A sample prompt of what you can find in this page
Prompt by Ignis_Tempestas

a few wisps of smoke curl into the air prompts

very few results

6 months ago

Abstract Full-Body Portrait of a Prostitute – Salvador Dalí (Late-Life Style, Singular Focus & Pure Surrealism) (Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

9 months ago

Ultra-photorealistic cinematic film still of Alicia Vikander reimagined as the Grim Reaper, blending her natural beauty with an aura of haunting power and timeless authority. Her face is ethereal and striking, her sharp cheekbones and soft jawline accentuated by the cold, spectral glow of the surrounding light. Her skin is an ashen, porcelain hue, smooth yet unnervingly flawless, with faint, silvery veins visible just beneath the surface. Her deep brown eyes glow faintly with an otherworldly silver light, exuding both wisdom and an unrelenting inevitability. Her lips, slightly parted, are a dark, muted plum, adding to her haunting yet elegant appearance. Her hair is raven black, cascading in long, flowing waves that shimmer faintly as if touched by a supernatural breeze. Wisps of silvery mist weave through the strands, catching the dim light and creating an almost halo-like effect. Around her head hovers a faint, incorporeal crown of glowing runes, shifting and flickering like dying embers, signifying her dominion over life and death. She is dressed in an avant-garde interpretation of the Reaper’s cloak: a sleek, black, floor-length robe with intricate textures resembling flowing smoke and shadows. The fabric seems almost alive, shifting subtly as though it’s a part of the darkness itself. The edges of the cloak are frayed and dissolve into ethereal mist, giving her an otherworldly, intangible quality. Beneath the robe, glimpses of silvery armor etched with ancient, cryptic symbols are visible, hinting at her role as a celestial enforcer. Her hood is drawn back, revealing her face, but the shadows of the hood frame her features in a dramatic, gothic contrast. In her right hand, she wields a scythe unlike any other: its massive blade is forged from a gleaming black metal that reflects faint, ghostly images of souls. The staff is carved from a dark, polished wood entwined with glowing silver runes that pulse faintly, as though alive. Her left hand hovers slightly, trailing a faint mist of spectral energy that curls and dissipates into the surrounding air. The background is a surreal, otherworldly landscape: a vast, barren expanse shrouded in mist, with jagged, obsidian-like rock formations rising into the sky. The horizon glows faintly with an eerie, greenish-blue light, as if it’s the border between the world of the living and the dead. Shadowy silhouettes of wandering souls drift aimlessly in the distance, their faint whispers almost audible in the stillness. Above, the sky is a chaotic swirl of dark clouds, pierced by occasional streaks of ethereal light that illuminate the scene in fleeting bursts. The lighting is dramatic, with cold, pale blue and green tones dominating the scene, casting Alicia’s figure in sharp relief. The glowing runes on her armor and scythe cast subtle, shifting light patterns on her robes and the ground. Her face is illuminated by a soft, ghostly glow, emphasizing her beauty while adding an unnerving edge to her expression. Shadows play dynamically across her figure, enhancing the ethereal, otherworldly atmosphere. Her expression is calm and resolute, with a faint, enigmatic smile that suggests she understands the inevitability of her role. Her eyes convey both compassion and an uncompromising sense of duty, embodying the dual nature of the Grim Reaper as both a harbinger of death and a guide for lost souls. There’s a sense of timeless authority in her posture, as though she has walked the boundary between life and death for eternity. This ultra-photorealistic image is indistinguishable from a professional cinematic film still, with every detail—from the textures of her cloak and scythe to the eerie, atmospheric backdrop—rendered in breathtaking precision. The mood is chilling, majestic, and steeped in gothic gravitas.

6 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

8 months ago

A colossal dragon dominates the frame, its shiny black scales shimmering with a sleek, almost liquid-like sheen. Beneath its scales, a subtle purple glow pulses faintly, as though the beast carries raw, untamed energy within its core. The glow intensifies at the edges of the dragon’s massive body: along the ridges of its spine, around its jagged claws, and faintly at the tips of its enormous, leathery wings. The dragon’s form exudes otherworldly power, blending ferocity with an almost alien beauty, defying the expectations of a classical dragon. Its glowing golden eyes, fierce and predatory, lock onto an unseen target, their intense radiance contrasting against the purple hue emanating from its body. Heat distortion ripples around its snarling maw, where faint wisps of purple-tinted smoke curl upward, adding a sense of volatile energy. Its massive wings, reinforced with glowing, vein-like patterns, spread wide to cast imposing shadows across the ground, their span dwarfing the surrounding environment. Perched on the dragon’s back, the dragonrider, a striking figure clad in a deep purple cloak with aquamarine embroidery (1.9), sits confidently in a custom battle saddle. Her golden, glowing eyes, mirroring the dragon’s intensity, burn softly in the dim light. Her flowing cloak, frayed at the edges, flutters dramatically in the wind, adding motion to her poised, commanding silhouette. The dragon and rider stand in a barren, mist-laden clearing, where faint purple light from the dragon’s glow illuminates the charred ground and broken remnants of an ancient battlefield. The air is alive with swirling ash, glowing embers, and drifting purple particles (1.9), creating an atmosphere of raw power and mysticism. The dragon’s sheer size and musculature, with its jagged scales and glowing ridges, emphasize its dominance, while its sleek, futuristic design breaks free from traditional forms. Volumetric lighting from a fractured, stormy sky highlights the interplay of light and shadow across the dragon’s shimmering scales. The muted, charred tones of the environment contrast with the vibrant purples, deep blacks, and golden hues of the dragon and rider, creating a visually striking composition that feels both gritty and otherworldly. This is no ordinary dragon—it is a living force of destruction, elegance, and fear.

