A sample prompt of what you can find in this page
Prompt by SoraNaais

additional legs prompts

very few results

6 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

6 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

6 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

5 months ago

A modern, 2020s-era photorealistic photograph of a grand stage illusion performance. The magician, wearing an elaborately embroidered, jewel-toned ornate robe and a detailed, sparkling turban, performs a stunning levitation act. He holds a young Black woman floating horizontally in midair, supported only by two polished chrome poles connected to a lacquered wooden base with bold lettering "GOGIA PASHA." The woman has natural, textured, voluminous long hair styled elegantly in a 2020s fashion, and she wears a flowing, luxurious silk satin cheongsam with a high slit in the middle showing her beautiful legs with intricate modern designs. Her expression is calm and powerful as she leans backward in graceful suspension. Surrounding the act are stylish men dressed in sharp, contemporary tailored suits — fitted blazers, open-collar shirts, some wearing well-groomed beards or fades — watching intently. The background is a rich, heavy velvet stage curtain in dark jewel tones like sapphire blue or deep burgundy, with subtle folds and texture. The lighting is dramatic yet cinematic: a soft but focused key spotlight on the magician and the levitating woman, with natural warm stage tones, deep soft shadows, and crisp edge lighting around their silhouettes. Textures are highly detailed: the embroidered fabric sparkles subtly, the silk robe shimmers with realistic folds, the velvet curtains have visible plushness, and the wooden stage floor reflects faintly under the lights. Camera and Lens Settings: Shot with a Canon EOS R5 mirrorless camera 50mm prime lens, aperture f/1.8 for shallow depth of field ISO 400 for clean image with natural grain Shutter speed 1/250s to freeze motion Natural cinematic color grading with rich contrast and slight filmic softness Hyper-realistic focus on subject; slight bokeh on background observers. Additional details for realism: Authentic skin texture: natural pores, subtle makeup glow. Realistic hair texture and natural light highlights. Real-world imperfections like minor wrinkles in clothing, slight stage dust, small hand movements. Lens flare subtly visible from stage lights. Full stage atmosphere: polished wood grain on floor, tiny metallic glints on chrome poles, realistic shadow behavior.

5 months ago

A modern, 2020s-era photorealistic photograph of a grand stage illusion performance. The magician, wearing an elaborately embroidered, jewel-toned ornate robe and a detailed, sparkling turban, performs a stunning levitation act. He holds a young Black woman floating horizontally in midair, supported only by two polished chrome poles connected to a lacquered wooden base with bold lettering "Magic." The woman has natural, , voluminous long black hair styled elegantly in a 2020s fashion, and she wears a flowing, luxurious e satin cheongsam with a high slit in the middle showing her beautiful legs with intricate modern designs. Her expression is calm and powerful as she leans backward in graceful suspension. Surrounding the act are stylish women dressed in sharp, contemporary satin dresses , fades — watching intently. The background is a glossy , satin velvet stage curtain in dark jewel tones like sapphire blue or deep burgundy, with subtle folds and texture. The lighting is dramatic yet cinematic: a soft but focused key spotlight on the magician and the levitating woman, with natural warm stage tones, deep soft shadows, and crisp edge lighting around their silhouettes. Textures are highly detailed: the embroidered fabric sparkles subtly, the silk robe shimmers with realistic folds, the velvet curtains have visible plushness, and the wooden stage floor reflects faintly under the lights. Camera and Lens Settings: Shot with a Canon EOS R5 mirrorless camera 50mm prime lens, aperture f/1.8 for shallow depth of field ISO 400 for clean image with natural grain Shutter speed 1/250s to freeze motion Natural cinematic color grading with rich contrast and slight filmic softness Hyper-realistic focus on subject; slight bokeh on background observers. Additional details for realism: Authentic skin texture: natural pores, subtle makeup glow. Realistic hair texture and natural light highlights. Real-world imperfections like minor wrinkles in clothing, slight stage dust, small hand movements. Lens flare subtly visible from stage lights. Full stage atmosphere: polished wood grain on floor, tiny metallic glints on chrome poles, realistic shado