A sample prompt of what you can find in this page
Prompt by realportraitlab

The scene is from a low angle prompts

hundreds of results

8 months ago

A whimsical, full-body, close-up 3D render of a cartoon pirate parrot, stylistically blending Pixar and Disney aesthetics. The parrot, a vibrant scarlet macaw with hints of turquoise and gold in its plumage, sports a jaunty, slightly askew eye patch over its left eye. Its plumage is meticulously detailed, showcasing individual feathers with a soft, almost fluffy texture. The parrot's expression is one of cheerful mischief, a wide, toothy grin revealing a hint of a pink tongue. Its right eye gleams with playful intelligence. The parrot is perched on a sun-drenched, white sand beach, the sand rendered with a fine, granular texture. A few gently swaying palm trees are visible in the simplified background, rendered with bright, saturated colors. The lighting is bright and cheerful, a soft, diffused sunlight casting gentle shadows that highlight the parrot's plumage. The overall color palette is vibrant and saturated, dominated by the parrot's scarlet red, complemented by turquoise, gold, and the warm tones of the beach. The scene is rendered in high resolution and detail, focusing on the parrot’s expressive features. The composition employs a slightly low-angle shot, emphasizing the parrot's playful stance and expressive face. The background is minimalist, keeping the focus firmly on the parrot. The overall style is cute, playful, and cheerful, evoking the warmth and vibrancy of a tropical paradise. The parrot's pose is relaxed yet alert, embodying a sense of joyful adventure. The style is highly detailed, mimicking the quality of a high-end animated feature film.

4 months ago

{ "scene": { "setting": "rocky desert or mountainous landscape", "time_of_day": "daytime with strong sunlight and shadows", "atmosphere": "dusty, dramatic", "background": { "elements": "large rocky cliffs and dusty terrain", "color_palette": ["earth tones", "gray", "beige", "white"] } }, "subject": { "gender": "female", "pose": "walking forward confidently", "expression": "serious, focused", "gaze_direction": "forward", "clothing": { "outfit": { "type": "white tailored suit", "components": ["blazer", "high-neck top", "wide-leg trousers"], "fit": "structured and elegant" }, "accessories": { "eyewear": "dark sunglasses", "earrings": "small hoops or studs" } }, "hair": { "style": "slicked back", "color": "dark" } }, "companions": { "creatures": "six octopus-like beings", "description": { "body": "pearly, iridescent skin", "features": "tentacles trailing, each held by a chain leash", "style": "surreal, fashion-forward, alien or fantasy elements" } }, "camera": { "angle": "low and frontal", "lens": "wide-angle to capture subject and creatures", "framing": "full-body shot with companions", "focus": "sharp on subject, slightly blurred background" }, "lighting": { "type": "natural sunlight", "direction": "from above and slightly behind", "effect": "high contrast with long shadows" }, "aesthetic": { "theme": "surreal fashion fantasy", "mood": "dominant, powerful, avant-garde", "style": "editorial, cinematic, science fiction crossover", "color_palette": ["white", "pearlescent beige", "earthy brown", "cool gray"] } }

8 months ago

"A hyper-realistic, ultra-detailed full-body depiction of the same woman (173 cm) with a tall, well-proportioned body and natural bust. She is standing casually with her hands resting on her hips, looking slightly to the side. Her entire body, from head to toe, is fully visible in the frame without any cropping or cut-off areas. She is dressed in a matching color bra and thong that seamlessly blends with the scene, ensuring no color conflict with the neutral background. Her long, well-proportioned legs are fully visible, emphasizing their natural shape and symmetry. She has Indian ethnicity with warm undertone white skin, an oval face with high cheekbones, full lips, and a softly defined jawline. Her deep brown eyes and symmetrical facial proportions enhance her natural beauty. She wears no makeup. Her dark brown hair is styled in a sleek low bun with a center parting, ensuring her consistent facial structure is maintained across variations. The soft, natural lighting enhances depth and realism. She stands in a full-body, head-to-toe, wide-framed, front-facing standing pose, ensuring that her entire body, including her feet, is fully within the frame. The image is shot at a true full-body distance with a wide-angle lens, neutral perspective, and correct proportions, preventing any cropping of legs or feet. The camera captures her entire height in a straight-on, wide-framed composition. The background is a simple, neutral gradient, keeping the focus on her. HDR 4K, ultra-detailed textures, extreme photorealism, cinematic quality."

7 months ago

((gritty, hyperrealistic painting:1.5)), ((Hulk and Superman locked in a brutal power struggle:1.5)), both hands clasped, fingers interlocked in a violent test of strength, muscles straining, tendons stretched to the limit. Superman, bruised, grounded, is down on one knee, his body twisting with resistance, arms trembling as he holds back the massive force bearing down on him. His blue suit is torn, his face bloodied, hair matted with sweat and soot, but his gaze is clear and defiant—no glowing eyes, only human resolve. The Hulk towers over him, full height—3 meters tall, 500 kilograms of brute muscle, drenched in sweat, skin streaked with grime and ash. His monstrous body looms with dominance, feet planted wide, both arms pressing down, veins bulging, face twisted in a roar of exertion. His skin cracks around his fists from the sheer pressure, saliva flying from his mouth as he snarls through clenched teeth. The ground beneath Superman’s knee is shattered, pressed inward by the weight. Shockwaves ripple through the dust, small stones hover in midair. The scene is dense with smoke, ash, and heat distortion, the ambient firelight casting flickering shadows over their bodies. Style: painted like an epic oil tableau—Caravaggio-like lighting, Repin’s anatomical drama, Beksiński’s apocalyptic ambiance. Every detail captured: grit on skin, blood at the lip, wrinkles in fabric, cracked stone, drifting embers, clenched fingers locked in struggle. Lighting: heavy chiaroscuro—low directional light from fires around them, long shadows falling across Superman’s face, rim lighting highlighting Hulk’s upper body, emphasizing the scale difference without diminishing the tension. Camera angle: low and close, from Superman’s left side, showing his knee pressed into shattered ground, arms lifted to hold off Hulk’s crushing weight. Hulk fills the vertical space, Superman dominates the emotional weight—a visual of pressure and refusal to yield. Art direction for Flux: – Hulk is 3m tall, 500kg, physically overwhelming, rendered with full weight and scale – Superman is human-scale, on one knee, but braced and locked in—the underdog with unbreakable resolve – Style: dark painterly realism, anatomical accuracy, no stylization, no superpowers shown – Textures: bruised flesh, torn cloth, cracked stone, sweat, grit, tension in the hands and faces – Environment: scorched battlefield, ambient smoke, sparks, fractured terrain, faint firelight – Theme: mythic struggle, physical scale vs inner will—no victor yet, only raw contest