9 months ago

A close-up, cinematic painting of Gandalf the Grey, captured from the chest up with a focused, intimate crop. He looks directly into the viewer’s eyes, a gentle hint of a smile in his gaze, exuding wisdom and warmth. His hand is raised and open, fingers slightly curled as he conjures an ethereal, fiery dragon made entirely of fireworks and smoke that hovers just above his palm. The fireworks dragon is brilliantly detailed, its form composed of vibrant, swirling fire and faint, smoky wisps. The dragon appears to be alive, its body coiling gracefully in mid-air, each scale flickering with a fiery glow that pulses in shades of deep orange, crimson, and gold. Its eyes burn intensely, and its open jaws release tiny sparks, casting a warm, shifting light that illuminates Gandalf’s face and hand. Delicate trails of smoke spiral off its wings and tail, fading into the surrounding air, giving it an ephemeral, almost ghostly quality. The background is a rich, dark blue, fading into shadow to allow the glowing dragon to stand out vividly. Soft, volumetric lighting surrounds Gandalf’s hand and the dragon, creating a sense of depth and atmosphere as light reflects off particles of magic dust floating in the air. The dragon’s smoke and fire blend seamlessly, with the tail and wings leaving shimmering trails that drift away like the remnants of a sparkler, adding movement and a sense of awe to the scene. Rendering Style: Hyperrealistic and finely detailed, with an emphasis on soft, realistic shadows and complex, diffused lighting. Gandalf’s robes and hand are lit by the warm glow of the dragon, with subtle textures emphasized by the contrast of light and shadow. The painting captures an enchanting moment of magic, where every flicker of the dragon’s fiery form and every tendril of smoke is rendered with exquisite, lifelike precision, creating a scene that feels both mystical and deeply cinematic.

7 months ago

A close-up, cinematic painting of Gandalf the Grey, captured from the chest up with a focused, intimate crop. He looks directly into the viewer’s eyes, a gentle hint of a smile in his gaze, exuding wisdom and warmth. His hand is raised and open, fingers slightly curled as he conjures an ethereal, fiery dragon made entirely of fireworks and smoke that hovers just above his palm. The fireworks dragon is brilliantly detailed, its form composed of vibrant, swirling fire and faint, smoky wisps. The dragon appears to be alive, its body coiling gracefully in mid-air, each scale flickering with a fiery glow that pulses in shades of deep orange, crimson, and gold. Its eyes burn intensely, and its open jaws release tiny sparks, casting a warm, shifting light that illuminates Gandalf’s face and hand. Delicate trails of smoke spiral off its wings and tail, fading into the surrounding air, giving it an ephemeral, almost ghostly quality. The background is a rich, dark blue, fading into shadow to allow the glowing dragon to stand out vividly. Soft, volumetric lighting surrounds Gandalf’s hand and the dragon, creating a sense of depth and atmosphere as light reflects off particles of magic dust floating in the air. The dragon’s smoke and fire blend seamlessly, with the tail and wings leaving shimmering trails that drift away like the remnants of a sparkler, adding movement and a sense of awe to the scene. Rendering Style: Hyperrealistic and finely detailed, with an emphasis on soft, realistic shadows and complex, diffused lighting. Gandalf’s robes and hand are lit by the warm glow of the dragon, with subtle textures emphasized by the contrast of light and shadow. The painting captures an enchanting moment of magic, where every flicker of the dragon’s fiery form and every tendril of smoke is rendered with exquisite, lifelike precision, creating a scene that feels both mystical and deeply cinematic.

