A sample prompt of what you can find in this page
Prompt by realportraitlab

High contrast is key prompts

hundreds of results

8 months ago

A hyper-realistic, ultra-detailed full-body front-view depiction of a tall, well-proportioned British woman with a neutral expression. She stands at 173 cm with an ample bust (34F), a defined waist, balanced hips, and long, well-structured legs, her flawless skin illuminated by cinematic-style lighting that enhances her natural contours with soft gradients and subtle shadows. Her facial features include an oval face shape, high cheekbones, a soft yet well-defined jawline, full symmetrical lips closed in a neutral expression, hazel almond-shaped eyes, dark brown arched eyebrows, and a proportional nose subtly implied for balance. Her collarbones are delicate and softly defined, avoiding overly prominent or sunken lines. Her dark brown hair is styled in a messy bun with a few loose strands framing her face, creating a warm, smooth, and effortless look. She is wearing a form-fitting gray high-neck turtleneck mini dress that accentuates her curves while maintaining elegance, ending mid-thigh to showcase her long legs, paired with sleek black knee-level boots for a modern touch. The lighting setup uses a soft cinematic style , with a key light positioned slightly off-center to create gentle highlights on one side of her face and body, while a fill light reduces harsh shadows on the opposite side. A subtle rim light is added behind her to separate her silhouette from the background, enhancing depth and dimension. The light has a warm tone with smooth transitions between highlights and shadows, evoking a natural yet dramatic effect. She stands in a true full-body, head-to-toe, wide-framed, front-facing pose with her feet flat on the ground, ensuring her entire physique is fully visible without cropping. The camera is positioned at a neutral height directly in front of her, capturing her entire height in a single frame. The background is plain and neutral, focusing attention on her body proportions, while the cinematic lighting enhances realism by creating depth and texture without extreme contrast. The image is shot in HDR 4K with ultra-detailed textures, extreme photorealism, cinematic quality, true-to-life proportions, and no distortion.

5 months ago

digital painting, semi-realistic anime-influenced style, soft brush strokes, clean lineless art, ethereal atmosphere, dreamy aesthetic, minimalist details, simplified forms, smooth color transitions, krenz cushart inspired, kuvshinov ilya influence, wlop style, soft light diffusion, high contrast lighting, stylized semi-realism, polished render, painterly technique with clean edges, elegant simplification, detailed facial features with simplified body, commercial illustration quality, magazine editorial style, professional digital painting, subtle gradient shading, dreamy pastel color palette, minimalist color scheme, high-key lighting, gentle color gradients, selective saturation, bright luminous atmosphere, clear summer day colors, cerulean blue and white dominant palette, soft contrast, airy aesthetic, clean highlights, soft ethereal lighting, powder blue sky, azure ocean, fashion painting of a 24 year old Burmese-Nahua female supermodel with relatable charm. Her body is Firm, toned triceps with a sleek contour, toned muscles, abs, small breast, flat chest. She has a pale porcelain skin with subtle pink undertones Her Large diamond-cut eyes, Classic, grey-blue eyes, framed by long, elegant eyelashes. Her haircut is Wild, teased style with streaks of gray and dark blue. platinum blonde hair. Her eyebrows are Defined and sharp shaped, complementing her delicate facial features. She wears a crisp white, cropped mock neck top, midriff, faded Monogram print lowrise shorts. Her navel is pierced with Double Gem Navel Piercing. She is posed in the image frame on the left side by the rule of thirds. She poses in Mid-motion flipping collar of jacket, eyes locked on camera. Background scene is Tropical island beach with volcanic backdrop.

7 months ago

Inside a vast, empty gallery with smooth black walls and polished floors, a single white canvas hangs isolated on a jet-black wall. From afar, it appears blank—but up close, an impossibly intricate hand-drawn maze in faint charcoal lines covers its surface, barely visible. A lone figure, dressed in black, stands before the canvas. Their elongated shadow merges seamlessly into the floor, dissolving into the void. Above, a narrow skylight slices the space with a focused beam of pure white light, dividing the gallery into two stark halves—light and darkness. Dust floats gently in the air, catching the light like falling snowflakes. The only visible objects—crumpled paper near the figure’s feet, subtle breath vapor—exist solely in black and white, with no color, only contrast. There are no grays, only presence or absence. Everything in this world is shaped by what is not there: silence between thoughts, space between shapes, light’s gravity on emptiness. Meaning is found in the void between visible and invisible. Style: minimalist surrealism, conceptual abstraction Palette: pure black & white, soft shading gradients only from lightfall Lighting: high-contrast key light from skylight, deep ambient void Mood: meditative, existential, soft melancholy Composition: rule of thirds, empty center frame, high symmetry with void offset Visual Elements: lone canvas with hidden charcoal maze, black-clad figure, merging shadow, floating dust, quiet gallery architecture Themes: memory, perception, void, silence, duality of presence/absence Rendering style: ultra-high-resolution ink-detailed rendering, soft monochrome cinematic photography, Unreal Engine grayscale setup, volumetric dust with ray-traced lighting

