A sample prompt of what you can find in this page
Prompt by 8d96dfd5c78

In some cases prompts

hundreds of results

9 months ago

A futuristic museum hall filled with a soft, drifting haze of smoke. The entire space, including the walls and floor, is overwhelmingly white, almost disorienting in its purity. The ceiling is lined with long, continuous LED strips stretching across its entire surface. Their glow is partially absorbed by the swirling mist on the floor, creating an ethereal, diffused lighting effect. The room has no doors or windows, enhancing the surreal and otherworldly atmosphere. At the center of the space stands a minimalist glass display case. Inside, a breathtaking, floating female head is showcased, with bold red lips, editorial-style makeup, dramatic contouring, and shimmering metallic highlighter. She wears an extravagant avantgarde wig with black long textured hair with short fringe. The hair is black and has small metallic pins on it. Sculpted into futuristic, architectural shapes and intricate geometric designs. The head appears suspended in mid-air, as only the hair is fully visible, there is no body, just the striking, levitating form. Surrounding the display, elegantly dressed men and women in avant-garde, high-fashion futuristic attire stand in admiration, capturing the wig with their smartphones. Their outfits feature bold, sculptural silhouettes, reflective metallic fabrics, exaggerated shoulders, high-neck collars, intricate laser-cut details, and asymmetrical designs. Some wear visor-like glasses, glowing accessories, and gravity-defying structured garments. The bright flashes of their cameras reflect off the glass, creating a mesmerizing interplay of light. The scene carries an eerie yet mesmerizing surrealism, blending high fashion, advanced technology, and an air of mystery. The combination of futuristic aesthetics, editorial styling, and avant-garde fashion elements makes the composition feel like a high-end fashion editorial from a distant future.

6 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

6 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

5 months ago

A vast golden Abydos Eygpt City in the back of rich thick lush beautiful jungle thives with rivers flowing smoothly and incredilby well designed with incredibly advance hyper realism, anciet agricultural farm lands Abydos Egypt on th right side of the river. A futuristic epic adventure, with wild life, tartaria building in the background with 1 ancient mythological flying spaceship hovering in the background that run on murcury rotational engine. Futuristic epic tribute tartaria, incredibly anciently advanced spaceship arrives to be inspected at the transolar line's arrival depo, as the ancient ones await patiently to board, Sci Fi, large orchre orange sleek designs and lines illuminate on the side of the spaceship. Creative digital art styles, hyper realism and brilliant lighting, wide angle, balanced composition and smooth, hard surface, neon light reflections, triadic colors, symmetry, hyper detailed, octane render, wide angle epic scifi futuristic. In the background a thick, beautiful lush jungle during sunrise, incredibly advanced spaceship arrives to be inspected at the transolar line's arrival depo case, located close to tartaria building, at the front of the spaceship it has an amazingly designed front window for the pilot which is super strong, the space has well design advanced wings with complex futuristic engine on the back of spaceship, the window is very strong. Sci Fi, large ochre orange designed markings on the side of spaceship of the hull, on top and on it wings. Creative digital art styles, symmetrical artwork. cinematic, hyper realism, combined with an effect of light bioluminiscent, wide angle, balanced composition and smooth, hard surface, neon light reflections, triadic colors, symmetry, hyper detailed, octane render, wide angle epic scifi futuristic, huge hyperspace spaceship in background, epic amazing real scifi environment, in style of digital art. Large space ships, intricate artwork masterpiece, golden ratio, intricate, epic, highly detailed, vibrant, production cinematic, ultra high quality model, Mysterious and you can clear see some people watching the spaceship arrive, with advanced cybernetic robot enhancements, capturing intricate mechanical details, the image showcases a seamless blend of human features and robotic components, emphasizing the complexity and sophistication of futuristic technology, cybernetics include a polished metallic finish with elements resembling futuristic muscles. Professional Mode. The **spaceship** features: - A **sleek, ultra-strong front pilot window** with a **geometric armored design** - **Large, intricately designed wings** with **ochre-orange markings** along the hull - **Complex futuristic engines** glowing with **neon reflections** - **spaceship arrives to be inspected at the transolar line's arrival depo, as the ancient ones await patiently to board - **Symmetrical, hyper-detailed** hard-surface design with **triadic color accents** **Art Style & Technical Details:** - **Cinematic hyper-realism** with **Unreal Engine 5 RTX shaders** - **Octane render, ultra-HD textures**, and **golden ratio composition** - **Wide-angle shot**, balanced symmetry, **dynamic lighting** (sunrise + bioluminescence) - **Metallic silver, ochre-orange, and vibrant neon** color scheme - **Professional digital artwork**, resembling a **sci-fi movie poster** - **Mysterious, immersive atmosphere** with **highly detailed mechanical elements** Scheme is subdued with metallic shades of silver, orange ochre, and vibrant -like fibers, reflecting a realistic and somewhat somber tone appropriate for the futuristic theme, the rendering is hyper-realistic, focus on texture and lighting that highlights the reflective properties of the materials and the subtle human skin tones, RTX shader, unreal engine 5, detailing, golden ochre ratio, movie poster, golden ratio, intricate, epic, highly detailed, vibrant, production cinematic, ultra high quality model, Mysterious Sci-Fi Futurism with Robot AI --ar 9:16 --style raw --v 6. 1

4 months ago

A high-intensity depiction of the Battle for Zion from *The Matrix*. The vast subterranean dock of Zion is under siege: dark, industrial architecture looms with towering pillars and steel catwalks illuminated by red emergency lights and the strobing muzzle flashes of gunfire. Swarms of relentless Sentinels--metallic, squid-like machines with whirling tentacles and glowing red sensor eyes--fill the air in chaotic waves. At the center of the scene is Kirby, rendered with realistic textures while maintaining his iconic round pink form. He is inside an APU mech: a battered, humanoid exosuit of hydraulic pistons, armor plating, and massive twin arm-mounted rotary machine guns. The APU’s guns are aimed high, firing streams of bright tracer rounds upward into the dense swarm of Sentinels above. Sparks, smoke, and a cascade of large shell casings eject from the guns, tumbling through the air in a golden arc. Kirby’s expression is uncharacteristically fierce--his large eyes narrowed with burning determination, mouth wide open in a scream of defiance. The lighting is harsh and dramatic, with contrasting cool blue and red hues from the emergency lights and the Sentinels’ glow, accented by the warm flashes of gunfire. Depth of field focuses tightly on Kirby’s APU and the nearest Sentinels, while the background blurs into a maelstrom of mechanical carnage. Cinematic composition, widescreen aspect ratio, dynamic motion blur on the guns, shell casings, and tentacles, no logos or extraneous text.