Result: A hyper-detailed prompts

5 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

5 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

7 months ago

(Hyper-detailed, Surreal fantasy landscape:1.5) A surreal, mesmerizing depiction of a massive golden full moon dominating the night sky, its surface glowing with intricate, textured patterns that seem almost alive. The moon has a evil smiling face, ethereal light, surrounded by dramatic dark clouds with luminous silver linings, creating an otherworldly and mystical atmosphere. In the foreground, a solitary tree with delicate, bright yellow foliage stands gracefully, its silhouette stark and striking against the radiant glow of the moon. The tree is rooted on a rugged, rocky hill, adding depth and a sense of natural realism to the composition. Subtle details in the bark and foliage bring the tree to life, contrasting beautifully with the cosmic grandeur of the background. The landscape is bathed in soft, warm lighting, with the moonlight casting gentle highlights and shadows across the rocky terrain. The interplay of light and shadow enhances the dreamlike quality of the scene, with faint mist and glowing particles drifting through the air, adding an extra layer of enchantment. The composition is cinematic, with high contrast between the glowing moon and the darkened surroundings, evoking a mood of awe and tranquility. Every detail, from the textured surface of the moon to the fine veins in the tree's leaves, is rendered with photorealistic precision. The scene seamlessly blends fantasy art with surreal beauty, resulting in a breathtaking, otherworldly landscape.

4 months ago

Ultra-realistic photograph of 80s Toyota Landcruiser parked on the Stuart Highway a desert road at sunrise photograph. The iconic Australian car is polished to a mirror finish, reflecting the warm golden light, JDHampton on the number plate of car. In the background, the Central Australian Outback Landscape can be seen majestically under a colorful dawn sky with soft orange, pink, and purple hues. The desert landscape features red sand, sparse shrubs, and a faint mist rising from the cool morning air. The composition is cinematic, with sharp details, dramatic lighting, and a sense of Australian outback grandeur. Shot with a professional DSLR, 8K resolution, hyper-detailed, photorealistic. That sounds like an amazing concept! A **1971 Ford Falcon XY GTHO Phase 3** in iconic red with black stripes, set against the breathtaking backdrop of **Uluru (Ayers Rock)** at sunrise, would make a stunning and highly realistic masterpiece. Here’s how we can refine the prompt for **Prompt Hero** or any AI image generator (like MidJourney or DALL·E) to achieve the best results: --- ### **Final Optimized Prompt:** *"Ultra-realistic photograph of a 1971 Ford Falcon XY GTHO Phase 3 muscle car in vibrant red with original black racing stripes, parked on a desert road at sunrise. The iconic Australian car is polished to a mirror finish, reflecting the warm golden light. In the background, Uluru (Ayers Rock) stands majestically under a colorful dawn sky with soft orange, pink, and purple hues. The desert landscape features red sand, sparse shrubs, and a faint mist rising from the cool morning air. The composition is cinematic, with sharp details, dramatic lighting, and a sense of Australian outback grandeur. Shot with a professional DSLR, 8K resolution, hyper-detailed, photorealistic."* --- ### **Key Elements to Enhance Realism:** 1. **Car Details:** - "1971 Ford Falcon XY GTHO Phase 3" (correct model name for accuracy). - "Vibrant red paint with glossy finish, black racing stripes, chrome accents, and period-correct badging." - "Reflections of Uluru and sunrise on the car’s body." 2. **Uluru Backdrop:** - "Uluru at sunrise, glowing in warm tones, with soft shadows and textured rock surfaces." - "Subtle haze/mist for atmospheric depth." 3. **Lighting & Mood:** - "Golden hour lighting, long shadows, warm tones contrasting with cool desert blues." - "Sun rays peeking over the horizon, lens flare for realism." 4. **Composition:** - "Low-angle shot to emphasize both the car and Uluru." - "Rule of thirds: Car offset to one side, Uluru centered in the distance." 5. **Technical Specs (for AI):** - "8K, hyper-detailed, photorealistic, shot on a Canon EOS R5 with 85mm lens." --- ### **Example Platforms to Generate This:** - **MidJourney (v6):** Use the prompt above with `--style raw --ar 16:9` for a widescreen cinematic look. - **DALL·E 3 (via ChatGPT Plus):** Refine with "realistic photograph" and "highly detailed." - **Stable Diffusion (via PromptHero):** Add keywords like "Kodak Portra 400 film grain" for extra realism. A Big Red Kangaroo in the distance) This is a true **Australian automotive icon** masterpiece! JDHampton + AI | Creative Alliance

5 months ago

A close-up, 32k UHD painting in a vibrant, colorful palette that blends Editorial Vivienne Tam photography with anime art, depicting a gothic punk rebel Japanese woman wielding a katana. The artist employs fluid, dynamic brushwork and sharp angles, capturing the essence of a hard-edged painting style. The woman's neon yellow and black tattoos are vividly rendered, adding to her rebellious and unique aesthetic. Her face is portrayed in realistic hyper-detailed portraiture, with an expressive, emotive quality, emphasizing the character's strong and independent personality. The background incorporates elements of Ukiyo-e, a traditional Japanese art form, creating a sense of depth and history within the contemporary scene. Her presence is dynamic and powerful, the katana symbolizing strength and defiance. Photo-realistic techniques are used to create a sense of realism in the textures and details of the scene, complemented by the expressive textural quality of the painting. The style is distinct and captivating, marrying the aesthetic of anime with influences from Editorial Vivienne Tam's photography and Hurufyya, resulting in an image that is both beautiful and powerfully expressive