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Prompt by Chorlo

In a second image prompts

hundreds of results

5 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

5 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

2 months ago

a professional photo of the most beautiful girl in the world second-grader, Lockheed F-117 Nighthawk, in a highly detailed, futuristic, masterpiece), (realistic, perfect by age anatomy, Full body, with long hint of platinum brown hair in a tight neat ponytail, beautifully flawless olive skin, thick black eye liner, exceptionally long eyelashes eye lashes, light pink blush, extremely beautifully shaped lips with light pink lipstick, blue eye shadow, perfectly flawless olive skin, beautiful perfect high cheekbones beautiful perfect high cheekbones extremely detailed perfectly shaped beautiful brilliant Forest Tea blue-grey-purple bedroom eyes, beautifully manicured fingernail with pink polish, she is standing next fighter jet to her facing the viewer, in a hanger bay, created with Unreal Engine 5 and Octane Render, high resolution photography, intricate details, ultra-sharp focus. --v 6.1 best quality, 8k,high res, masterpiece:1.2, ultra-detailed, realistic, photo realistic, photo-realistic:1.37, high res, ultra-detailed, photo-realistic, front view, highly detailed, volumetric, dramatic light Perfect graphics, ultra-detailed, photo-realistic, full image view, full body view, front view. Negative prompt: Asian-Less-Neg bad-artist bad-artist-anime bad-hands-5 bad pictures bad_prompt_version2 badhandv4 By bad artist -neg Cyber-Realistic Negative-neg Easy Negative hand-neg ng_deepnegative_v1_75t verybadimagenegative_v1. 3, lowres, text, error, cropped, worst quality, low quality, jpeg artifacts, ugly, duplicate, morbid, mutilated, out of frame, extra fingers, mutated hands, poorly drawn hands, poorly drawn face, mutation, deformed, blurry, dehydrated, bad anatomy, bad proportions, extra limbs, cloned face, disfigured, gross proportions, malformed limbs, missing arms, missing legs, extra arms, extra legs, fused fingers, too many fingers, long neck, username, watermark, signature

7 months ago

An 80s senior portrait photo with a side-view double exposure in the top left. Subject: Blonde woman in her senior year of high school, with her hair in a high ponytail. She has blue eyes and a friendly smile. In the main photo she is saluting the viewer. In the double exposure she is in a side-view, looking upward. Clothing: The individual in the image is wearing a black and white color-blocked blouse with a sharp collar, paired with a high-waisted, gingham-patterned skirt in shades of black, white, and possibly gray. The blouse has an oversized fit, while the skirt is fitted at the waist and flares out slightly. The individual is also holding a black handbag with a structured design. She is wearing large dangling black and white earrings. In the double exposure image she is wearing a letterman's jacket for Adams High School and holding a tennis racket. In this double exposure her hair is down. Photographic Features Double exposure: The image includes a side view of the woman as a double exposure that is large and overlapping the main image and should fill the upper left quadrant. In traditional film photography, double exposure involves exposing the same frame of film twice. The photographer would first take the main portrait shot. Then, without advancing the film, they would take a second shot of the subject’s face, often with a different lighting setup to create a softer, ethereal look. This would result in both images being superimposed on the same frame. This photo should be feathered to allow the backgrounds still blend together without a harsh background outline. Lighting: The lighting in these photos was typically studio lighting, which was bright and even, minimizing shadows. The superimposed face often had a soft, diffused light to give it an ethereal, almost heavenly glow. Depth of Field: The main image usually had a sharp focus, capturing the details of the subjects. The superimposed face, however, was often slightly blurred or softened to create a dreamy effect and to distinguish it from the main image. Color Grading: The colors in these photos were often vibrant and saturated, typical of the film used during that era. The superimposed face might have a slightly different color tone, often with a bluish or purplish tint to enhance the dreamy, otherworldly effect. Camera Used: These portraits were typically taken with medium-format or 35mm film cameras, which were common in professional photography studios at the time. Film Used: The film used was usually color negative film, which was popular for its ability to capture vibrant colors and fine details. Brands like Kodak and Fujifilm were commonly used. Age of Photo: These types of portraits were particularly popular in the late 70s and throughout the 80s. The fashion styles, hairstyles, and overall aesthetic are strong indicators of this time period. Overall Impression These portraits have a nostalgic charm and are often remembered fondly for their unique and somewhat whimsical style. They capture a moment in time and reflect the photographic trends and techniques of the era.

2 months ago

A professional photograph of most beautiful girl in the world, a second-grade short-eared elf, captured in a highly detailed, futuristic masterpiece that is both realistic and anatomically perfect for her age. The full-body image, from head to toe, showcases her extremely long golden blonde curly hair styled in a rope braid, flawless olive skin, thick black eyeliner, extra-long eyelashes, a light pink blush, and exquisitely shaped lips adorned with light pink lipstick. Her eyes are a stunning blend of forest tea blue, brown, golden, grey, and purple hues, with blue eyeshadow enhancing their brilliance. She has beautifully manicured fingernails painted pink and wears a chainmail armor midriff-baring shirt paired with tight-fitting forest green armor leggings. On her back is a quiver as she pulls back a long bow with a flaming arrow, set in a magical, mystical forest reminiscent of the style of The Hobbit. Created with Unreal Engine 5 and Octane Render, this high-resolution photograph features intricate details, ultra-sharp focus, and dramatic volumetric lighting, delivering perfect graphics and an ultra-detailed, photo-realistic front and full-body view. --v 6.1 best quality, 8k, high res, masterpiece:1.2, ultra-detailed, realistic, photo-realistic, photo-realistic:1.37, high res, ultra-detailed, photo-realistic, front view, highly detailed, volumetric, dramatic light, perfect graphics, ultra-detailed, photo-realistic, full image view, full body view, front view.

8 months ago

2 charachters: A male hero (bodybuilder) in dirty and tattered loincloth, sleeps on his back and strapped to a wooden table. he is very dirty. He is drenched in sweat and has scratch marks on his chest from a fight with a monster. Beside him in the picture lay A ravishing, athletic female demon with a toned, muscular physique, resplendent in a red, snakeskin pattern bodypaint that shimmers like polished rubies and garnets, gazes intensely with sharp, glowing red eyes that burn with an inner fire, her playful yet mischievous expression hinting at wicked intentions. Her long, flowing black hair cascades down her back like a waterfall of night, styled with choppy, layered bangs that frame her heart-shaped face and accentuate her high, angular cheekbones. Large, curved horns protrude from her forehead, their organic texture resembling polished obsidian, contrasting with the shiny, reflective black bodysuit that clings to her curves like a second skin, accentuating her athletic physique and toned, muscular legs. A red demon-like tail, complete with a shiny red lizard pattern that catches the light like molten lava, extends from her lower back, adding a dynamic, kinetic energy to the scene Set inside a dark dirty dungeon cave with lava on the ground, big chains hanging from the ceiling, the scene is bathed in a warm, golden glow, with subtle Kodak Ektar lens flare and soft focus effects adding a dreamy, ethereal quality to the image, reminiscent of the works of Zdzisław Beksiński, Ash Thorp, and Simon Stalenhag. 8k UHD