

In a barren, volcanic landscape, a fierce woman stands amidst jagged black rocks, her presence both mesmerizing and terrifying, as if channeling the very force of the earth. Her pose is dynamic and full of intensity, her torso twisted, arms spread outward in a stance that suggests power and defiance. Her eyes are fixed directly ahead, with an unyielding gaze, and an expression that blends wrath and resilience. She’s dressed in scorched, tattered clothing, barely clinging to her figure in burnt strips that ripple with heat and expose much of her form, including one bare breast. barefoot. The charred remnants of fabric smolder along the edges, with faint embers glowing in the seams, as if she’s emerged from a firestorm. Ash and soot streak her skin, mingling with the dark patches of burns, giving her an appearance of gritty resilience. From her eyes and mouth, molten lava pours out in a slow, thick flow—a relentless torrent of glowing, molten rock spilling from her eyes like fiery tears and streaming down her chin from her open mouth. The lava is thick and vivid, with deep, pulsing reds and oranges, illuminating her face with a harsh, otherworldly light. The heat rising from her body distorts the air, casting smoky trails and faint wisps around her as if she’s engulfed in her own fiery aura. Around her, the rocky ground is covered with low-lying mist and smoke, hovering just above the surface, while subtle veins of lava pulse beneath the ground, casting a faint red glow through the mist like the earth's own blood. The volcanic terrain is punctuated by deep craters and rocky outcroppings, with hints of molten light seeping from below, giving the land a dangerous, primordial energy. Above her head, a brilliantly glowing atomic symbol floats, radiating a haunting atomic-green light. This symbol is surrounded by equations, scientific formulas, and symbols of physics that orbit like a crown of knowledge, each one glowing faintly and pulsing in sync with her energy. The symbols are both beautiful and ominous, casting an ethereal glow around her face and adding to her mystical, almost godlike aura. Embers and glowing particles swirl through the air around her, drifting in the rising heat like fiery snowflakes, glowing faintly and leaving trails of light as they move. These sparks catch the light from the veins of lava below, creating a dynamic, layered effect that makes the scene feel alive and chaotic. The landscape and the embers are rendered in hyperrealistic detail, capturing every texture from the scorched ground to the molten flow pouring from her eyes and mouth. A mysterious cyberpunk woman with long, split-colored hair—one side white, the other black. Her glowing red and blue cybernetic eyes scan the dark dystopian cityscape. Her body is wrapped in aged bandages intertwined with metallic wires and exposed mechanical parts, revealing synthetic joints and circuits. Neon reflections and flickering holograms cast eerie shadows as she stands in the misty, high-tech underworld A mysterious cyberpunk woman with long, split-colored hair—one side white, the other black. Her glowing red and blue cybernetic eyes scan the dark dystopian cityscape. Her body is wrapped in aged bandages intertwined with metallic wires and exposed mechanical parts, revealing synthetic joints and circuits. Neon reflections and flickering holograms cast eerie shadows as she stands in the misty, high-tech underworld Rendering Style: Hyperrealistic and cinematic, with a strong emphasis on dynamic lighting and fine detail. The scene combines gritty textures and vibrant glows, achieving a powerful balance between earthly elements and mystical symbolism. A masterpiece worthy of ArtStation, capturing the raw, untamed energy and ethereal might of this formidable figure.