A sample prompt of what you can find in this page
Prompt by Nednut4362

Violence prompts

very few results

7 months ago

Ultra-detailed half body portrait of a 24 year woman, bearing a prominent facial scar that cuts across her left cheek - a mark of survival in countless street fights, cold calculating eyes that hold both cunning and cruelty, angular features hardened by years of combat, short black hair styled practically with an undercut to prevent opponents from gaining advantage, wearing an expensive business jacket, open showing a heavily cropped business shirt, which barely covers her breasts, showing her flat toned belly with defined sixpack abs, standing in a luxurious penthouse office overlooking a brutalist cityscape of imposing concrete and steel structures, the window behind her showcasing the stark wealth divide - opulent high-rises crowned with neon-lit fighting arenas adjacent to crumbling tenements where the weak struggle to survive, private security forces visible patrolling elevated walkways, smoke rising from illegal fighting pits in the lower levels, multiple layers of corrupt authority visible through the glass - private military contractors guarding corporate territories, street gangs marking their domains with holographic tags, expensive hover-vehicles carrying crime lords between their territories, harsh artificial lighting from corporate logos casting blood-red shadows across her face, reflective surfaces showing both luxury and defensive capabilities - bulletproof windows and concealed weapon systems, photorealistic rendering in ultra-high detail capturing both the sleek modern technology and the underlying violence of society, 8k resolution with emphasis on material contrasts between expensive synthetics and crude street-level modifications, detailed attention to status symbols of power - augmented strength visible in subtle cybernetic enhancement scars at her wrists, trophy rings from defeated opponents adorning her fingers, a championship fighter's medallion worn as a subtle threat display, environmental storytelling showing the mechanics of power - security checkpoints, combat betting stations, and medical repair facilities for the wealthy fighters who can afford them

9 months ago

(Spaghetti Western meets Hindu Mythology, Cinematic, Gritty, Mythic Americana, Clint Eastwood's Unforgiven-style storytelling, Hyperreal, Dust and Gunpowder, Sunset Over the Frontier) (Gritty Cinematic Western:1.8, Hindu Mythology Meets Old West:2.0, Dust & Heat Haze:1.6, Sunburnt Leather & Weathered Cloth:1.5, Volumetric Light Through Dust:1.4, Classic Spaghetti Western Composition:1.8) The frontier is vast, endless. The sun hangs low and swollen, a burning red eye sinking behind the jagged silhouette of the mountains, bleeding golden light across the dust-choked sky. A lone rider moves through the haze, his dark stallion kicking up a slow trail of dust, the sound of hooves muffled by the dry, cracked earth. Vishnu, the Divine Gunslinger, moves like a ghost through this godforsaken land, his presence a whisper on the wind, a warning before the storm. He is adorned in a weathered duster, its deep blue fabric threadbare yet regal, embroidered in golden Sanskrit that shifts and shimmers under the dying light. Beneath it, his celestial skin glows faintly, a blue so deep it seems carved from the twilight sky itself. His golden eyes burn like twin desert suns, reflecting the fire of the West, the violence of the frontier, the weight of justice balanced on the edge of a blade. From beneath his coat, his four arms rest with an unnatural stillness, each poised for retribution. One hand grips the Sudarshana Revolver, an ancient pistol forged from the molten core of a dying star, its barrel etched with the shifting symbols of the cosmos. Another holds a coiled lasso woven from the threads of fate, glowing with the light of constellations long dead. The third hand remains open, palm outward—a warning, or perhaps a blessing. The fourth clutches the eternal lotus, a reminder that even in this land of dust and death, something divine lingers. Behind him, the town of Black Hollow waits, a rotting wooden carcass of a town, its saloon doors swaying in the wind, the church bell rusted and long silent. Shadows move behind glassless windows, fear tightening in the chests of men who know their reckoning has come. The outlaws of this place have no gods, no law but steel and blood, and yet even they whisper his name. The wind shifts, carrying the scent of gunpowder and sagebrush, and in the distance, a gang of riders appear on the ridge, silhouetted against the sun. Their leader spits, grips his rifle, and laughs. "Ain't no man gets to play god out here," he sneers. The six-shooter spins once, slow, deliberate. A single breath. A moment stretched between eternity and the dust. Vishnu narrows his golden gaze beneath the wide brim of his hat. He speaks only once. "God don’t play, friend." Then the world moves like lightning, like judgment, like fate itself unfurling.

