and large rear wing prompts

2 months ago

Ultra-realistic photo of a Muslim woman in a traditional Hanbok-style dress with Hanfu-inspired red and gold patterns, wearing a matching hijab. She poses gracefully beside the BMW M4 GT3 EVO race car in full VR-46 livery: bright yellow body with black accents, number 46, sponsor logos, and large rear wing. The pit crew are busy working in the background, and the grandstand is filled with cheering spectators. The woman rests one hand on the car with a relaxed posture, facing the camera with a subtle elegant smile, radiating grace and poise in the racing atmosphere.

20 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early sunrise. Golden hour morning. A large sun breaks the horizon, flooding the open landscape with brilliant, violent colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the earth. The Lamborghini Murciélago LP 670-4 SV. Apex predator. Its orange hide is not paint, but a warning. The colour of no games. Its scissor doors are closed. Sealed. This silence is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture in the dawn light. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And materializing from the morning haze, the legendary Black fighting bull known as Murciélago. The bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; he is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation. Two legends, separated by centuries, fused in a single moment of defiance. The new light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. "Tribute Murciélago" — JDHampton

20 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early sunrise. Golden hour morning. A large sun breaks the horizon, flooding the open landscape with brilliant, violent colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the earth. The Lamborghini Murciélago LP 670-4 SV. Apex predator. Its orange hide is not paint, but a warning. The colour of no games. Its scissor doors are closed. Sealed. This silence is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture in the dawn light. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And materializing from the morning haze, the legendary Black fighting bull known as Murciélago. The bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; he is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation. Two legends, separated by centuries, fused in a single moment of defiance. The new light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. "Tribute Murciélago" — JDHampton

20 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early Sunrise, golden hour morning, large sunrise, brilliant colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the open landscape. The Murciélago LP 670-4 SV. Apex predator. Its orange hide is not a paint, but a warning, the colour of a no games. Its scissor doors are not open; they are splayed. A predator's broken jaw frozen mid-snarl. This is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And rising behind this mechanical spectre is the legendary Black fighting bull known as Murciélago, the bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; it is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation = Murciélago. Two legends, separated by centuries, fused in a single moment of defiance. The last light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. — JDHampton

20 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early Sunrise, golden hour morning, large sunrise, brilliant colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the open landscape. The Murciélago LP 670-4 SV. Apex predator. Its orange hide is not a paint, but a warning, the colour of a no games. Its scissor doors are closed. This is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And rising behind this mechanical spectre is the legendary Black fighting bull known as Murciélago, the bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; it is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation = Murciélago. Two legends, separated by centuries, fused in a single moment of defiance. The last light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. Text: "Tribute Murciélago" — JDHampton

20 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early sunrise. Golden hour morning. A large sun breaks the horizon, flooding the open landscape with brilliant, violent colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the earth. The Lamborghini Murciélago LP 670-4 SV. Apex predator. Its orange hide is not paint, but a warning. The colour of no games. Its scissor doors are closed. Sealed. This silence is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture in the dawn light. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And materializing from the morning haze, the legendary Black fighting bull known as Murciélago. The bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; he is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation. Two legends, separated by centuries, fused in a single moment of defiance. The new light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. "Tribute Murciélago" — JDHampton

20 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early sunrise. Golden hour morning. A large sun breaks the horizon, flooding the open landscape with brilliant, violent colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the earth. The Lamborghini Murciélago LP 670-4 SV. Apex predator. Its orange hide is not paint, but a warning. The colour of no games. Its scissor doors are closed. Sealed. This silence is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture in the dawn light. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And materializing from the morning haze, the legendary Black fighting bull known as Murciélago. The bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; he is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation. Two legends, separated by centuries, fused in a single moment of defiance. The new light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. "Tribute Murciélago" — JDHampton

9 months ago

hyper-realism, full focus, perfect focus, A dark, gothic-style digital artwork featuring a sinister-looking figure leaning forward menacingly, with a human like skull appearance with rams horns head bowed eyes looking up, glowing red an orange, evil looking eyes and a wide menacing grin. The central figure is surrounded by intricate details, including large black angelic wings with fiery orange feather tips, fiery accents, and smoke effects. Below the main figure, there are various sized skulls and gothic motifs, with a scroll banner featuring the text "KiEfElS" and other smaller inscriptions of "made in uk". The overall tone of the image is intense and menacing, blending elements of fire, smoke and dark fantasy eminatiing from the rear, through the central figure and around the inscriptions. The background is dark with an orange fiery glowing radiating from the centre.