A sample prompt of what you can find in this page
Prompt by janaberserkovic

Gore prompts

very few results

2 months ago

imagine prompt: Brutal horror comic cover showing a blood-soaked man with a machete and sledgehammer, roaring with rage amid burning ruins, surrounded by screaming infected. Intense red lighting and thick ink shadows. Created Using:mtgraphic novel inking, digital grunge texture, apocalyptic horror theme, exaggerated musculature, extreme close-up intensity, chiaroscuro technique, heavy brushstroke shading, fire-lit ambient glow /imagine prompt: Post-apocalyptic comic poster of a deranged survivor[ face of the picture],Men 35,years all black clothes,holding two bloodied axes, standing atop a pile of corpses, hellfire sky in background, zombies clawing upward behind him. Saturated in deep reds and black smears. Created Using: grindhouse horror style, digital crosshatching, 70s exploitation film lighting, hand-drawn gore details, overexposed shadows, burnt orange color palette, comic-book realism, textured halftones imagine prompt: Psychotic warrior screaming at the viewer, brandishing a chainsaw dripping blood, twisted cityscape on fire behind him, dead bodies at his feet. Swirling smoke and deranged faces in the shadows. Created Using: horror manga influence, bold ink linework, expressionist lighting, pulp horror tones, distressed overlay textures, cinematic violence styling, extreme detail rendering, comic blood splatter effects /imagine prompt: Illustrated gore horror cover, close-up of a snarling anti-hero covered in cuts and blood, gripping a spiked bat. Chaos of fire and screaming infected behind him. Drenched in orange-reds, deep shadows. Created Using: scratchboard and digital ink fusion, 80s horror comics vibe, aggressive shading, high-grain texture, retro palette bleed, heavy contouring, visceral illustration style, intense foreground contrast --ar 2:3 --v 6.0

DILLEMA
0 88

6 months ago

An award-winning double exposure oil painting masterpiece inspired by The Green Mile, with a powerful emotional and symbolic focus on the electric chair—not as an object of violence, but as a stark contrast between man’s justice and divine mercy. The central figure is John Coffey, depicted in quiet stillness, seated and calm, his expression one of sorrow and acceptance. His silhouette contains the double exposure—his form blending into the shadowy interior of the execution chamber, where the electric chair sits bathed in soft, ominous light. Inside his body, the double exposure reveals a layered, poetic world: the electric chair looms at the heart, but it is surrounded by moments of grace—Paul Edgecomb’s hand on Coffey’s shoulder, the miraculous healing of the warden’s wife, and streams of glowing, golden light flowing upward from Coffey’s chest, dissolving into a night sky dotted with stars or angelic shapes. The mouse, Mr. Jingles, runs along the floorboards beneath the chair, a symbol of innocence enduring. The chair itself is rendered not with gore, but with reverent detail—an icon of sorrow, misunderstood judgment, and broken humanity. The color palette contrasts dark mahogany and deep prison greys with bursts of radiant gold, spiritual white, and hints of green—symbolizing both the literal “Green Mile” and hope. The brushwork is intimate and layered: the texture of sweat, woodgrain, tears, and light captured in strokes that feel as heavy as memory. Themes of redemption, spiritual suffering, mortality, and misunderstood power rise from the composition. This painting becomes not a depiction of death, but of the sacred tension between cruelty and compassion—where the electric chair becomes a tragic altar, and Coffey, a modern martyr.

Nednut4362
0 55