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Prompt by cecil

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hundreds of results

6 months ago

A highly realistic, photorealistic image of a dense forest at dusk, illuminated by the soft glow of twilight. A wise sage with long white hair tied in a traditional topknot sits cross-legged on a rocky ground, dressed in a flowing orange robe with intricate folds. His back is to the viewer, and his hands are pressed together in a prayer gesture (Anjali Mudra) at chest level, head slightly lowered in deep meditation. In front of him, a large, blazing bonfire with vivid orange and yellow flames casts a warm, flickering glow on his back and the surroundings, creating a mystical atmosphere. Above the bonfire, a radiant, ethereal figure of Lord Shiva emerges, glowing with golden light, his form partially translucent and surrounded by a fiery aura with subtle lightning sparks. His face is obscured by the intense golden light, exuding mystery and divine power. Lord Shiva holds a majestic, three-pronged golden trident (Trishul) with intricate engravings in his right hand, each prong emitting electric-like bolts that crackle with energy. His left hand is raised in a blessing gesture. His form is adorned with flowing garments that blend into the fiery aura, with hints of a tiger skin dhoti visible at his waist, ensuring his lower body is covered, and sacred ash markings subtly visible on his upper body. The forest is filled with tall, ancient trees with detailed bark textures, and weathered stone structures are positioned on either side of the fire, adding to the sacred, ancient atmosphere. Soft mist hugs the ground, enhancing the mystical ambiance. The scene features cinematic lens flare effects and soft bokeh circles, with dramatic lighting that contrasts the golden light from the fire and Lord Shiva with the darker forest tones. The image is ultra-detailed, with 8K resolution, rich colors, and sharp focus on both the sage and Lord Shiva, ensuring a natural and culturally authentic depiction of this divine encounter.

8 months ago

Create an ultra-realistic UHD 4K image of Lord Shiva in an intense and dramatic scene, where he is seated on the edge of a turbulent, mystical sea. His muscular, blue-hued body radiates divine energy, and his expression is filled with pain and determination. Shiva is drinking the poisonous water from the ocean with his palms held out, his hands cupped as he gathers the dark, toxic liquid. His throat is strained as he consumes the poison, symbolizing his self-sacrifice to save the universe. The poison itself is a deep, dark blue hue, almost black, swirling around him with an ethereal, sinister glow. The water around him churns with violent waves, filled with serpents, their bodies writhing and coiling around him, adding an element of danger and mystery. The snakes’ scales glisten with a dark sheen, their eyes glowing ominously as they accompany Shiva’s sacrifice. Behind Shiva, a massive mountain looms—its jagged, craggy peaks piercing the sky. From the top of the mountain, blue-dark poison is flowing down like a volcano erupting, spewing streams of poisonous liquid that pour down into the sea below. The poison flows with terrifying force, and the sky above is filled with dark clouds, adding to the scene’s ominous and cosmic tone. The volcano-like eruption of poison seems to mirror Shiva’s internal struggle as he drinks it to protect the world. Next to Shiva, his massive trident, the Trishula, is planted firmly into the ground. The trident’s three prongs are sharp and detailed, each gleaming with divine power. It stands as a symbol of his strength and the balance of creation, preservation, and destruction. The trident’s power seems to pulse with the dark energy surrounding Shiva. Shiva’s face is a mix of agony and resolve, his third eye slightly open, reflecting the cosmic energy and his pain. His matted hair flows wildly in the poisonous wind, and his body language conveys both the immense strength required to hold the poison and the suffering he endures to protect the world. His skin has a slightly glowing blue hue, even in the midst of the darkness, symbolizing his divine essence in contrast to the poison he absorbs. The entire scene is bathed in a dark, eerie light that highlights the chaos of the surroundings, with the poison flowing through the landscape. Snow and ice might be visible on the mountain’s lower slopes, contrasting with the fiery eruption of dark poison flowing down from above. The air is thick with tension and divinity, and the atmosphere is heavy with a sense of sacrifice. Textures should be detailed: the poison’s smooth yet dangerous texture, the gleam of the snakes' scales, the intricate designs on Shiva’s body and Trishula, and the raw emotion in his facial expression. The background, with the volcano-like eruption and swirling dark waters, should be equally intricate, filled with chaotic, yet beautiful, contrast.

