A sample prompt of what you can find in this page
Prompt by kumera

Two hands above her head prompts

very few results

4 months ago

The image shows a woman with long, dark hair elegantly posed on a light-colored sofa in a minimalist room. The scene is illuminated by strong, direct sunlight coming from the right, which creates prominent shadows across the floor and furniture. Center: The woman is the central subject, positioned on the right-hand side of the sofa as viewed by the observer. Her body is angled toward the left, while her head is turned to face the camera directly. Foreground: In the bottom-left corner, there is a portion of a brown, textured rug. The rest of the foreground consists of a light-colored floor with long, dark shadows cast diagonally from right to left. Background: Behind the woman and the sofa, there is a plain, light-colored wall. Set into the wall are two recessed rectangular shelves, one above the other. Each shelf holds a single, light-colored vase. To the far left, a double electrical socket is visible on the wall. The Woman: She is wearing a form-fitting, black, long-sleeved dress with a square neckline that ends around her knees. Her legs are crossed, and she is wearing black, pointed-toe high heels with thin ankle straps fastened by small gold buckles. She is accessorized with gold-colored hoop earrings. One arm is bent with her hand behind her head, and the other arm rests on the back of the sofa. Her hair is dark, long, and straight, and she is looking directly at the camera with a neutral expression. The Sofa: The sofa is a modern design, upholstered in a light beige or off-white textured fabric. It features clean lines, square arms, and is supported by slender, cylindrical chrome legs. The Room: The room has a minimalist aesthetic. The walls and floor appear to be a smooth, matte, off-white or very light beige color. The two vases in the wall niches are a similar light, neutral color with a matte finish. Lighting: The lighting is high-contrast, indicating a strong light source like the sun is entering from a window or opening on the right side of the scene. This creates sharp, well-defined shadows of the window frame on the floor and sofa.

PepinoP
5 170

5 months ago

This is a majestic and highly detailed fantasy portrait that depicts an intimate and powerful bond between a regal japanese woman and a formidable iron-rusted dragon. The scene is set in a cool, wintry landscape, creating a stunning contrast between the cold environment and the warmth of the connection between the two figures. The artwork has a hyper-realistic yet stylized quality, blending elements of high fantasy, royalty, and nature. The Regal Woman: The woman is the central human figure, exuding an aura of grace, power, and serene beauty. Face and Makeup: She has fair, almost porcelain-like skin and delicate East Asian features. Her makeup is immaculate, with sharply defined, winged eyeliner, a subtle smoky eyeshadow in reddish tones, and a soft blush. Her lips are a rich, matte red. Her expression is calm and confident as she gazes directly at the viewer. Headdress: Her most striking feature is an elaborate headdress. It has an intricate, crystalline tiara made of silver or platinum, studded with glittering red gemstones. Gown and Jewelry: She is dressed in an opulent gown of a rich scarlet satin. The dress is exquisitely detailed with a high, ruffled collar, voluminous puffed sleeves, and layers of fabric. It is adorned with delicate, sparkling silver embellishments that resemble crystallized snowflakes, tying her attire to the wintery setting. Her jewelry is equally ornate, including long, dangling chandelier earrings and a matching high-necked necklace, all crafted from the same silver and gemstone materials as her tiara. On her right hand, which gently touches the dragon, she wears a silver ring. The Majestic Dragon: Positioned closely beside the woman is a massive and powerful dragon, likely a Western type in appearance. Appearance: The dragon is rendered in incredible detail, with a hide of deep, iron-rusted scales that have a rugged, armor-like texture. Sharp, formidable horns and spines run along the crest of its head. Eye and Expression: Its visible eye is a focal point, glowing with an inner light. The iris is a fiery orange-yellow with a slitted reptilian pupil, suggesting ancient wisdom and intelligence. Despite its fearsome appearance, the dragon's posture is one of calm and affection, leaning its massive head into the woman's gentle touch. It appears to be her guardian, companion, and confidant. Setting and Atmosphere: The figures are situated in a snowy, mystical forest. Environment: The background is softly blurred, creating a shallow depth of field that keeps the focus entirely on the woman and dragon. The ground is covered in white snow, and the dark, indistinct shapes of trees can be seen behind them. Lighting and Color Palette: The scene is bathed in a cool, blue-toned light, characteristic of twilight or an overcast day in winter. This cool palette is beautifully contrasted by the vibrant purple of the gown, the deep green of the dragon, the warm pink of the lotus, and the fiery glow of the dragon's eye. The overall mood is one of quiet magic, strength, and serene harmony.

kumera
5 130

7 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.

ElectricL
2 130

3 months ago

A dark, decayed factory steeped in dampness and neglect. Rows of broken, lifeless androids hang from chains and diagnostic cables, their battered forms suspended like relics of a forgotten era. Each android faces forward, their heads slumped and limbs dangling limply, as if gravity alone holds them in place. The androids are diverse—some humanoid with slender frames and fragmented synthetic skin, others industrial with exposed hydraulics, rusted plating, and shattered components. Many are missing limbs, their wires and cables hanging loosely, sparking faintly in the oppressive gloom. Among the rows, two androids stand out—their hands intertwined in a final act of connection before their power cells died. One is humanoid, its delicate features cracked and weathered, its synthetic skin peeling to reveal intricate, rusting frameworks. The other is industrial, bulkier, with heavier plating and exposed joints, its arm barely holding on by a tangle of wires. Their clasped hands emit a faint glow, flickering like dying embers, the last remnant of their shared existence. The factory is drenched in atmosphere. Thick haze and mist cling to every surface, illuminated by the weak, flickering glow of malfunctioning CRT screens and sparking cables. Dim red light spills from a cracked overhead lamp, casting diffuse shadows across the room. A faint, rhythmic drip echoes through the cavernous space, the sound amplified by the oppressive silence. A flickering sign above the rows reads: “ANDROID MULTI-PURPOSE FOUNDRY.” The foundry walls are lined with rusted, obsolete machinery and control panels. Pools of stagnant water collect on the floor, reflecting the faint, scattered light in jagged, broken patterns. Dust and smoke swirl in the air, cutting through the faint godrays that streak through shattered skylights, further obscured by the thick haze. The shadows of dangling chains and lifeless androids create eerie silhouettes on the mist-covered walls. The atmosphere is suffocatingly gritty, a testament to the decay of innovation. The androids stand as silent witnesses to a bygone era, their shattered forms a chilling reflection of the hubris and failure of their creators. The two holding hands, surrounded by rows of decaying machines, remain a quiet, haunting symbol of connection amidst the ruin.

ElectricL
1 57