A sample prompt of what you can find in this page
Prompt by AkiraS

Strobe Light prompts

very few results

9 months ago

(masterpiece, digital art:1.3), a highly intricate double exposure artwork inspired by Yuumei, featuring a close-up of a person’s face with minimal, subtle features, superimposed on a vibrant cityscape pulsing with the energy of melodic techno. The design is infused with the chaotic, graphic aesthetic of early 90s UK rave flyers, incorporating bold geometric patterns, neon-colored splashes, and surreal, fragmented visuals. The scene is alive with etched circuit board lines and dynamic audio waveforms, reminiscent of the visuals seen in rave scenes, all pulsing in sync with the music. The color palette is rooted in bright neon hues—electric pink, lime green, deep purple, and cyan—reflecting the vibrant, raw energy of the era. Elements of the 90s rave scene are seamlessly blended in: glowing fluorescent light trails, acid house smiley faces, abstract graffiti, checkered patterns, and surreal text effects. The city is filled with these retro rave motifs, from cassette tapes and vinyl records to acid house-inspired symbols and stylized techno visuals. Overlaying these designs are holographic grids, strobe lighting, and fragmented images that mimic the trippy, psychedelic feel of 90s rave flyers. The person’s face is minimalist and futuristic, with subtle, glowing tech accents, while the entire composition radiates an immersive, dream-like atmosphere. The high-definition rendering brings intricate detail to the rave-inspired graphic elements, creating a visually striking, nostalgic yet futuristic visual narrative.

2 months ago

A high-intensity depiction of the Battle for Zion from *The Matrix*. The vast subterranean dock of Zion is under siege: dark, industrial architecture looms with towering pillars and steel catwalks illuminated by red emergency lights and the strobing muzzle flashes of gunfire. Swarms of relentless Sentinels--metallic, squid-like machines with whirling tentacles and glowing red sensor eyes--fill the air in chaotic waves. At the center of the scene is Kirby, rendered with realistic textures while maintaining his iconic round pink form. He is inside an APU mech: a battered, humanoid exosuit of hydraulic pistons, armor plating, and massive twin arm-mounted rotary machine guns. The APU’s guns are aimed high, firing streams of bright tracer rounds upward into the dense swarm of Sentinels above. Sparks, smoke, and a cascade of large shell casings eject from the guns, tumbling through the air in a golden arc. Kirby’s expression is uncharacteristically fierce--his large eyes narrowed with burning determination, mouth wide open in a scream of defiance. The lighting is harsh and dramatic, with contrasting cool blue and red hues from the emergency lights and the Sentinels’ glow, accented by the warm flashes of gunfire. Depth of field focuses tightly on Kirby’s APU and the nearest Sentinels, while the background blurs into a maelstrom of mechanical carnage. Cinematic composition, widescreen aspect ratio, dynamic motion blur on the guns, shell casings, and tentacles, no logos or extraneous text.