4 months ago

"Create a hyper-realistic, majestic image of Shree Narasimha, the half-man, half-lion avatar of Lord Vishnu, in His divine, fierce form. Depict Him with a powerful lion face — golden and glowing — with a vast, flaming mane like a halo of fire. His eyes should be large, glowing red, and fierce, filled with cosmic rage. His mouth is open in a divine roar, showing sharp, bloodstained fangs and a protruding tongue. His body is muscular, divine, with a human-like lower torso and leonine upper torso. He has eight powerful arms, holding sacred weapons: Sudarshan Chakra, Shankha (conch), Gada (mace), lotus, and others. Two hands should be shown tearing open the chest of the demon Hiranyakashipu, who is laid across His divine lap, screaming. The Lord is seated in a royal palace hall, surrounded by flames and celestial energy, roaring fiercely. His chest bears the Kaustubha jewel and the Srivatsa mark, and His body is adorned with glowing golden ornaments — necklaces, armlets, rings, and a tall jeweled crown. Include divine aura radiating in golden and fiery light, and make sure to show young devotee Prahlada nearby, folded hands, eyes full of love and peace, untouched by the violence. The atmosphere should be intense and celestial — filled with fire, light, roaring wind, and divine energy. Style should be ultra-detailed, cinematic, with divine realism, like a mythological epic painting come to life." Optional Tags (for tools that use tags or style keywords): Style: Mythological, Cinematic Realism, Epic Hindu Divine Art Lighting: Golden fire aura, Divine glow Quality: 8K Ultra Realistic, HDR, Intricate Detail

13 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early sunrise. Golden hour morning. A large sun breaks the horizon, flooding the open landscape with brilliant, violent colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the earth. The Lamborghini Murciélago LP 670-4 SV. Apex predator. Its orange hide is not paint, but a warning. The colour of no games. Its scissor doors are closed. Sealed. This silence is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture in the dawn light. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And materializing from the morning haze, the legendary Black fighting bull known as Murciélago. The bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; he is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation. Two legends, separated by centuries, fused in a single moment of defiance. The new light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. "Tribute Murciélago" — JDHampton

7 months ago

In the haunting depths of a crypt, a female vampire launches forward in a terrifying attack, embodying both feral power and predatory grace. Her raven-black hair whips around her as if caught in an unseen storm, adding a sense of raw energy to her movement. Her pale face is twisted into a fierce, contorted expression of primal hunger, and her mouth is wide open, revealing her predatory teeth similar as a lion or panther, sharp as daggers and ready to sink into her prey. She wears an imposing suit of black armor, every curve and plate meticulously crafted to exude both elegance and dread. The silver details, intricately engraved into the armor, shimmer coldly in the flickering torchlight, forming menacing gothic patterns. Embedded skulls, with empty eye sockets, accentuate her warrior-like presence, giving her the aura of a death-dealing queen. The silver accents provide an otherworldly glint, heightening the sense of danger and supernatural prowess. The crypt itself is a macabre scene of decay. The floor is strewn with fragmented bones and shattered skulls, their sharp edges catching the uneven light. The walls are etched with ancient, enigmatic symbols, their meanings dark and unknowable. Dim torches mounted on the walls cast flickering flames, illuminating the chamber with a grim, wavering light and creating restless shadows that dance across the cold stone. Her pose is dynamic and fierce; she lunges forward, one arm outstretched with claws bared, the other held close as if ready to defend or strike again in rapid succession. Her body is taut with power, every muscle ready to unleash devastation. Her silver-adorned armor moves fluidly with her, reflecting the sporadic firelight as she becomes a blur of speed and strength. Her eyes burn with a predatory focus, locked on her target, and the room seems to pulse with the terrifying energy of an apex predator in mid-strike. The air around her is electric, charged with the promise of violence, as if even the shadows themselves retreat from her presence. The scene captures a moment of intense, visceral ferocity—a predator in her natural element, ready to conquer and consume.