4 months ago

The main subject is an African American woman with long, voluminous, wavy red-orange hair. Her skin appears smooth with a dark brown complexion. She has large, dark eyes with long eyelashes, a small nose, and full lips painted with a bright red lipstick. Her expression is confident and engaging. Her face is somewhat heart shaped. She is slender with a noticeable curve at the waist and hips. She is standing upright, holding a purse in her right hand, and her left hand placed on her left hip. She is wearing a fitted, short-sleeved purple dress that ends above the knee. Around her neck is a light green silk scarf secured with three decorative gold pins featuring peace symbols. She is carrying a small, quilted, light beige purse with a gold chain strap. Gold bracelets are visible on her left wrist. In the background, a man in a dark suit is walking away from the camera to the right. He appears to have short, light hair and a medium body build, walking with a casual but alert posture. The background depicts a winding cobblestone street between two buildings of a historic German village, casting a warm, golden light across its surface as the sun begins to set behind the buildings. Trees cast dark shadows against the light of the sky that frames the half-timbered houses. The buildings themselves are a showcase of medieval architecture, featuring dark wood beams and whitewashed or yellow walls, with potted plants and greenery adorning the front of one building. The cobblestone street is uneven and worn, adding to the rustic charm of the scene.

5 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

5 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

5 months ago

Using the attached image, regenerate an image in the same style as this one. But with the following description: You need to draw a mille-fleurs tapestry of The Lady and the Unicorn, woven after 1515 but destroyed in Boussac in 1845. George Sand gives a rather brief description. "The lady is seated on a very rich throne. She wears a sort of royal turban on her forehead. There is something Asian in the ornaments of her finery and the canopy above her." So we will have a lion on the left and a unicorn on the right. Be as precise as possible and use the setting and colors of the attached piece. You need two different trees: an oak and an orange tree. The wooden throne must be wide, with a backrest that stops at the lady's shoulders. The figurines of a small lion and a small unicorn are carved on the top of the throne's uprights. The drooping tips of the canopy should not be visible, hidden by the lion and the unicorn. The lady's head is turned towards the unicorn; her turban should not be too large. The lion should be the same size as the unicorn. He should be on the left, with all four paws on the ground, standing upright and proud. He has a plumed tail. He is looking to his left (not looking at us). He is sitting on his haunches. He is holding the pole of the oriflamme-style flag, with a red background and a blue diagonal band rising to the left, bearing three rising white crescent moons, as in the attached image. The trunk of the tree on the left should not be behind his head. The unicorn is white. He is proudly raising his head. His four paws are on the ground. He is sitting on his haunches. He is looking at the lady. Thank you.

5 months ago

A luminous portrait of a stunning young Southern belle, captured in soft, natural light with painterly precision. She is shown from the waist up in a graceful three-quarter pose, her body turned slightly but her gaze confidently meeting the viewer. Her expression is poised, serene, and intelligent, with a subtle, knowing smile that hints at charm and inner strength. Her skin is fair with a warm, peach-blush undertone, painted with soft but visible brush strokes that convey texture and life. A delicate sheen highlights her cheekbones, collarbone, and the tip of her nose, suggesting the warmth of a Southern afternoon. Her hair is styled in soft, waved curls typical of the early 1920s — pinned loosely to one side beneath a wide-brimmed straw hat trimmed with silk ribbon and garden roses. Her chestnut or golden locks catch the light with layered, expressive strokes, the texture evident and painterly. She wears a delicate lace-trimmed summer dress, off-white or ivory, with puffed sleeves and a high waistline. The fabric flows lightly around her shoulders and chest, painted with soft, tactile folds, the transparency of the lace catching the ambient light with gentle intricacy. The background is a picturesque Southern garden or veranda, rendered loosely to emphasize atmosphere over detail: faint silhouettes of magnolia trees, creeping wisteria, and a blush-toned sky hinting at the late afternoon. The background colors—muted sage green, pale rose, and amber—are chosen to complement her complexion and attire, providing a nostalgic, romantic glow without stealing focus. Light falls around her in a haloed, cinematic softness, as if the air itself is warm with memory. Painted in a style that blends John Singer Sargent’s fluid realism, Cecilia Beaux’s emotional subtlety, and Impressionist Southern romanticism, the portrait celebrates early 20th-century elegance through expressive, high-detail brushwork. Every element—the texture of lace, the sheen of skin, the tousled edge of a curl—feels alive and timeless, evoking the golden age of Southern grace and personal mystique.