I wake up in my bedroom prompts

7 months ago

(Fine art photography:1.5, Cinematic portrait:1.4, Intimate close-up:1.4, High-resolution 8K:1.5, Soft natural lighting:1.3, Warm skin tones:1.3, Sharp details:1.5, Shallow depth of field:1.3, Freckles enhancement:1.3, Dreamlike atmosphere:1.2) A strikingly freckled woman with flowing auburn hair, lying on soft white sheets in a dimly lit bedroom. Her piercing green eyes lock onto the viewer with an intensity that is both vulnerable and powerful. The soft glow of window light gently kisses her skin, accentuating the delicate contours of her face, the texture of her freckles, and the curve of her lips. Her arms are wrapped around her legs, drawing them close to her chest in a protective yet sensual pose. The warmth of her body contrasts with the cool tones of the background, creating a beautiful juxtaposition between warmth and isolation. Loose strands of coppery hair cascade onto the sheets, forming intricate, natural patterns that add depth and movement to the composition. The bokeh-rich background fades into soft shadows, enhancing the sense of intimacy and personal connection. Her skin glows naturally, tiny beads of moisture visible on her collarbones, giving the impression of a warm summer evening or a moment caught between sleep and waking. Her expression is soft yet piercing, inviting the viewer into a moment of quiet introspection. The setting is minimalist yet atmospheric, with subtle grain and soft highlights reminiscent of classic film photography. There is an unmistakable sense of presence and emotion, where every detail—from the way her fingers graze her skin to the diffused lighting spilling in through an unseen window—feels deliberate, artistic, and timeless.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

7 months ago

POV First-Person View, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the image is on my feet, visible in the foreground, as I stretch and move my toes and feet naturally. The camera angle is from a low point, focusing on my feet and the lower part of my legs. The room has a window with a view of the distant Milad Tower (Borj Milad) in Tehran. The tower stands tall in the far distance, appearing small in the background. The Milad Tower is a tall, cylindrical structure with a distinctive large observation deck on top, resembling a huge mushroom cap, and it has a series of antennas protruding from its top. The base of the tower is thinner, and it gradually widens toward the observation area at the top. The rest of the city’s skyline and buildings are blurred behind it, ensuring that Milad Tower is clearly visible but not the main focus of the shot. The overall effect creates a sense of depth and distance between the room and the city. The focus remains on the inside of the room, where the soft morning light filters through the window and illuminates the floor and my feet. The image captures a calm, peaceful atmosphere inside the room, while the distant tower serves as a backdrop.

7 months ago

POV First-Person View, I wake up in my bedroom, in my single-person apartment in Iran. The atmosphere of the room is calm, with a nostalgic feel in the air. The camera focuses only on the lower part of my body, with the rest of the room out of frame. My feet are resting on the bed, facing a window in the distance. Soft morning light is coming through the window into the room. The room is decorated with old pictures of famous Iranian faces, their frames appearing natural and simple. Outside the window, the Milad Tower in Tehran is visible in the distance, adding to the iconic view of the city. I gently move my toes, with natural movements, as I slowly wake up, experiencing the peacefulness of the morning. The cool morning breeze enters through the window, adding to the calm atmosphere of the room.

7 months ago

POV First-Person View, I wake up in my bedroom, in my own single living space here in Iran. The atmosphere is peaceful, yet there's a touch of nostalgia in the air. The camera focuses only on my lower body, the rest of the room out of view. My legs are stretched out on the bed, my feet facing a window, some distance away. The morning light softly streams through the window. The room is decorated with old black-and-white portraits of famous Iranian faces, bringing a sense of history to the space. I slowly move my toes, the movement natural, as I stretch and wake up fully, feeling the calmness of the morning as I ease into the day. The cool morning air from the window adds to the serene atmosphere.

7 months ago

POV First-Person View, I am a 30-year-old man, and the scene takes place in my bedroom. The room has several framed photographs of famous Iranian personalities on the walls, arranged in a natural manner. My feet are visible in the frame, and I'm lying on the bed, having just woken up in the morning. My toes and feet naturally move as I stretch after waking up. The room has a window, and outside the window, the view of Tehran is visible. In the distance, the iconic Milad Tower (Borj Milad) stands tall and prominent. Milad Tower Description: The Milad Tower is a tall, modern communication tower located in Tehran, Iran. It has a sleek, cylindrical shaft that tapers towards the top, giving it a tower-like appearance. The shaft is dark gray, and at the top, there's a large observation deck with a rotating restaurant. Above the observation deck, there's a narrow spire that extends upwards, and it is often illuminated at night with bright lights. The base of the tower is wider, supporting the structure, and it has a series of arches surrounding it. The overall design is contemporary and futuristic, standing out in Tehran's skyline.