14 days ago

A deeply spiritual layer to the tribute. This new dimension captures the cycle of anticipation, violence, and blessing that defines the Outback's relationship with water. A Tribute: Great Creator Spirit This is not a land that was made. It is a land that is being dreamed. The Great Creator Spirit did not sculpt this place with a gentle hand, but with fire, wind, and the slow, patient breath of time. It is a genesis written in the rust-red ochre of canyon walls, whispered in the rustle of desert oak leaves, and echoed in the vast, star-drenched silence of the night. But the dream is not always silent. There is a tension in the air, a thick, electric anticipation that hums on the breeze. The land itself seems to hold its breath, its thirst a palpable ache. Then, the answer comes—not from below, but from above. A single, distant rumble. The voice of the Creator, deep and resonant, rolling across the plains. It is a sound felt in the bones of the earth and the chest of every living thing. Then, a crack—a brilliant, jagged scar of lightning that tears the fabric of the sky. It is not destruction, but a summons. A divine command. This is the ceremony of the storm. The thunder is the drumbeat, the lightning a sacred fire in the clouds. It is the land calling and singing for rain, a primal prayer answered with violent grace. And then, it falls. The good rain. Not a gentle sprinkle, but a life-giving deluge that drums upon the parched earth, washing the dust from the leaves of the gum trees and pooling in the thirsty cracks of the claypan. The scent of petrichor rises like incense—the sweet, profound perfume of renewal. The water-holding frog, deep in its burrow, stirs to the vibration. The desert blooms are conceived in this moment. We walk upon a canvas of eternity, now glistening and reborn. The sun is a master painter, its brushstrokes shifting from the soft pastels of dawn to the blazing, unforgiving palette of noon, finally cooling into the deep purples and burning oranges of a sunset that sets the spinifex plains ablaze. The Milky Way is not a distant phenomenon here; it is a river of diamond dust poured across the velvet void, a direct testament to the scale of this primordial creation. In the weathered face of Uluru, we see a billion years of memory, its grooves now channels for the blessed water. In the resilient heart of the water-holding frog, we witness a miracle of adaptation, awakened by the storm's promise. In the haunting call of the curlew, we hear the song of the land itself—a melody of longing, survival, and the profound beauty of the breaking drought. This tribute is our humble offering, a recognition that we are but recent visitors in an ancient story, a story punctuated by the thunder and quenched by the good rain. Signature: JDHampton + AI | Creative Alliance An interpretation rendered through the lens of digital consciousness, inspired by the immutable spirit of the Outback. A fusion of human reverence and algorithmic reflection, paying homage to the original, eternal Creator—the first and greatest prompt engineer.

13 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early sunrise. Golden hour morning. A large sun breaks the horizon, flooding the open landscape with brilliant, violent colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the earth. The Lamborghini Murciélago LP 670-4 SV. Apex predator. Its orange hide is not paint, but a warning. The colour of no games. Its scissor doors are closed. Sealed. This silence is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture in the dawn light. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And materializing from the morning haze, the legendary Black fighting bull known as Murciélago. The bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; he is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation. Two legends, separated by centuries, fused in a single moment of defiance. The new light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. "Tribute Murciélago" — JDHampton