5 months ago

POV first-person,i am standing by the window, smoking a cigarette, captured from a first-person perspective. only my hand is visible in the frame. i hold the cigarette between my index and middle fingers with a relaxed grip, the lit end glowing faintly in the dim evening light. the cigarette is a standard white filter cigarette, with a thin brown band near the tip. ash has started to form at the end, slightly uneven, with a soft orange ember glowing as i take a slow drag. faint wisps of smoke rise, curling gently into the air before disappearing. my thumb rests near the filter, occasionally flicking the ash away. the view outside the window shows tehran at dusk, with the city lights flickering against the cool evening sky. in the distance, the milad tower stands tall, its distinctive tapered cylindrical body narrowing toward the top before expanding into its iconic multi-tiered head, which houses an observation deck and a glowing ring of lights. the tower's sleek, modern design contrasts with the mix of high-rise buildings and older, traditional structures surrounding it. the city’s streets below are lined with cars, their headlights forming thin, glowing streaks as they navigate through the urban landscape. inside, the atmosphere is moody and contemplative, with the faint glow of streetlights and the subtle reflection of city lights on the window glass. the warm ember of my cigarette pulses slightly as i inhale, adding to the quiet solitude of the moment.

6 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

7 months ago

A close-up, cinematic painting of Gandalf the Grey, captured from the chest up with a focused, intimate crop. He looks directly into the viewer’s eyes, a gentle hint of a smile in his gaze, exuding wisdom and warmth. His hand is raised and open, fingers slightly curled as he conjures an ethereal, fiery dragon made entirely of fireworks and smoke that hovers just above his palm. The fireworks dragon is brilliantly detailed, its form composed of vibrant, swirling fire and faint, smoky wisps. The dragon appears to be alive, its body coiling gracefully in mid-air, each scale flickering with a fiery glow that pulses in shades of deep orange, crimson, and gold. Its eyes burn intensely, and its open jaws release tiny sparks, casting a warm, shifting light that illuminates Gandalf’s face and hand. Delicate trails of smoke spiral off its wings and tail, fading into the surrounding air, giving it an ephemeral, almost ghostly quality. The background is a rich, dark blue, fading into shadow to allow the glowing dragon to stand out vividly. Soft, volumetric lighting surrounds Gandalf’s hand and the dragon, creating a sense of depth and atmosphere as light reflects off particles of magic dust floating in the air. The dragon’s smoke and fire blend seamlessly, with the tail and wings leaving shimmering trails that drift away like the remnants of a sparkler, adding movement and a sense of awe to the scene. Rendering Style: Hyperrealistic and finely detailed, with an emphasis on soft, realistic shadows and complex, diffused lighting. Gandalf’s robes and hand are lit by the warm glow of the dragon, with subtle textures emphasized by the contrast of light and shadow. The painting captures an enchanting moment of magic, where every flicker of the dragon’s fiery form and every tendril of smoke is rendered with exquisite, lifelike precision, creating a scene that feels both mystical and deeply cinematic.

5 months ago

POV first-person,i am standing by the window, smoking a cigarette, captured from a first-person perspective. only my hand is visible in the frame. i hold the cigarette between my index and middle fingers with a relaxed grip, the lit end glowing faintly in the dim evening light. the cigarette is a standard white filter cigarette, with a thin brown band near the tip. ash has started to form at the end, slightly uneven, with a soft orange ember glowing as i take a slow drag. faint wisps of smoke rise, curling gently into the air before disappearing. my thumb rests near the filter, occasionally flicking the ash away. the view outside the window shows tehran at dusk, with the city lights flickering against the cool evening sky. in the distance, the milad tower stands tall, its distinctive tapered cylindrical body narrowing toward the top before expanding into its iconic multi-tiered head, which houses an observation deck and a glowing ring of lights. the tower's sleek, modern design contrasts with the mix of high-rise buildings and older, traditional structures surrounding it. the city’s streets below are lined with cars, their headlights forming thin, glowing streaks as they navigate through the urban landscape. inside, the atmosphere is moody and contemplative, with the faint glow of streetlights and the subtle reflection of city lights on the window glass. the warm ember of my cigarette pulses slightly as i inhale, adding to the quiet solitude of the moment.

5 months ago

POV first-person, I am standing by the open window, smoking a cigarette professionally. Only my hand and the cigarette are visible in the frame. The cigarette is held naturally with index finger and middle finger. Thin wisps of smoke rise from the lit end, curling gently into the cool night air. The hand appears natural and realistic, with subtle skin texture and lighting effects. The hand is slightly extended away from the body, holding the cigarette at a relaxed angle, making it appear at a comfortable distance from the window. Outside, the cityscape of Tehran expands into the distance. The sky is a deep blue, gradually transitioning into night. Streetlights and apartment windows are glowing, creating a warm contrast against the cool tones of dusk. The open window lets in the distant sounds of the city, blending softly with the ambient hum of traffic. In the background, Milad Tower stands tall but slightly blurred, positioned far away in the city skyline. Its observation deck emits a faint glow, subtly piercing through the atmospheric haze. The depth of field ensures that the focus remains on the cigarette and hand, while the cityscape—including Milad Tower—adds depth and realism without being overly sharp. The camera perspective gives a sense of slight distance from the hand, making it appear naturally positioned in the foreground, while the slight separation from the window allows the focus to remain on the cigarette. Highly realistic, natural and relaxed cigarette grip, detailed skin texture, soft lighting, and accurate depth of field.