6 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

6 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

6 months ago

A photorealistic, artistic image, maintaining the overall dark and moody composition. The central focus is a (singular, glistening, detailed Spider-Man web:1.4), meticulously (spun from distinct spider silk threads to clearly and legibly form the word "STOP" in capital letters:1.8). This web, (forming the word "STOP":1.7), is suspended in mid-air within a (narrow, rain-slicked, very dark and shadowy urban alleyway at night with a clear perspective showing its depth:1.3). To the left side of the alley, nestled against a shadowy wall and slightly in the foreground, stands a (classic red fire hydrant:1.3), its deep red color discernible. The (individual strands and threads making up the letters of "STOP" on the web:1.5) emit a (subtle but clear, faint rainbow-colored luminescence or iridescent glow:1.6), serving as a key light source for the web and its immediate surroundings. (Spider-Man himself is now a crucial and dynamic element:1.6). Positioned just behind the plane of the web, (his masked head and perhaps the very top of his shoulders are dramatically emerging through the natural opening of the letter 'O' in the web-formed word "STOP":1.9). (His head should be sharply in focus, appearing to dynamically jut out towards the viewer:1.8), creating a strong sense of depth and making it a powerful foreground element. The rest of his body remains mostly obscured or melds into the shadows behind the web. His mask should catch (subtle, realistic highlights from the glowing rainbow strands of the 'O' he is passing through:1.5) and any faint ambient light, emphasizing its classic form and texture. The alley itself remains characterized by deep shadows and natural night-time darkness. (A very faint, distant city glow might barely touch the far background:0.5). The red fire hydrant remains a contrasting element. Reflections on the wet pavement should primarily stem from the web's own rainbow luminescence. The (web-formed word "STOP":1.6) is still artfully spun. Its (glowing, rainbow-hued letterforms:1.5) appear (distinctly self-illuminated:1.4) against the (surrounding deep darkness:1.3). The image is cinematic, with high detail, focusing on the dramatic interplay between the (glowing web spelling "STOP":1.6) and (Spider-Man's head protruding directly towards the audience:1.7), all within the established dark, moody alley setting with the red hydrant as a side anchor

1 month ago

digital painting, semi-realistic anime-influenced style, soft brush strokes, clean lineless art, ethereal atmosphere, dreamy aesthetic, minimalist details, simplified forms, smooth color transitions, krenz cushart inspired, kuvshinov ilya influence, wlop style, soft light diffusion, high contrast lighting, stylized semi-realism, polished render, painterly technique with clean edges, elegant simplification, detailed facial features with simplified body, commercial illustration quality, magazine editorial style, professional digital painting, subtle gradient shading, dreamy pastel color palette, minimalist color scheme, high-key lighting, gentle color gradients, selective saturation, bright luminous atmosphere, clear summer day colors, cerulean blue and white dominant palette, soft contrast, airy aesthetic, clean highlights, soft ethereal lighting, powder blue sky, azure ocean, fashion painting of a 24 year old Egyptian-Ukrainian female supermodel with timeless elegance. Her body is Strong, rounded shoulders that create a powerful silhouette, toned muscles, abs, small breast, flat chest. She has a pale porcelain skin with subtle pink undertones Her Inverted triangle eyes, Mysterious, midnight blue eyes, framed by long, elegant eyelashes. Her haircut is Choppy pixie cut with crystalline, geometric patterns shaved into sides. platinum blonde hair. Her eyebrows are Elegant arch shaped, complementing her delicate facial features. She wears a crisp white, cropped sweatshirt, midriff, faded Asymmetric hem lowrise shorts. Her navel is pierced with Glow in the Dark Navel Piercing. She is posed in the image frame on the left side by the rule of thirds. She poses in Mid-stride with coat billowing, eyes locked on viewer. Background scene is Shallow tidal pools reflecting sky colors.

11 days ago

high resolution photography, monochrome, evoking the starkness of classic noir with an intimate, psychological edge, close-up, front profile with strategic lighting to accentuate features and create depth, black and white digital photography, with a high emphasis on texture and contrast, Canon EOS 5D Mark IV, preferred for its full-frame sensor that captures detailed gradations in tone, Canon EF 85mm f/1.2L II USM, offering a shallow depth of field and exceptional bokeh, manual mode, using a single off-camera flash with a snoot to direct a focused beam of light, camera on a tripod for stability, male in his thirties, with a beard and a gaze that holds an introspective stillness, beard is well-groomed, catching highlights where the light grazes, and his eyes are deep-set, underlined by a furrowed brow, indicative of concentration or internal conflict, minimalist, to avoid distracting from the subject's emotive presence, he absence of a background ensures that all narrative weight is carried by the subject's expression and the play of light on skin, void of context, the darkness envelops the subject, focusing attention on the stark contrast of light and shadow across his face, low key, with a singular source that creates a diagonal divide across the face, symbolizing the chiaroscuro technique's thematic play between revelation and concealment, the light catches on the ridges of the subject's facial features; the thoughtful position of his hand, fingers resting gently yet firmly against his chin, adds to the introspective quality, portrait invites the viewer into a moment of private reflection, punctuated by a profound silence that speaks volumes, serving as a canvas for the viewer's own interpretations of light, shadow, and the layers of the human condition, ultra realistic, UHD, many details --ar 9:16 --style raw --stylize 600 sem barba por favor, observação: sem barba