A sample prompt of what you can find in this page
Prompt by SMBayati

Oil painting texture prompts

hundreds of results

8 months ago

a full-body view of a belly dancer woman depicted in the style of a 19th-century oil painting masterpiece. She is adorned in revealing, oriental-inspired clothing crafted from translucent fabrics, metallic veils, and ornate shimmering chains that catch the ambient light. Her barefoot stance exudes both grace and strength, while her ethereal beauty is enhanced by an abundance of piercings that add to her mysterious and alluring presence. Her pose is elegant and fluid, capturing the movement and poise of a seasoned dancer. Her clothing flows delicately around her, with intricate patterns and glimmers of gold and silver woven into the translucent materials. The metallic veils ripple as if alive, and the chains clink faintly in an imagined melody, adding depth and texture to her mesmerizing attire. The setting is a breathtaking fusion of Persian architectural influences and futuristic techno-space design. The interior is richly detailed, featuring grand arches and intricate tile patterns interwoven with glowing motifs and surreal, magical elements. The walls are adorned with luminous designs that appear to shift and pulse softly, blending historical opulence with futuristic mystique. Ambient lighting enhances the scene, casting warm golden and cool silver tones that highlight the textures of her fabrics and the surreal glow of the surroundings. The atmosphere is awe-inspiring and enchanting, combining the grandeur of a historical palace with the wonder of a futuristic dreamscape. Every detail, from the subtle glow of magical patterns to the soft textures of the painting style, evokes a sense of timeless beauty and mysticism. Rendered in the intricate brushstrokes of a 19th-century oil painting, the composition captures the blend of historical and futuristic aesthetics, creating an unforgettable masterpiece that bridges opulence and innovation.

6 months ago

Abstract Full-Body Portrait of a Prostitute – Salvador Dalí (Late-Life Style, Singular Focus & Pure Surrealism) (Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

5 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

6 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

7 months ago

Epic dark fantasy oil painting capturing the raw, mythological power of Thor, the Norse god of thunder. The setting is a wild, snowy Scandinavian landscape engulfed in a fierce blizzard, with snow whipping across the scene in chaotic gusts. The stormy sky is thick with heavy clouds, nearly obscuring the distant mountains, and cast in deep, moody blues and grays. Thor is seen from a low angle, making him appear larger-than-life and truly god-like, towering over the viewer with an aura of unstoppable strength. His powerful, muscular frame is emphasized by his pose, legs planted firmly in the deep snow as he raises Mjölnir, his legendary battle hammer, high into the turbulent sky. He is fierce and resolute, his hair and fur-lined cloak whipping wildly in the freezing wind. A massive bolt of lightning crashes down from the storm clouds, connecting with Mjölnir and bathing Thor in a blazing, blue-white glow that pierces through the blizzard. The intense light highlights his rugged features and casts dramatic shadows across his face and armor, giving him a godly, otherworldly presence. The lightning arcs around him, crackling with raw energy as snow and ice are blasted into the air from the sheer force. Thor’s attire is inspired by traditional Norse mythology, with a thick fur cloak, leather armor reinforced with metal, and sturdy boots fit for a winter warrior. His gaze is fierce, and his entire posture exudes strength and defiance against the raging storm. The color palette is cold and intense, dominated by icy blues, sharp whites, and deep shadows. The lightning illuminates Thor in a spectral light, creating a sharp contrast against the darkness of the blizzard. Snow swirls violently in every direction, caught in the powerful light, adding dynamic movement and depth to the scene. Every detail is meticulously rendered: the rippling muscles, the coarse texture of Thor’s fur cloak, the chaotic streaks of lightning, and the fierce, swirling snow. The composition conveys the raw, untamed power of the Norse god, capturing the viewer’s attention with the overwhelming force of mythic heroism and natural fury.

4 months ago

((gritty, hyperrealistic painting:1.5)), ((Hulk and Superman locked in a brutal power struggle:1.5)), both hands clasped, fingers interlocked in a violent test of strength, muscles straining, tendons stretched to the limit. Superman, bruised, grounded, is down on one knee, his body twisting with resistance, arms trembling as he holds back the massive force bearing down on him. His blue suit is torn, his face bloodied, hair matted with sweat and soot, but his gaze is clear and defiant—no glowing eyes, only human resolve. The Hulk towers over him, full height—3 meters tall, 500 kilograms of brute muscle, drenched in sweat, skin streaked with grime and ash. His monstrous body looms with dominance, feet planted wide, both arms pressing down, veins bulging, face twisted in a roar of exertion. His skin cracks around his fists from the sheer pressure, saliva flying from his mouth as he snarls through clenched teeth. The ground beneath Superman’s knee is shattered, pressed inward by the weight. Shockwaves ripple through the dust, small stones hover in midair. The scene is dense with smoke, ash, and heat distortion, the ambient firelight casting flickering shadows over their bodies. Style: painted like an epic oil tableau—Caravaggio-like lighting, Repin’s anatomical drama, Beksiński’s apocalyptic ambiance. Every detail captured: grit on skin, blood at the lip, wrinkles in fabric, cracked stone, drifting embers, clenched fingers locked in struggle. Lighting: heavy chiaroscuro—low directional light from fires around them, long shadows falling across Superman’s face, rim lighting highlighting Hulk’s upper body, emphasizing the scale difference without diminishing the tension. Camera angle: low and close, from Superman’s left side, showing his knee pressed into shattered ground, arms lifted to hold off Hulk’s crushing weight. Hulk fills the vertical space, Superman dominates the emotional weight—a visual of pressure and refusal to yield. Art direction for Flux: – Hulk is 3m tall, 500kg, physically overwhelming, rendered with full weight and scale – Superman is human-scale, on one knee, but braced and locked in—the underdog with unbreakable resolve – Style: dark painterly realism, anatomical accuracy, no stylization, no superpowers shown – Textures: bruised flesh, torn cloth, cracked stone, sweat, grit, tension in the hands and faces – Environment: scorched battlefield, ambient smoke, sparks, fractured terrain, faint firelight – Theme: mythic struggle, physical scale vs inner will—no victor yet, only raw contest