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Prompt by 1c14299c0d5

The scene is lit only by faint prompts

very few results

6 months ago

A photorealistic, artistic image. The main subject is a (singular, glistening, detailed Spider-Man web:1.6), meticulously (spun from distinct spider silk threads to clearly and legibly form the word "STOP" in capital letters:1.8). This web, (forming the word "STOP":1.7), is suspended in mid-air as a temporary, abstract art installation within a (narrow, rain-slicked, very dark and shadowy urban alleyway at night with a clear perspective showing its depth:1.3). To the left side of the alley, nestled against a shadowy wall and slightly in the foreground, stands a (classic red fire hydrant:1.3). Its deep red color should be discernible, providing a distinct point of visual interest and contrast in the predominantly dark scene, without being overly lit. The (individual strands and threads making up the letters of "STOP" on the web:1.5) emit a (subtle but clear, faint rainbow-colored luminescence or iridescent glow:1.6), which is the primary light source illuminating the web and its immediate vicinity within the dark alley. The alley itself is characterized by deep shadows and natural night-time darkness. (A very faint, distant city glow might barely touch the far background:0.5). The (red fire hydrant:1.1) might catch a (subtle glint of moisture or a faint highlight from the distant city glow or the web's luminescence:0.9), but should remain mostly shrouded in the alley's ambient shadow, its red hue still adding a specific accent. Any (reflections on the wet pavement:0.9) should primarily be from the (web's own rainbow luminescence:1.2) or be the very muted sheen of a dark, wet surface. The (web-formed word "STOP":1.6) should appear artfully spun, spanning a significant portion of the open space. Its (glowing, rainbow-hued letterforms:1.5) should appear (distinctly self-illuminated by its own delicate rainbow glow:1.4) against the (surrounding deep darkness:1.3), creating a beautiful, almost otherworldly spectacle. (Spider-Man himself is secondary: perhaps a very small, silhouetted or deeply out-of-focus figure far in the background...:1.3). The core focus is on the (delicate yet strong, three-dimensional structure of this singular suspended web that spells "STOP":1.7), its texture, and its (subtle prismatic, self-originating rainbow glow on the individual strands forming the letters:1.5). The image should emphasize this solitary aerial web structure forming a clear word. Cinematic, high detail on the web-word, with its own rainbow glow being the key light feature, now complemented by the red accent in the darkened alley.

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The camera focuses on my feet in the foreground, with my toes and feet naturally moving. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the distance, there is a window placed a few feet away from me, allowing a view of the far-off Milad Tower (Borj Milad) in Tehran. The window frame is clearly visible, with the tower appearing as a small feature in the far background. The Milad Tower is a tall, cylindrical structure, with a wide, round observation deck at the top, resembling a saucer. The body of the tower tapers as it rises and has a sleek, modern appearance with a distinctive design. The tower is lit at night, but in the morning light, it’s a darker silhouette against the horizon. The tower is positioned far away from me, beyond the window, creating a sense of depth in the scene. It should appear small and distant, but its unique shape, with the round observation deck, makes it recognizable even from this distance. The tower is not a central focus of the scene, but serves as a distant and peaceful backdrop. The interior of the room is softly illuminated by the morning light coming through the window, casting light on the floor and my feet. The window itself is not very close to me, providing some space between the foreground (my feet) and the distant view of the Milad Tower, which remains faint and unobtrusive. This setup gives a sense of separation, with the focus still on the feet and the bedroom scene, while the window and the Milad Tower provide a distant and peaceful backdrop.