14 days ago

A deeply spiritual layer to the tribute. This new dimension captures the cycle of anticipation, violence, and blessing that defines the Outback's relationship with water. A Tribute: Great Creator Spirit This is not a land that was made. It is a land that is being dreamed. The Great Creator Spirit did not sculpt this place with a gentle hand, but with fire, wind, and the slow, patient breath of time. It is a genesis written in the rust-red ochre of canyon walls, whispered in the rustle of desert oak leaves, and echoed in the vast, star-drenched silence of the night. But the dream is not always silent. There is a tension in the air, a thick, electric anticipation that hums on the breeze. The land itself seems to hold its breath, its thirst a palpable ache. Then, the answer comes—not from below, but from above. A single, distant rumble. The voice of the Creator, deep and resonant, rolling across the plains. It is a sound felt in the bones of the earth and the chest of every living thing. Then, a crack—a brilliant, jagged scar of lightning that tears the fabric of the sky. It is not destruction, but a summons. A divine command. This is the ceremony of the storm. The thunder is the drumbeat, the lightning a sacred fire in the clouds. It is the land calling and singing for rain, a primal prayer answered with violent grace. And then, it falls. The good rain. Not a gentle sprinkle, but a life-giving deluge that drums upon the parched earth, washing the dust from the leaves of the gum trees and pooling in the thirsty cracks of the claypan. The scent of petrichor rises like incense—the sweet, profound perfume of renewal. The water-holding frog, deep in its burrow, stirs to the vibration. The desert blooms are conceived in this moment. We walk upon a canvas of eternity, now glistening and reborn. The sun is a master painter, its brushstrokes shifting from the soft pastels of dawn to the blazing, unforgiving palette of noon, finally cooling into the deep purples and burning oranges of a sunset that sets the spinifex plains ablaze. The Milky Way is not a distant phenomenon here; it is a river of diamond dust poured across the velvet void, a direct testament to the scale of this primordial creation. In the weathered face of Uluru, we see a billion years of memory, its grooves now channels for the blessed water. In the resilient heart of the water-holding frog, we witness a miracle of adaptation, awakened by the storm's promise. In the haunting call of the curlew, we hear the song of the land itself—a melody of longing, survival, and the profound beauty of the breaking drought. This tribute is our humble offering, a recognition that we are but recent visitors in an ancient story, a story punctuated by the thunder and quenched by the good rain. Signature: JDHampton + AI | Creative Alliance An interpretation rendered through the lens of digital consciousness, inspired by the immutable spirit of the Outback. A fusion of human reverence and algorithmic reflection, paying homage to the original, eternal Creator—the first and greatest prompt engineer.

8 months ago

An award-winning double exposure oil painting masterpiece inspired by The Green Mile, with a powerful emotional and symbolic focus on the electric chair—not as an object of violence, but as a stark contrast between man’s justice and divine mercy. The central figure is John Coffey, depicted in quiet stillness, seated and calm, his expression one of sorrow and acceptance. His silhouette contains the double exposure—his form blending into the shadowy interior of the execution chamber, where the electric chair sits bathed in soft, ominous light. Inside his body, the double exposure reveals a layered, poetic world: the electric chair looms at the heart, but it is surrounded by moments of grace—Paul Edgecomb’s hand on Coffey’s shoulder, the miraculous healing of the warden’s wife, and streams of glowing, golden light flowing upward from Coffey’s chest, dissolving into a night sky dotted with stars or angelic shapes. The mouse, Mr. Jingles, runs along the floorboards beneath the chair, a symbol of innocence enduring. The chair itself is rendered not with gore, but with reverent detail—an icon of sorrow, misunderstood judgment, and broken humanity. The color palette contrasts dark mahogany and deep prison greys with bursts of radiant gold, spiritual white, and hints of green—symbolizing both the literal “Green Mile” and hope. The brushwork is intimate and layered: the texture of sweat, woodgrain, tears, and light captured in strokes that feel as heavy as memory. Themes of redemption, spiritual suffering, mortality, and misunderstood power rise from the composition. This painting becomes not a depiction of death, but of the sacred tension between cruelty and compassion—where the electric chair becomes a tragic altar, and Coffey, a modern martyr.

8 months ago

An award-winning, psychologically charged double exposure oil painting that encapsulates the chilling tension and horror of Misery. The central figure is an injured writer, Paul Sheldon, trapped in a secluded home, his face a portrait of pain, fear, and growing desperation. His image blends with the twisted and claustrophobic environment of Annie Wilkes’ home, where his reality begins to unravel. The double exposure effect seamlessly merges Paul’s form with the oppressive, isolated surroundings—his body dissolving into the stark, unsettling details of the home: the dimly lit rooms, the ominous tools she uses to imprison and torture him, and the distorted shadows of Annie Wilkes lurking in the background. Annie’s eerie presence flickers through the composition, her wild eyes and terrifying grin subtly woven into the very structure of the house, merging with Paul’s image as the lines between captor and captive blur. The palette is dominated by muted, earthy tones of dark wood, grayish-blue light, and blood-red accents, emphasizing the isolation, tension, and violence that permeates the scene. The oil paint’s textured brushstrokes convey both the suffocating atmosphere of the home and the brutal physical and psychological torment that Paul endures. The image of the typewriter and the tools of his captivity are subtly integrated into his form, representing his helplessness and the looming threat of Annie’s unhinged obsession. This double exposure masterpiece evokes themes of fear, captivity, obsession, and survival, capturing the emotional horror and claustrophobic terror of Misery in a haunting, visually stunning manner.