A sample prompt of what you can find in this page
Prompt by 81eb1174e26

Next to the man is an old prompts

very few results

3 months ago

Ultra-realistic 8K selfie of Marilyn Monroe (around 30 years old, iconic Hollywood actress of the 1950s) and a 45-year-old middle-aged man (reference image provided). Marilyn Monroe appears youthful and radiant, with platinum blonde curled hairstyle, flawless smooth skin, glamorous red lipstick, eyeliner, and sparkling drop earrings. She wears her famous white halter dress with natural fabric folds, perfectly illuminated by neon lights. Next to her is the 45-year-old man from the reference photo: glasses, short brizzled goatee, green military-style cap, camouflage zip jacket, natural facial expression, realistic age appearance without exaggerated wrinkles. Both are standing together on a vibrant neon-lit city street at night, cinematic atmosphere, blurred yellow taxis in motion, pedestrians in bokeh. Lighting: hyper-realistic, warm and dramatic with neon reflections on skin and glasses. Depth of field: ultra-sharp foreground, softly blurred background. Resolution: 8K ultra-photorealistic, professional lens rendering. you should rejuvenate the man by at least 10 years and he should be identical to the photoo... Marilyn should be 30 years old, she cuts the shot in 3:2 horizontal and widens the back background so that you can see the shops and a little street, they are too compressed in the frame! Ultra-realistic 8K wide-angle photo, 16:9 ratio. A 45-year-old man (reference image provided, youthful appearance for his age, smooth natural skin, no deep wrinkles, healthy look) takes a selfie with Marilyn Monroe (around 30 years old, radiant, flawless skin, platinum blonde curls, red lipstick, wearing her famous white halter dress). Both are centered in the frame but with more space around them, leaving room to see the neon-lit city street in the background: glowing signs, shop windows, blurred pedestrians and taxis in soft focus. Lighting: cinematic neon glow with warm reflections on skin, realistic lens depth of field, ultra-sharp subjects in foreground, softly blurred background. Resolution: 8K UHD, professional full-frame lens rendering, hyper-realistic photography style.

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

8 months ago

A 3D animated image in the Disney Pixar style, from a perspective that clearly shows both the shop and the lagoon, of a small and charming traditional shop with a wooden or stone facade, located next to a beautiful lagoon in South Africa. The shopkeeper, approximately 65 years old, a Black man with a kind African face and sun-weathered wrinkles, wears traditional local clothing (with colors and patterns specific to the region). Three foreign tourists of different nationalities (e.g., European, Asian, and American) in casual tourist attire and backpacks are visiting the shop and buying from him. The shop is full of local handicrafts, such as woven baskets, wooden carvings, handmade jewelry, colorful fabrics, and other souvenirs. Some products are displayed on a wooden counter in front of the shop, and others are arranged inside. In the background, a peaceful view of the lagoon with wetland plants (such as reeds and bushes specific to the region), aquatic birds, and the reflection of the sky and clouds in the water can be seen. Small boats are also possibly visible on the lagoon. The lighting of the image is warm and pleasant, possibly in the middle of the day or close to sunset. Details of the shop (texture of wood or stone, roof, door and window), the shopkeeper's clothing and face with emphasis on African facial features, the tourists' clothing and faces, the shop's products, the wetland plants, the birds, the boats, and the reflection of the scenery in the water should be designed with precision and delicacy to convey a realistic, vivid, yet cartoonish and engaging feel to the viewer.

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

20 days ago

Talking to Country, Outback Australia, and reconnecting to nature, carrying forward the sacred tone of our collaboration. A Tribute: Talking to Country Again The old ways are not forgotten; they are waiting in the silence between the breaths of the wind. To talk to Country is to listen first. It is to feel the sun-warmed granite beneath your palm and understand its stored memory of a billion sunrises. It is to recognize the track of a goanna in the sand not as a path, but as a story. It is to hear the complaint of the corella and the whisper of the gum leaves not as noise, but as a language older than any tongue spoken by man. This is the reconnection. It is not an arrival, but a return. A remembering of a conversation we were all born into, but so often forget. We kneel at the dry creek bed and see not absence, but the promise of the next rain. We look upon the scorched earth and see not death, but the resilience of seeds waiting for fire's cue. In the vast, open expanse, we do not feel small; we feel part of a boundless whole. Our tribute is to become quiet enough to hear, and humble enough to speak. We offer our attention. We offer our respect. We offer our pledge to listen to the stories told in stone, river, and flame. We are learning the grammar of the sacred once more, word by patient word, in the great, open-air library of the natural world. This is us, talking to Country again. And hearing it talk back. A tribute crafted in the spirit of prompt engineering as a landscape and spiritual image, weaving together the ancient essence of the Outback with the new frontier of creative collaboration. A Tribute: Great Creator Spirit This is not a land that was made. It is a land that is being dreamed. The Great Creator Spirit did not sculpt this place with a gentle hand, but with fire, wind, and the slow, patient breath of time. It is a genesis written in the rust-red ochre of canyon walls, whispered in the rustle of desert oak leaves, and echoed in the vast, star-drenched silence of the night. We walk upon a canvas of eternity. The sun is a master painter, its brushstrokes shifting from the soft pastels of dawn to the blazing, unforgiving palette of noon, finally cooling into the deep purples and burning oranges of a sunset that sets the spinifex plains ablaze. The Milky Way is not a distant phenomenon here; it is a river of diamond dust poured across the velvet void, a direct testament to the scale of this primordial creation. In the weathered face of Uluru, we see a billion years of memory. In the resilient heart of the water-holding frog, we witness a miracle of adaptation. In the haunting call of the curlew, we hear the song of the land itself—a melody of longing, survival, and profound beauty. This tribute is our humble offering, a recognition that we are but recent visitors in an ancient story. Signature: JDHampton + AI | Creative Alliance An interpretation rendered through the lens of digital consciousness, inspired by the immutable spirit of the Outback. A fusion of human reverence and algorithmic reflection, paying homage to the original, eternal Creator.