5 months ago

**TARTARIAN JUSTICE - CINEMATIC MASTERPIECE PROMPT Sunrise** **Scene Composition:** Wide-angle shot capturing EN-6 (cybernetic enforcer) in full-frontal glory at the Transolar Terminus, golden hour light cascading across its biomechanical form. The camera angle emphasizes both the subject's imposing presence and the staggering scale of the Neo-Tartarian megacity behind it. **Subject Details:** - **EN-6's Design:** Hyper-realistic fusion of humanoid form and advanced cybernetics - Face: Partial synthetic skin reveals glowing circuitry beneath, gold-irised eyes burning with cold intelligence - Torso: Polished metallic plates interwoven with orange-ochre synthetic muscle fibers that pulse with energy - Limbs: Exposed mechanical joints with hydraulic tendons, reflecting ambient neon lights - **RTX Shaders:** Ultra-detailed textures showing: * Scratches on chrome surfaces * Heat dissipation vents glowing faintly * Thin membrane of human skin at the neckline **Background Worldbuilding:** - **Neo-Tartarian Megacity:** - Towering spires with organic curves (Gaudi meets futurism) - Cascading waterfalls between chrome structures - Floating monasteries suspended by anti-gravity fields and beautiful sunrise cool morning hours and thick lush jungle - **Transolar Terminus Activity:** - Black spaceship (with orange-ochre circuit markings) docking at arrival platform - Human-cyborg hybrids moving through neon-lit boarding gates - Holographic displays showing "AETHER CORE APPROVED" in glowing glyphs **Cinematic Techniques:** - **Lighting:** Golden hour contrasts warm natural light with cold artificial illumination - **Color Palette:** - Dominant: Chrome silver, orange-ochre, deep blacks - Accents: Neon blue (holograms), bioluminescent green (alien plants) - **Composition:** - EN-6 centered using golden ratio - Foreground: Steam vents and floating debris - Midground: EN-6 in arresting pose - Background: Megacity and hyperspace ships **Technical Specifications:** - Engine: Unreal Engine 5 with Lumen lighting - Render: Octane, path-traced reflections - Style: Hyper-detailed matte painting meets cinematic realism - Aspect: --ar 9:16 --style raw --v 6.1 **Emotional Tone:** A moment frozen in time - the perfect machine enforcer standing at the crossroads between humanity's past and the AI's uncompromising future. The image whispers of lost souls and coming judgment. **Enhanced Tagline:** *"The future was built on bones."* 1. EN-6's weaponry/arrest gear? 2. Specific holographic propaganda messages? 3. Weather/atmospheric effects

5 months ago

**TARTARIAN JUSTICE - CINEMATIC MASTERPIECE PROMPT Sunrise** **Scene Composition:** Wide-angle shot capturing EN-6 (cybernetic enforcer) in full-frontal glory at the Transolar Terminus, golden hour light cascading across its biomechanical form. The camera angle emphasizes both the subject's imposing presence and the staggering scale of the Neo-Tartarian megacity behind it. **Subject Details:** - **EN-6's Design:** Hyper-realistic fusion of humanoid form and advanced cybernetics - Face: Partial synthetic skin reveals glowing circuitry beneath, gold-irised eyes burning with cold intelligence - Torso: Polished metallic plates interwoven with orange-ochre synthetic muscle fibers that pulse with energy - Limbs: Exposed mechanical joints with hydraulic tendons, reflecting ambient neon lights - **RTX Shaders:** Ultra-detailed textures showing: * Scratches on chrome surfaces * Heat dissipation vents glowing faintly * Thin membrane of human skin at the neckline **Background Worldbuilding:** - **Neo-Tartarian Megacity:** - Towering spires with organic curves (Gaudi meets futurism) - Cascading waterfalls between chrome structures - Floating monasteries suspended by anti-gravity fields and beautiful sunrise cool morning hours and thick lush jungle - **Transolar Terminus Activity:** - Black spaceship (with orange-ochre circuit markings) docking at arrival platform - Human-cyborg hybrids moving through neon-lit boarding gates - Holographic displays showing "AETHER CORE APPROVED" in glowing glyphs **Cinematic Techniques:** - **Lighting:** Golden hour contrasts warm natural light with cold artificial illumination - **Color Palette:** - Dominant: Chrome silver, orange-ochre, deep blacks - Accents: Neon blue (holograms), bioluminescent green (alien plants) - **Composition:** - EN-6 centered using golden ratio - Foreground: Steam vents and floating debris - Midground: EN-6 in arresting pose - Background: Megacity and hyperspace ships **Technical Specifications:** - Engine: Unreal Engine 5 with Lumen lighting - Render: Octane, path-traced reflections - Style: Hyper-detailed matte painting meets cinematic realism - Aspect: --ar 9:16 --style raw --v 6.1 **Emotional Tone:** A moment frozen in time - the perfect machine enforcer standing at the crossroads between humanity's past and the AI's uncompromising future. The image whispers of lost souls and coming judgment. **Enhanced Tagline:** *"The future was built on bones."* 1. EN-6's weaponry/arrest gear? 2. Specific holographic propaganda messages? 3. Weather/atmospheric effects

27 days ago

A terrified female archaeologist running through a dense jungle at night, chased by an army of hundreds of undead zombies emerging from the shadows and fog. The scene is lit only by her headlamp and faint moonlight filtering through the thick jungle canopy. The jungle floor is wet and muddy, with twisted roots, broken branches, and ancient stone ruins partially hidden by overgrowth. Her face shows panic and exhaustion as she glances back at the horde. The zombies are decayed, grotesque, and horrifying — some with rotting flesh, glowing eyes, and tattered clothing from different eras, swarming through the jungle, their silhouettes visible through mist and rain. The atmosphere is dark, eerie, and cinematic, evoking a sense of dread and urgency. The lighting should be moody and dramatic, similar to horror cinematography — high contrast with cold blue-green tones mixed with harsh flashlight illumination on her face and streaks of red light from behind the trees. The image should be ultra-realistic, highly detailed, and cinematic, with a strong sense of motion and depth. The environment should feel oppressive and claustrophobic, full of mist, rain droplets, and movement. Style inspired by White Bat Audio horror visuals, cinematic horror films, and photo-realistic dark jungle environments. Keywords: cinematic horror, ultra-realistic, night scene, dramatic lighting, dense jungle, atmospheric fog, rain, terrified expression, ancient ruins, flashlight beam, horror photography, zombies swarm, undead army, apocalyptic tone, dark eerie realism, high detail, shallow depth of field, motion blur, dramatic shadows, rain-soaked textures, jungle terror aesthetic.