4 months ago

{ "scene": { "setting": "UFC-style boxing octagon", "lighting": "arena-style spotlights, dramatic and high contrast", "mood": "comedic, intense, exaggerated action" }, "characters": [ { "type": "anthropomorphic snack bag", "name": "Crunchy Taco", "design": { "body": "orange tortilla chip snack bag", "face": "angry expression, cartoon eyes and mouth", "arms": "muscular, human-like", "gloves": "red boxing gloves", "legs": "strong, human-like legs", "shoes": "green boxing boots", "extras": "flying chip debris from bag opening" }, "personality": "aggressive, high energy, animated fighter" }, { "type": "anthropomorphic gelato cup", "name": "Gelato King", "design": { "body": "vanilla gelato cup with branding and crown icon", "face": "furious expression, open mouth yelling", "toppings": ["churros", "stick biscuits"], "arms": "creamy arms with boxing gloves", "legs": "melting gelato forming powerful stance", "gloves": "red boxing gloves", "shield": "waffle cone-inspired arm shield" }, "personality": "determined, proud, comedically intense" } ], "camera": { "angle": "low-angle, ringside view", "depth_of_field": "sharp focus on fighters, blurred crowd", "lens": "wide-angle with slight perspective distortion" }, "style": { "aesthetic": "Pixar-style cartoon realism", "render_quality": "ultra high detail, cinematic lighting", "effects": "crumbs and splashes frozen mid-action", "color_grading": "warm spotlight tones with high contrast", "genre": "food fight comedy, parody sports action" }, "motion": { "action": "mid-punch, crumbs and gelato flying in air", "impact": "implied contact between characters" } }

6 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

6 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

3 months ago

{ "scene": { "setting": "rocky desert or mountainous landscape", "time_of_day": "daytime with strong sunlight and shadows", "atmosphere": "dusty, dramatic", "background": { "elements": "large rocky cliffs and dusty terrain", "color_palette": ["earth tones", "gray", "beige", "white"] } }, "subject": { "gender": "female", "pose": "walking forward confidently", "expression": "serious, focused", "gaze_direction": "forward", "clothing": { "outfit": { "type": "white tailored suit", "components": ["blazer", "high-neck top", "wide-leg trousers"], "fit": "structured and elegant" }, "accessories": { "eyewear": "dark sunglasses", "earrings": "small hoops or studs" } }, "hair": { "style": "slicked back", "color": "dark" } }, "companions": { "creatures": "six octopus-like beings", "description": { "body": "pearly, iridescent skin", "features": "tentacles trailing, each held by a chain leash", "style": "surreal, fashion-forward, alien or fantasy elements" } }, "camera": { "angle": "low and frontal", "lens": "wide-angle to capture subject and creatures", "framing": "full-body shot with companions", "focus": "sharp on subject, slightly blurred background" }, "lighting": { "type": "natural sunlight", "direction": "from above and slightly behind", "effect": "high contrast with long shadows" }, "aesthetic": { "theme": "surreal fashion fantasy", "mood": "dominant, powerful, avant-garde", "style": "editorial, cinematic, science fiction crossover", "color_palette": ["white", "pearlescent beige", "earthy brown", "cool gray"] } }

4 months ago

{ "scene": { "concept": "augmented reality / 3D illusion", "style": "photo-realistic with surreal element", "mood": "playful, imaginative", "perspective": "low angle, close-up view of smartphone" }, "foreground_object": { "type": "smartphone", "orientation": "lying flat on wooden surface", "screen_content": { "background": "curving highway road with landscape and sky", "apps": [ { "icon": "gallery", "position": "bottom left" }, { "icon": "camera", "position": "bottom center" }, { "icon": "phone", "position": "bottom right" } ] }, "3d_element": { "object": "miniature man on yellow Vespa scooter", "style": "realistic with cartoon scale", "position": "riding off the phone screen from background to foreground", "details": { "helmet": "yellow", "jacket": "black", "pants": "jeans", "scooter_brand": "Vespa", "interaction": "blends physical and digital — wheels overlap phone edge" } } }, "background_surface": { "material": "wood grain desk or tabletop", "texture": "smooth with visible grain patterns", "lighting": { "type": "soft diffused natural light", "direction": "top left", "shadows": "mild shadows under phone and scooter" } }, "camera": { "lens": "macro or short telephoto", "focus": "sharp on phone and 3D rider", "depth_of_field": "moderate (slight background blur)", "framing": "diagonal composition with phone angled across frame" }, "effects": { "blend_mode": "AR illusion / 3D pop-out", "emphasis": "depth trickery and motion realism", "color_grading": "natural saturation with a bright pop on yellow scooter" } }