A sample prompt of what you can find in this page
Prompt by 3882c45967b

and oranges with visible paint texture prompts

very few results

6 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

8 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

8 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

7 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.

5 months ago

A semi-realistic digital painting of a young female child standing alone in the rain, full-body side profile, facing left. The female child has wet, long tousled black hair and wears a bright red raincoat with the hood down, along with red rain boots. The raincoat has visible fabric texture, lightly soaked from the rain. The setting is a dark, rainy night scene with a deep cool blue and gray color palette. Surrounding the female child on the wet pavement are exactly twenty-seven fiery heart-shaped lights, glowing in vivid orange and red, casting warm reflections onto the slick ground. Raindrops fall at a diagonal angle, illuminated by the ambient light from the glowing hearts. Tiny glowing particles and ember-like sparks float softly in the air, enhancing the magical, emotional atmosphere. The female child’s expression is quiet and thoughtful, evoking introspection and solitude. The scene is lit with cinematic lighting, balancing warm heart-shaped glow against cool ambient shadows, creating strong visual contrast. The wet ground reflects the fiery lights with shimmering clarity, and the falling rain has subtle backlighting, highlighting individual droplets. — style: cinematic concept art, semi-realistic digital painting, magical realism, emotional storytelling, painterly texture, photorealistic lighting, ultra-fine detail, whimsical atmosphere — composition: vertical frame, full-body side profile, eye-level perspective — environment: rainy night, dark and moody, wet reflective pavement, glowing fiery heart-shaped lights, floating embers, atmospheric depth — lighting: dramatic warm-cool contrast, glowing reflections, soft ambient rain illumination, gentle backlight on raindrops — color palette: deep blues and grays for the background, vibrant reds and oranges for the coat and heart lights — mood: introspective, peaceful, magical, slightly melancholic

5 months ago

[Image Type: High-resolution black and white photograph / Realistic grayscale digital portrait / Detailed oil painting] of Lord Kelvin (William Thomson). General Appearance: Age: Depicted in his older years, appearing as an elderly man (likely 70s-80s), with distinct signs of age. Expression: Calm, dignified, and sagacious. His gaze is direct and piercing, conveying deep intellect and wisdom. There's a subtle seriousness or introspection in his eyes. Facial Details: Face Shape: Long and somewhat narrow, with a prominent forehead and a distinct, long, and full beard contributing to the overall shape. His cheekbones are somewhat defined. Skin Tone: Fair complexion, rendered in a detailed range of grayscale tones (for photos) or with realistic aged skin texture (for paintings). Shows prominent wrinkles, especially around the eyes, forehead, and cheeks, reflecting his advanced age. Hair: Color: Predominantly white or silver-white, very thin on top, revealing a significant portion of his scalp. Style: Short and thinning on the sides, often appearing somewhat wispy or disheveled around the temples. Eyes: Color: Appears as dark to medium gray in grayscale, suggesting a darker eye color (e.g., blue or brown). His eyes are deep-set. Shape: Almond to slightly hooded, with a sharp, intelligent, and focused gaze that appears to look directly at the viewer or slightly past them. Eyebrows: Thin to medium density, often appearing light gray or white, and somewhat unruly or bushy, especially at the inner ends. Nose: Long, straight, and prominent, with a refined, slightly pointed tip. Mouth and Lips: Lips are mostly obscured by his beard. What little is visible suggests thin lips, usually closed in a neutral or slightly downturned expression. Chin: Completely covered by his prominent beard. Distinguishing Features: His most striking feature is a very long, full, and flowing white or silver-white beard, extending down past his chest in some depictions. The beard is thick and appears slightly unkempt or natural, not tightly trimmed. The hair on his head is distinctly sparse, contrasting with the fullness of his beard. Body and Clothing Details: Posture: Appears upright and distinguished, typically shown from the chest or waist up. In some paintings, he may be seen wearing academic robes. Clothing: Dressed in formal attire of his era (late 19th - early 20th century). Suit Jacket: A dark-colored (black or very dark grey) suit jacket, often made of a heavy fabric. Vest/Waistcoat: A dark vest (waistcoat) may be visible. Tie/Cravat: A dark tie or cravat, often with a subtle pattern or fold, worn beneath his prominent white collar. Shirt: A crisp white dress shirt with a high, stiff collar. Academic Robes (optional for paintings): In some artistic renderings, he might wear a dark academic gown with a distinctive orange or red academic sash/hood over his shoulders. Background and Lighting: Background: Simple, plain, and often dark or muted, typically a solid dark gray, black, or deep brown backdrop, or a subtly textured wall. The background should be non-distracting and softly blurred to keep the focus on him. Lighting: Soft, even lighting that sculpts his face and highlights the texture of his white hair and beard. The light often comes from the front or slightly to one side, creating subtle shadows that add depth to his aged features. Overall Mood/Atmosphere: Intellectual, venerable, wise, and iconic. The image should convey his profound scientific legacy and dignified presence.