Real intersections prompts

8 months ago

wide angle,low angle.colorful sky,Real intersections, traffic lights, sports cars, rain soaked ground, towering buildings, billboards. --ar 23:50 --style raw --stylize 50 --v 6.1

3 months ago

Create a photorealistic 3D render of a floating black "A" letter geometric sculpture. The sculpture is made from a heavy, matte, porous material, resembling rough volcanic rock or textured cast iron, with clearly visible natural irregularities, pits, and a sandpaper-like surface quality. The material has no gloss—fully matte—but catches soft light at high angles, enhancing bumpiness. The object is an asymmetrical, visually confusing interlocked structure composed of thick angular slabs and sharp planes intersecting in impossible Escher-like ways. Key geometric features include: There’s a subtle engraving of the number “1” on the upper right side, flush with the surface, not colored or contrasted—just a soft indent visible under light. The background is a clean, flat light cream-beige gradient, completely smooth, noise-free. The sculpture is floating in mid-air, without a stand or platform. A soft, diffuse shadow below it on the ground plane reinforces the illusion of levitation. The lighting setup is studio-style, soft and non-directional, coming from above and slightly front-left. It’s evenly illuminating the form, revealing surface imperfections without harsh shadows. Lighting should feel realistic and neutral—no dramatic rim lights, no bloom or glare. The camera angle is slightly above and rotated about 20–30 degrees to the left, creating a dynamic diagonal composition. Depth of field should be very shallow or none at all—entire object in sharp focus. Avoid clean CAD-like shading or polygonal smoothness—preserve roughness, uneven light dispersion, and edge imperfections. The final aesthetic should feel like a real-world, modernist stone sculpture photographed in a minimal studio.

4 months ago

A highly realistic tabletop photograph of a conceptual sushi arrangement inspired by the work of Kazimir Malevich. The dish honors Suprematism through the composition of geometric, real-world ingredients — minimalist squares, rectangles, circles, and voids, arranged with stark asymmetry and spatial tension. Each sushi piece is handmade and slightly irregular, referencing Malevich’s abstract forms while remaining firmly in the realm of culinary craft. A single red tuna square placed off-center on a rice block mimics his red square on white A blackened nori rectangle floats beside a small cube of white daikon — contrast and negative space become the design A circle of pickled radish intersects a tamago rectangle, breaking the grid A void space is left intentionally blank between elements on the plate — emphasizing absence as much as presence One piece may be a cube of charcoal-grilled eggplant on rice, evoking the black square — textured, dark, earthy Color Palette: Muted, natural tones with a limited palette: ivory white rice, deep matte black nori, dark red tuna, pale yellow tamago, and light grey or beige plate. No artificial dyes or vibrant garnishes. The composition is more about form and proportion than flavor or ornament. Plate & Table Setting: Served on a matte porcelain square plate with ample negative space. The arrangement follows Suprematist principles — asymmetry, visual imbalance, gravity-defying placement. One piece may be positioned at the extreme corner. The table beneath is dark wood or concrete, referencing Malevich’s material seriousness. Camera View: Overhead or slightly angled — shot like a museum documentation photo, clean and quiet. Slight tilt or perspective distortion is allowed to reflect human error and tension. Lighting: Flat, soft ambient light. No dramatic shadows. Even illumination across all surfaces, mimicking natural daylight in a gallery or quiet kitchen. Surfaces should look honest, not stylized. Material Texture: Fish grain visible, slightly moist Nori uneven at the edges Knife cuts evident in egg and daikon Rice slightly loose and irregular Plate surface has minor scratches or glaze imperfections Mood: Silent, abstract, and cerebral. The image is a culinary still life — not about indulgence, but about pure form, balance, and the tension between presence and void. It should feel like a Suprematist painting you could eat, made by hand, with reverence for structure.