7 months ago

I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The camera focuses on my feet in the foreground, with my toes and feet naturally moving. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the distance, there is a window placed a few feet away from me, allowing a view of the far-off Milad Tower (Borj Milad) in Tehran. The window frame is clearly visible, with the tower appearing as a small feature in the far background. The Milad Tower is a tall, cylindrical structure with an observation deck at the top, and it’s positioned far away from me, beyond the window, creating a sense of depth in the scene. The tower is distant enough to be a subtle part of the overall view, adding to the peaceful, calm atmosphere of the room. The interior of the room is softly illuminated by the morning light coming through the window, casting light on the floor and my feet. The window itself is not very close to me, providing some space between the foreground (my feet) and the distant view of the Milad Tower, which remains faint and unobtrusive. This setup gives a sense of separation, with the focus still on the feet and the bedroom scene, while the window and the Milad Tower provide a distant and peaceful backdrop.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The camera focuses on my feet in the foreground, with my toes and feet naturally moving. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the distance, there is a window placed a few feet away from me, allowing a view of the far-off Milad Tower (Borj Milad) in Tehran. The window frame is clearly visible, with the tower appearing as a small feature in the far background. The Milad Tower is a tall, cylindrical structure, with a wide, round observation deck at the top, resembling a saucer. The body of the tower tapers as it rises and has a sleek, modern appearance with a distinctive design. The tower is lit at night, but in the morning light, it’s a darker silhouette against the horizon. The tower is positioned far away from me, beyond the window, creating a sense of depth in the scene. It should appear small and distant, but its unique shape, with the round observation deck, makes it recognizable even from this distance. The tower is not a central focus of the scene, but serves as a distant and peaceful backdrop. The interior of the room is softly illuminated by the morning light coming through the window, casting light on the floor and my feet. The window itself is not very close to me, providing some space between the foreground (my feet) and the distant view of the Milad Tower, which remains faint and unobtrusive. This setup gives a sense of separation, with the focus still on the feet and the bedroom scene, while the window and the Milad Tower provide a distant and peaceful backdrop.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures like SHAH. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of Family. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

7 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.

3 months ago

Impasto oil painting, an evil woman wakes in a rotting bedroom, the walls breathing softly as if alive. Her real, terrified eyes dart around wide, unblinking, soaked in confusion and dread. The bed beneath her is soaked and cold, covered in claw marks. In the corner, a figure with her exact face crouches, silently watching, its expression twisted in a sick imitation of empathy. A hundred more eyes blink open in the dark trees outside the cracked window.

7 months ago

POV First-Person View, I wake up in my bedroom, in my own single living space here in Iran. The atmosphere is peaceful, yet there's a touch of nostalgia in the air. The camera focuses only on my lower body, the rest of the room out of view. My legs are stretched out on the bed, my feet facing a window, some distance away. The morning light softly streams through the window. The room is decorated with old black-and-white portraits of famous Iranian faces, bringing a sense of history to the space. I slowly move my toes, the movement natural, as I stretch and wake up fully, feeling the calmness of the morning as I ease into the day. The cool morning air from the window adds to the serene atmosphere.

8 months ago

*"A clear first-person perspective of a professional footballer waking up in a modern bedroom. The player's legs are partially covered by a slightly wrinkled blanket, feet shifting slightly under the fabric. As they rub their face, their right hand briefly enters the frame, catching the soft morning light.A smartphone on the bedside table vibrates, showing unread messages from the coach and teammates. The left hand reaches over to pick it up, fingers naturally wrapping around the device.At the foot of the bed, a pair of football boots sit beside a duffel bag. A framed jersey with the player’s name hangs on the wall, partially visible. Distant city sounds—muffled traffic, faint sirens—blend into the morning atmosphere, creating an immersive and realistic experience."*