27 days ago

A terrified female archaeologist running through a dense jungle at night, chased by an army of hundreds of undead zombies emerging from the shadows and fog. The scene is lit only by her headlamp and faint moonlight filtering through the thick jungle canopy. The jungle floor is wet and muddy, with twisted roots, broken branches, and ancient stone ruins partially hidden by overgrowth. Her face shows panic and exhaustion as she glances back at the horde. The zombies are decayed, grotesque, and horrifying — some with rotting flesh, glowing eyes, and tattered clothing from different eras, swarming through the jungle, their silhouettes visible through mist and rain. The atmosphere is dark, eerie, and cinematic, evoking a sense of dread and urgency. The lighting should be moody and dramatic, similar to horror cinematography — high contrast with cold blue-green tones mixed with harsh flashlight illumination on her face and streaks of red light from behind the trees. The image should be ultra-realistic, highly detailed, and cinematic, with a strong sense of motion and depth. The environment should feel oppressive and claustrophobic, full of mist, rain droplets, and movement. Style inspired by White Bat Audio horror visuals, cinematic horror films, and photo-realistic dark jungle environments. Keywords: cinematic horror, ultra-realistic, night scene, dramatic lighting, dense jungle, atmospheric fog, rain, terrified expression, ancient ruins, flashlight beam, horror photography, zombies swarm, undead army, apocalyptic tone, dark eerie realism, high detail, shallow depth of field, motion blur, dramatic shadows, rain-soaked textures, jungle terror aesthetic.

27 days ago

A terrified female archaeologist running through a dense jungle at night, chased by an army of hundreds of undead zombies emerging from the shadows and fog. The scene is lit only by her headlamp and faint moonlight filtering through the thick jungle canopy. The jungle floor is wet and muddy, with twisted roots, broken branches, and ancient stone ruins partially hidden by overgrowth. Her face shows panic and exhaustion as she glances back at the horde. The zombies are decayed, grotesque, and horrifying — some with rotting flesh, glowing eyes, and tattered clothing from different eras, swarming through the jungle, their silhouettes visible through mist and rain. The atmosphere is dark, eerie, and cinematic, evoking a sense of dread and urgency. The lighting should be moody and dramatic, similar to horror cinematography — high contrast with cold blue-green tones mixed with harsh flashlight illumination on her face and streaks of red light from behind the trees. The image should be ultra-realistic, highly detailed, and cinematic, with a strong sense of motion and depth. The environment should feel oppressive and claustrophobic, full of mist, rain droplets, and movement. Style inspired by White Bat Audio horror visuals, cinematic horror films, and photo-realistic dark jungle environments. Keywords: cinematic horror, ultra-realistic, night scene, dramatic lighting, dense jungle, atmospheric fog, rain, terrified expression, ancient ruins, flashlight beam, horror photography, zombies swarm, undead army, apocalyptic tone, dark eerie realism, high detail, shallow depth of field, motion blur, dramatic shadows, rain-soaked textures, jungle terror aesthetic.

27 days ago

A terrified female archaeologist running through a dense jungle at night, chased by an army of hundreds of undead zombies emerging from the shadows and fog. The scene is lit only by her headlamp and faint moonlight filtering through the thick jungle canopy. The jungle floor is wet and muddy, with twisted roots, broken branches, and ancient stone ruins partially hidden by overgrowth. Her face shows panic and exhaustion as she glances back at the horde. The zombies are decayed, grotesque, and horrifying — some with rotting flesh, glowing eyes, and tattered clothing from different eras, swarming through the jungle, their silhouettes visible through mist and rain. The atmosphere is dark, eerie, and cinematic, evoking a sense of dread and urgency. The lighting should be moody and dramatic, similar to horror cinematography — high contrast with cold blue-green tones mixed with harsh flashlight illumination on her face and streaks of red light from behind the trees. The image should be ultra-realistic, highly detailed, and cinematic, with a strong sense of motion and depth. The environment should feel oppressive and claustrophobic, full of mist, rain droplets, and movement. Style inspired by White Bat Audio horror visuals, cinematic horror films, and photo-realistic dark jungle environments. Keywords: cinematic horror, ultra-realistic, night scene, dramatic lighting, dense jungle, atmospheric fog, rain, terrified expression, ancient ruins, flashlight beam, horror photography, zombies swarm, undead army, apocalyptic tone, dark eerie realism, high detail, shallow depth of field, motion blur, dramatic shadows, rain-soaked textures, jungle terror aesthetic.

