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Prompt by 48155b28958

The wood grain is emphasized prompts

very few results

3 months ago

A solitary black king piece stands defiantly in the center of an ornate mahogany chess board, surrounded by the complete back rank of ivory white pieces - rooks towering like fortress battlements, bishops with their pointed mitres gleaming, knights rearing on muscular steeds, and the elegant queen with her crown of spires. The pieces are carved from polished marble and ebony, each detail meticulously rendered with realistic shadows and reflections on the glossy board surface. Style: Photorealistic with dramatic lighting, combining classical still-life photography with surreal fantasy elements. Quality: Ultra-high definition macro photography with tack-sharp focus on every chess piece detail, from the grain in the wood board to the smooth polish of the marble figures. Context: The ultimate showdown - one against many, representing themes of courage, isolation, and impossible odds. Above this earthly battle, supernatural observation adds an otherworldly dimension. Photographic Elements: Shot with a low-angle macro lens to emphasize the towering white pieces around the black king. Dramatic side lighting creates deep shadows and highlights the texture of each piece. Shallow depth of field keeps the chess board sharp while the sky softly blurs. Vibe: Tense and epic, like the final moments of an impossible battle. The atmosphere should feel charged with destiny and divine judgment. The Twist: Looming in the storm-dark clouds above, a colossal human face emerges from the swirling gray mists - ancient, weathered features with penetrating eyes that gaze down upon the chess battle with the intensity of a god watching mortals play out their fate.

4 months ago

A highly realistic tabletop photograph of a conceptual sushi arrangement inspired by the work of Kazimir Malevich. The dish honors Suprematism through the composition of geometric, real-world ingredients — minimalist squares, rectangles, circles, and voids, arranged with stark asymmetry and spatial tension. Each sushi piece is handmade and slightly irregular, referencing Malevich’s abstract forms while remaining firmly in the realm of culinary craft. A single red tuna square placed off-center on a rice block mimics his red square on white A blackened nori rectangle floats beside a small cube of white daikon — contrast and negative space become the design A circle of pickled radish intersects a tamago rectangle, breaking the grid A void space is left intentionally blank between elements on the plate — emphasizing absence as much as presence One piece may be a cube of charcoal-grilled eggplant on rice, evoking the black square — textured, dark, earthy Color Palette: Muted, natural tones with a limited palette: ivory white rice, deep matte black nori, dark red tuna, pale yellow tamago, and light grey or beige plate. No artificial dyes or vibrant garnishes. The composition is more about form and proportion than flavor or ornament. Plate & Table Setting: Served on a matte porcelain square plate with ample negative space. The arrangement follows Suprematist principles — asymmetry, visual imbalance, gravity-defying placement. One piece may be positioned at the extreme corner. The table beneath is dark wood or concrete, referencing Malevich’s material seriousness. Camera View: Overhead or slightly angled — shot like a museum documentation photo, clean and quiet. Slight tilt or perspective distortion is allowed to reflect human error and tension. Lighting: Flat, soft ambient light. No dramatic shadows. Even illumination across all surfaces, mimicking natural daylight in a gallery or quiet kitchen. Surfaces should look honest, not stylized. Material Texture: Fish grain visible, slightly moist Nori uneven at the edges Knife cuts evident in egg and daikon Rice slightly loose and irregular Plate surface has minor scratches or glaze imperfections Mood: Silent, abstract, and cerebral. The image is a culinary still life — not about indulgence, but about pure form, balance, and the tension between presence and void. It should feel like a Suprematist painting you could eat, made by hand, with reverence for structure.