7 months ago

Create an award-winning oil painting that captures the eerie yet mesmerizing presence of a wispy spirit in a woman's bedroom. The scene is bathed in the soft, silvery glow of the moonlight filtering through lace-curtained windows, casting long, delicate shadows across the antique furniture and wooden floorboards. The air feels thick with an unseen presence—one that lingers in the dim glow of a flickering candle on the bedside table. The woman, lying in bed, is caught between sleep and waking, her expression a mix of curiosity and unease. A spectral figure drifts near her, barely formed—a wisp of mist and shadow, shifting like smoke in the air. Its shape is ethereal, almost human but not quite, its translucent form stretching and curling as if caught in an unseen current. The spirit’s face is indistinct, yet its hollow, glowing eyes seem filled with longing, sorrow, or perhaps a message left unspoken. The brushstrokes should be delicate and flowing, creating an interplay between the solid, tangible world of the bedroom and the ghostly, shifting form of the spirit. Cool tones of misty blues, silvers, and deep purples contrast with the warm, golden glow of candlelight, creating a haunting yet beautiful tension. The painting should evoke a sense of quiet dread, wonder, and mystery—leaving the viewer questioning whether this spirit is a dream, a lost soul, or something far more unknown.

7 months ago

(Fine art photography:1.5, Cinematic portrait:1.4, Intimate close-up:1.4, High-resolution 8K:1.5, Soft natural lighting:1.3, Warm skin tones:1.3, Sharp details:1.5, Shallow depth of field:1.3, Freckles enhancement:1.3, Dreamlike atmosphere:1.2) A strikingly freckled woman with flowing auburn hair, lying on soft white sheets in a dimly lit bedroom. Her piercing green eyes lock onto the viewer with an intensity that is both vulnerable and powerful. The soft glow of window light gently kisses her skin, accentuating the delicate contours of her face, the texture of her freckles, and the curve of her lips. Her arms are wrapped around her legs, and she shows her barefeet soles dThe warmth of her body contrasts with the cool tones of the background, creating a beautiful juxtaposition between warmth and isolation. Loose strands of coppery hair cascade onto the sheets, forming intricate, natural patterns that add depth and movement to the composition. The bokeh-rich background fades into soft shadows, enhancing the sense of intimacy and personal connection. Her skin glows naturally, tiny beads of moisture visible on her collarbones, giving the impression of a warm summer evening or a moment caught between sleep and waking. Her expression is soft yet piercing, inviting the viewer into a moment of quiet introspection. The setting is minimalist yet atmospheric, with subtle grain and soft highlights reminiscent of classic film photography. There is an unmistakable sense of presence and emotion, where every detail—from the way her fingers graze her skin to the diffused lighting spilling in through an unseen window—feels deliberate, artistic, and timeless.

8 months ago

A **dimly lit bedroom at night**, shrouded in an **eerie, unsettling glow** as **moonlight filters through the window**, casting **elongated, warped shadows** across the walls. A **small nightlight flickers weakly**, its feeble glow unable to banish the **darkness that seeps into every corner**, thick with an **unnatural, suffocating dread**. From the **half-open closet**, a pair of **glowing, predatory eyes peer out**, their **unblinking stare filled with malice**. **Elongated, clawed fingers**, impossibly thin and grotesque, **curl around the doorframe**, the very fabric of reality seeming to **twist and distort where they touch**. Beneath the bed, **something slithers**—a presence barely visible **except for its impossibly wide, sharp-toothed grin**, stretching far beyond what should be humanly possible. Its form is **fluid yet unnatural**, shifting with **shadowy tendrils that coil and retract** in the gloom. A **young adult lies frozen in terror**, gripping their **blanket like a lifeline**, their **wide, paralyzed eyes locked on the horrors surrounding them**. Their body is bathed in the **cold, blue-tinted moonlight**, which **flickers unnaturally as though the nightmare itself distorts reality**. The **room appears slightly warped**, as if the very air is **bending under the weight of the nightmare**. The furniture tilts at subtle, impossible angles, and the shadows **move with an unsettling sentience**, creeping ever closer. The **monsters are grotesque yet amorphous**, shifting between **skeletal, insectoid, and abyssal forms**, an **amalgamation of fear given shape**. Their **bodies ripple with an eerie, liquid darkness**, their **faces obscured by shifting voids or twisted, elongated grins**. The **color palette is dominated by deep, muted blues, sickly purples, and spectral grays**, punctuated by the **faint, malevolent glow of spectral eyes and unholy grins**. The **cinematic, atmospheric lighting** enhances the **balance between horror and surrealism**, evoking the **primal fear of what lurks unseen in the night**. Rendered in **ultra-high-definition, hyper-detailed dark fantasy realism**, the composition immerses the viewer in a **waking nightmare**, a place where **fear takes physical form, and the boundary between dream and reality is terrifyingly thin**.