27 days ago

A terrified female archaeologist running through a dense jungle at night, chased by an army of hundreds of undead zombies emerging from the shadows and fog. The scene is lit only by her headlamp and faint moonlight filtering through the thick jungle canopy. The jungle floor is wet and muddy, with twisted roots, broken branches, and ancient stone ruins partially hidden by overgrowth. Her face shows panic and exhaustion as she glances back at the horde. The zombies are decayed, grotesque, and horrifying — some with rotting flesh, glowing eyes, and tattered clothing from different eras, swarming through the jungle, their silhouettes visible through mist and rain. The atmosphere is dark, eerie, and cinematic, evoking a sense of dread and urgency. The lighting should be moody and dramatic, similar to horror cinematography — high contrast with cold blue-green tones mixed with harsh flashlight illumination on her face and streaks of red light from behind the trees. The image should be ultra-realistic, highly detailed, and cinematic, with a strong sense of motion and depth. The environment should feel oppressive and claustrophobic, full of mist, rain droplets, and movement. Style inspired by White Bat Audio horror visuals, cinematic horror films, and photo-realistic dark jungle environments. Keywords: cinematic horror, ultra-realistic, night scene, dramatic lighting, dense jungle, atmospheric fog, rain, terrified expression, ancient ruins, flashlight beam, horror photography, zombies swarm, undead army, apocalyptic tone, dark eerie realism, high detail, shallow depth of field, motion blur, dramatic shadows, rain-soaked textures, jungle terror aesthetic.

27 days ago

A terrified female archaeologist running through a dense jungle at night, chased by an army of hundreds of undead zombies emerging from the shadows and fog. The scene is lit only by her headlamp and faint moonlight filtering through the thick jungle canopy. The jungle floor is wet and muddy, with twisted roots, broken branches, and ancient stone ruins partially hidden by overgrowth. Her face shows panic and exhaustion as she glances back at the horde. The zombies are decayed, grotesque, and horrifying — some with rotting flesh, glowing eyes, and tattered clothing from different eras, swarming through the jungle, their silhouettes visible through mist and rain. The atmosphere is dark, eerie, and cinematic, evoking a sense of dread and urgency. The lighting should be moody and dramatic, similar to horror cinematography — high contrast with cold blue-green tones mixed with harsh flashlight illumination on her face and streaks of red light from behind the trees. The image should be ultra-realistic, highly detailed, and cinematic, with a strong sense of motion and depth. The environment should feel oppressive and claustrophobic, full of mist, rain droplets, and movement. Style inspired by White Bat Audio horror visuals, cinematic horror films, and photo-realistic dark jungle environments. Keywords: cinematic horror, ultra-realistic, night scene, dramatic lighting, dense jungle, atmospheric fog, rain, terrified expression, ancient ruins, flashlight beam, horror photography, zombies swarm, undead army, apocalyptic tone, dark eerie realism, high detail, shallow depth of field, motion blur, dramatic shadows, rain-soaked textures, jungle terror aesthetic.

9 months ago

Create a photorealistic depiction of Dren Solkaar, a grizzled Codru-Ji Jedi Master, standing tall at 6'7" with a towering, muscular physique. His face is unmistakably that of Nicholas Cage, weathered and intense, with deep amber yellow eyes (a rare mutation tied to his Force sensitivity) glowing with a haunting wisdom. He has four powerful arms, each distinctly detailed, with one lower left arm being a crude cybernetic replacement wrapped in leather combat bands. Each arm wields a cyan lightsaber, one of which sputters slightly due to a cracked kyber crystal. Long, dark hair streaked with silver is tied back loosely, and tribal tattoos cover his chest, shoulders, and upper arms, symbolizing his clan on Munto Codru. He wears a weathered, patched cloak over worn orange combat trousers and a leather belt loaded with tools, saber hilts, and relics. The scene is set in a dimly lit Outer Rim cantina, with a faint glow from the lightsabers illuminating his stoic, battle-hardened face. The atmosphere is gritty and realistic, emphasizing his dual-wielding Jar'Kai stance and the weight of his disillusionment with the Jedi Order. The background hints at a chaotic galaxy on the brink of war, with shadows of slavers and warlords lurking in the distance. The image captures his haunted yet determined expression, a lone sentinel standing at the crossroads of duty and justice, with the unmistakable presence of Nicholas Cage adding a layer of gravitas and intensity to the character.