A sample prompt of what you can find in this page
Prompt by StormAeration

and her hands are positioned behind her back prompts

very few results

3 months ago

cinematic photograph, medium-format film aesthetic (1.6), high-end film photography (1.8), low-key photography (2.0), raw and unfiltered (1.9), visible grain (1.7), natural imperfections, detailed skin texture, subtle blemishes, realistic skin pores with a natural matte finish (2.0), dramatic highlights and shadows (2.0), fine art photography (1.8), inspired by Helmut Newton (1.9), petite French woman, 151 cm tall (1.9), slender hourglass figure (1.8), long dark messy hair flowing naturally to the small of her back (1.8), seated gracefully on a full-scale dark brown leather Chesterfield sofa, its iconic tufted leather design accentuated by the warm, golden light of a directional antique floor lamp (1.9), minimalist wall behind the sofa with neutral desaturated tones, avoiding yellow hues (1.7), large abstract art mounted above the sofa, subtle and proportional (1.7), illuminated by a single directional light source, the antique floor lamp positioned to the right of the subject (2.0), soft warm golden light casting volumetric beams through the textured air (1.9), dramatic sculptural shadows falling across her figure, the leather sofa, and the rustic hardwood floor (2.0), moody and intimate ambiance with shadowy corners fading into darkness (2.0), black sheer stockings, semi-transparent, clinging lightly to her thighs and calves, accentuating her figure (1.8), natural pubic hair explicitly visible, full and thick, 1980s-style, fully covering her genital area (2.0), pubic hair blending naturally with the lighting, realistic texture and density (2.0), confident yet relaxed seated posture with back straight and hands lightly resting on the sofa’s edge (1.8), cinematic sculptural light interplay between her skin, the sofa leather, and the hardwood floor textures (2.0), timeless fine art aesthetic (2.0), cinematic elegance with warm directional lighting (2.0), moody and intimate atmosphere (2.0).

ElectricL
3 140

1 month ago

The image shows a woman with long, dark hair elegantly posed on a light-colored sofa in a minimalist room. The scene is illuminated by strong, direct sunlight coming from the right, which creates prominent shadows across the floor and furniture. Center: The woman is the central subject, positioned on the right-hand side of the sofa as viewed by the observer. Her body is angled toward the left, while her head is turned to face the camera directly. Foreground: In the bottom-left corner, there is a portion of a brown, textured rug. The rest of the foreground consists of a light-colored floor with long, dark shadows cast diagonally from right to left. Background: Behind the woman and the sofa, there is a plain, light-colored wall. Set into the wall are two recessed rectangular shelves, one above the other. Each shelf holds a single, light-colored vase. To the far left, a double electrical socket is visible on the wall. The Woman: She is wearing a form-fitting, black, long-sleeved dress with a square neckline that ends around her knees. Her legs are crossed, and she is wearing black, pointed-toe high heels with thin ankle straps fastened by small gold buckles. She is accessorized with gold-colored hoop earrings. One arm is bent with her hand behind her head, and the other arm rests on the back of the sofa. Her hair is dark, long, and straight, and she is looking directly at the camera with a neutral expression. The Sofa: The sofa is a modern design, upholstered in a light beige or off-white textured fabric. It features clean lines, square arms, and is supported by slender, cylindrical chrome legs. The Room: The room has a minimalist aesthetic. The walls and floor appear to be a smooth, matte, off-white or very light beige color. The two vases in the wall niches are a similar light, neutral color with a matte finish. Lighting: The lighting is high-contrast, indicating a strong light source like the sun is entering from a window or opening on the right side of the scene. This creates sharp, well-defined shadows of the window frame on the floor and sofa.

PepinoP PRO
2 81

4 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

Alarato
0 22

4 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance. in the sign must say : "Nobody has made it out alive."

Alarato
0 23

8 months ago

Full shot of a woman and a man in a dimly lit, gothic interior. The woman, positioned slightly to the left of center, is dressed in a long, black, lace-detailed gown with a high neckline. Her hair is long, dark, and styled in waves that cascade down her back. She wears a crown or ornate headpiece, and her expression is intense and slightly dramatic. Her hands are up near her face, appearing to be touching her cheeks or head. The man, positioned slightly behind and to the right of the woman, is wearing a light beige or cream-colored, collared, long-sleeved shirt. His hair is short and dark. His expression is calm, almost serene, gazing slightly downward. He is holding the woman's hands. A woman, likely a cyborg, sits slumped on a dark, metallic floor in a futuristic, damaged, and dimly lit interior space. The woman is dressed in dark-colored, tight-fitting, armored, futuristic clothing. Her attire consists of a bodysuit with segmented armor plates, and long, almost boot-like coverings on her lower legs, with parts of her upper limbs ending in metallic, almost mechanical appendages. She has dark hair, and visible injuries or wounds on her face, possibly indicating an altercation or battle. Her posture suggests exhaustion or defeat. She holds what appears to be a futuristic weapon, or tool, in her hands. The woman's expression seems grim and resigned, conveying a sense of trauma. In the background, parts of a damaged futuristic structure are visible. A large area in the background shows a powerful explosion or fire, with bright orange-yellow flames and debris. This indicates a significant event or combat that has taken place in the space. The floor and walls exhibit the effects of impact, with various metal components and panels showing signs of damage and destruction. The lighting in the scene creates a dramatic contrast between the brightly lit explosion and the dim, shadowed areas surrounding the woman. The overall impression is one of a post-conflict or post-battle scene, with a defeated protagonist.

Tikiman3d
0 47