Wide angle shot from the bottom prompts

6 months ago

A low-angle, wide-angle analogue photograph of a woman holidng a Sony PlayStation Vita up to the camera, on a sunlit pier, against a clear blue sky. The photo is taken at an angle. The sun is behind the model creating a glow. She has dark brown hair let loose, she looks cool and beautiful. She's wearing a simple, front-tie croptop, bikini bottoms, and trainers and socks. She is turned around and showing off her back. Her skin is glistening with oil. The image has a raw, unpolished look — shot on 35mm film with a grungy, analogue aesthetic, with flash. No digital retouching, with natural lighting and imperfections intact, there are a few flecks of grain and scratches on the pic in a natural way. The photo feels spontaneous, carefree, and candid, capturing a nostalgic 90s summer vibe. Harsh sunlight creates subtle lens flare and dramatic shadows. The model wears minimal accessories, emphasising a natural, real-life look. Background includes a white wooden fence and distant hills by the ocean.

13 days ago

Album Cover for: “Trône sur les Ruines” Format: Wide shot, full body, cinematic environment, poster-quality Ultra-realistic cinematic concept art of a Moroccan man in his late 20s — light brown skin, clean-shaven, with a short buzz cut and medium taper fade — sitting proudly and powerfully on a massive brutalist throne. His body language is heavy and dominant: legs planted wide, elbows on knees, hands gripping the throne armrests. His eyes lock directly onto the viewer — serious, furious, proud. His expression carries the weight of survival and leadership born through chaos. He looks like a street king forged in war, not luxury. The throne is enormous, crafted from cracked concrete, twisted rebar, scorched books, shattered electronics, rusted weapons, and destroyed satellite parts — a symbolic fusion of revolution and ruin. It sits atop rubble and ash. Behind him, the destroyed skyline of a Moroccan city: burned buildings, collapsed domes, broken antennas, crumbling high-rises, graffiti-scarred walls. A torn Moroccan flag flutters in the distance, hanging from a bent metal pole. The man wears a modern warrior-royalty outfit: a long dark trench coat made from military fabric, lined with faded golden Moroccan embroidery (zellige patterns), a worn bulletproof vest underneath, armored combat pants with tactical straps, and black scratched leather boots. A tattered deep red cloak is thrown over one shoulder. On his chest, a bent metal star medal — not shiny, but earned. His crown is raw and symbolic: cracked gold fused with rusted iron, dented like it survived fire — resting slightly tilted on his head. The sky is cinematic: thick storm clouds rolling in, deep greys and purples, with one sharp beam of golden-orange light breaking through — hope after destruction. Ash and dust drift in the air, adding texture and motion. Typography: “Trône sur les Ruines” in cracked gold serif font, minimalist, sharp, placed bottom right or top left. Color palette: Ash grey, Moroccan red, coal black, bronze gold, burnt orange, storm blue. Mood: Powerful, apocalyptic, victorious. A portrait of survival and reclaimed legacy. Style: Cinematic, ultra-detailed, wide angle, poster-quality realism. Inspired by Yeezus, French war photojournalism, LiveLoveA$AP, and dystopian street rebellion aesthetics. — full body shot, wide angle, cinematic composition, Moroccan ruins in full view, background visible, throne fully visible, urban destruction, ash particles, crown visible, golden light from clouds, no blur, no fantasy, hyper-detailed, realistic lighting, gritty textures

13 days ago

Ultra-realistic cinematic concept art. A Moroccan man in his late 20s — clean-shaven, sharp jawline, medium taper fade with short buzz cut — sits powerfully on a brutalist throne made from cracked concrete, scorched books, rusted rebar, shattered satellite dishes, and melted tech debris. His gaze is direct, heavy, serious — full of rage, loss, and pride. His posture is grounded, kinglike, a man forged by betrayal, not crowned by privilege. He wears a modern Moroccan warrior-king outfit: a long charcoal-black trench coat made from military fabric, faded gold zellige embroidery lining the cuffs and edges. Beneath, a worn cracked bulletproof vest. His matte-black pants have rugged metal strap accents, and dusty combat boots show battlewear. Over his shoulder, a torn deep red cloak — like a fallen flag turned royal cape. A rusted metallic star medal is pinned to his chest. His fingers are covered with chipped steel rings — no shine, just scars. A fractured crown of gold and iron rests on his head — dented, sharp, powerful. Not ceremonial, but forged from ruin and defiance. It’s heavy, symbolic — a burden earned. Background: Ruined Moroccan cityscape — crumbling domes, broken concrete walls, twisted rebar, burnt-out cars, and collapsed towers. A half-burned Moroccan flag hangs in the back, fluttering from a broken wall. The sky is layered with storm clouds — ash grey, storm blue, deep purples. A golden-orange light pierces the clouds in the distance like hope. Ash particles drift in the foreground, cinematic. Typography: “Trône sur les Ruines” in large cracked metallic gold serif font — clean but weathered. Top left or bottom right. Regal, minimal, poetic. Color Palette: Coal black, ash grey, Moroccan red, storm blue, bronze gold, burnt orange, dusty beige. Mood: Royalty born from survival. Pain turned into power. Cinematic, violent, majestic, tragic. Style: Ultra-detailed, dramatic lighting, high contrast, hyper-realistic rendering. Poster-quality. Influenced by Yeezus, The Blueprint, LiveLoveA$AP, and French war photography. -- full body shot, cinematic composition, wide angle, throne fully visible, Moroccan flag visible in background, apocalyptic setting, dramatic shadows, golden light, storm clouds, ash drifting, rule of thirds framing

8 months ago

"A hyper-realistic, ultra-detailed full-body and close-up character sheet of a stunning British woman, presented in five distinct poses within the same 21:9 frame. The layout is divided into two sections: the left side containing three full-body views and the right side featuring two close-up face shots. Each pose is evenly spaced, ensuring no overlap, maintaining complete visibility from head to feet, and preserving accurate facial details. The camera maintains a neutral eye-level position for full-body shots and a straight-on angle for close-ups to capture precise details without distortion. Left Side (Full-Body Views) Front View (Leftmost Position): She stands naturally, facing directly toward the camera, arms at her sides, feet flat on the ground. Side Profile (Center Position): A full side view, body in profile, but head turned slightly forward to showcase facial features while maintaining body proportions. Back View (Rightmost Position): Facing away from the camera, standing naturally, highlighting the back, shoulders, and leg proportions. Right Side (Close-Up Face Views, Arranged Vertically) Top Right (Close-Up Front View): A tightly cropped headshot, directly facing the camera, capturing symmetrical facial features, deep brown eyes, and full lips. Bottom Right (Close-Up Side Profile): A sharp side-angle close-up emphasizing the jawline, high cheekbones, and nose structure. She has a symmetrical, captivating face with deep brown almond-shaped eyes, naturally arched eyebrows, and full lips. Her dark brown wavy hair is tied in a messy bun, with loose strands framing her face. Her athletic physique is well-proportioned, featuring a full, balanced bust, a defined waist, elegant shoulders, toned arms, and thick thighs. She stands 175 cm tall and wears a black deep V-neck sports bra, high-waisted black yoga pants, and white sneakers. She has no makeup, ensuring a natural look. The lighting is soft and natural, casting subtle highlights and shadows to enhance depth and realism. The clean white background ensures clarity, while HDR 4K resolution captures ultra-detailed textures and perfectly balanced skin tones, achieving a highly cinematic effect. The 21:9 ultra-wide aspect ratio maintains accurate proportions, ensuring no cropping or distortion, making it an ideal dataset for LoRA training."**