


7 months ago
A **dark and twisted Wonderland** unfurls, transformed into a **haunting nightmare** where every corner pulses with malevolent energy. The once whimsical landscape is now warped, twisted, and drenched in an unsettling, nightmarish atmosphere. The ground beneath your feet is cracked, like the skin of some ancient beast, with dark roots curling through the earth like sinister veins, pulsating with an eerie life force. The air is thick with a palpable tension, a heavy weight that presses against your chest. Above, the sky churns in a swirling maelstrom of deep **purple** and **blood-red** hues, the colors constantly shifting, as though the heavens themselves are in torment. These ominous clouds swirl with an unnatural force, casting shifting shadows and strange, ghostly lights that dance across the land below. The air crackles with the whispers of long-forgotten creatures, their voices an unsettling mix of laughter and cries of anguish. The trees, once delicate and enchanting, now writhe in grotesque forms, their gnarled branches twisted into horrific shapes, reaching like skeletal fingers towards the sky. Their leaves are dark, almost black, with sharp edges, resembling jagged claws. Strange, glowing eyes peer out from the darkness between the trees, watching, waiting. The familiar figures of Wonderland are no longer innocent and playful. The **Mad Hatter's** hat is tattered, his grin more menacing than ever, his eyes glowing with madness. The **White Rabbit** scurries past with a twisted, skeletal form, its fur matted and stained, leaving a trail of blood behind it as it vanishes into the shadows. The **Cheshire Cat** grins wider, its smile stretching unnaturally across its face, revealing sharp, jagged teeth, its body flickering in and out of existence like a ghost in the fog. A crooked, decaying mansion looms in the distance, its windows shattered, leaking an eerie greenish light that pulses with each beat of the land's dark heart. The walls of the mansion seem to breathe, expanding and contracting, as if it is alive with some ancient malevolent force. The sound of dripping water echoes through the air, but it’s not water—it's blood, flowing in a slow, rhythmic stream that stains the cracked ground red. In the distance, the sound of distant bells tolls—deep, mournful chimes that reverberate through the land, signifying the passage of time in this nightmarish realm. The landscape seems to pulse and shift, an ever-changing labyrinth of fear, madness, and decay, drawing you deeper into its twisted heart. The entire scene is bathed in an unnatural light, as if the moon itself has been swallowed by the madness of Wonderland, leaving only an unsettling, shifting glow that amplifies the nightmarish nature of this once-innocent world. This is no longer Wonderland. It is a place of horror, a **haunting nightmare** under the oppressive weight of a **swirling purple and blood-red sky**, where the laws of reality have been bent and broken, and only darkness and fear reign.; 8k, intricate detail, photorealistic, realistic light, wide angle

8 months ago
"A dramatic and moody scene set in an abandoned urban area at night. A lone figure sits on a broken concrete bench, wearing a dark hoodie and jeans, exuding a sense of introspection and mystery. The figure is silhouetted against a backdrop of graffiti-covered walls and shattered windows, with overgrown plants creeping through the cracks. Smoke drifts upwards from a cigarette in the figure's hand, illuminated by contrasting red and blue lights that create an intense and cinematic atmosphere. The ground is littered with debris, adding to the gritty urban aesthetic. The scene conveys a mix of solitude, defiance, and raw emotion."

5 months ago
[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

8 months ago
"A terrifying hybrid creature, seamlessly merging the features of a white eagle and a wolf, stands menacingly in the middle of a dark London street at night. Its body is covered in a mix of thick fur and sleek feathers, its razor-sharp talons gripping the wet pavement. The beast's monstrous head combines a wolf’s snarling muzzle with an eagle’s hooked beak, its glowing eyes burning with untamed fury. Tattered wings extend from its back, dripping with mist as a storm brews overhead. The apocalyptic cityscape around it is crumbling—abandoned cars, shattered windows, and fire flickering in the distance. The air is thick with smoke, and the creature’s guttural growl echoes eerily, a warning to anything that dares to cross its path."

5 months ago
A hyper-realistic, dark abandoned house deep in a dense forest, covered in damp moss and vines, partially hidden by thick trees and fog. The setting is unsettling, with faint signs of past human presence—an old swing moving slightly, a broken lantern, and claw marks on the wooden walls. The house looks decayed, with shattered windows, a collapsed roof corner, and a door hanging half open. The image is viewed through a camcorder lens: subtle VHS scanlines, static distortion, and a greenish tint, but no timestamp. The atmosphere is oppressive, wet, and silent—suggesting something just happened, or is about to. Eerie, psychological horror tone.

5 months ago
[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

2 months ago
Abandoned sinister European train station inspired by 'Sweeney Todd: The Demon Barber of Fleet Street', 1960s setting, dark fog-covered platform with cracked stone tiles, rusted rails disappearing into mist, vintage iron lampposts flickering weak yellow light, broken wooden benches, old clock tower stuck at midnight, weathered brick walls with soot stains, abandoned train carriages with shattered windows, eerie silence with faint echoes, puddles reflecting the full moon above, mysterious shadowy figures barely visible in the distance, ultra-detailed textures, no modern elements, cinematic horror lighting, DSLR depth of field, National Geographic style, highly realistic, --ar 16:9 --v 6"

6 months ago
An award-winning oil painting masterpiece of gothic horror, drenched in dread and decay, depicting a deeply disturbing, broken antique doll abandoned in the rotting attic of a long-forgotten house. The doll sits slumped against a crumbling wooden beam, its body shattered in places—one arm missing, porcelain skull cracked wide open to reveal the hollow black within. Jagged fractures run down its face like veins, and from its single remaining eye, a glassy stare glints with unnatural awareness. Its dress, once delicate lace, hangs in tatters—stained with water damage, soot, and something darker. Mold creeps across the fabric in blotches of sickly green and grey. Strands of coarse hair cling to its scalp, damp and matted. A faint trail of something red and dry streaks down its chin, and its grin—half-formed, half-split—is too wide, too human. The room around it is soaked in dampness and decay. The wallpaper peels in curled sheets, revealing blackened, mold-covered boards beneath. The ceiling sags with rot, and rainwater drips slowly from a rusted pipe in the corner, pooling into a warped floorboard that has split open like a wound. The light is minimal—just a faint, sickly greenish glow leaking through a broken window veiled with grime, casting long shadows that twist unnaturally. The palette is dank and heavy—deep, desaturated hues of mildew green, rotting wood brown, ashen grey, and blood-maroon. The brushwork is thick, expressive, and moody, every stroke enhancing the feeling of moist air, silence, and a presence just beyond the frame. The overall effect is suffocating and magnetic—a visual whisper from the darker corners of memory and imagination. A chilling, unforgettable oil masterpiece—where the doll doesn’t just sit, but lingers

23 days ago
A cinematic, full-body shot of a lone survivor using image 1 with exact facial feature from the back, turning his head to look over his right shoulder at the camera. He is a man with a trucker cap, with a black rip-up t-shirt, carrying a worn, olive-drab backpack. his right pointer finger is ready on the trigger while its barrel pointing at the ground. His rip-up cargo pants are tucked into brown leather combat boots. He stands in a post-apocalyptic urban streetscape filled with rubble and the skeletal remains of destroyed cars. In the background, a large, derelict building with shattered windows and a faded red sign reading "A.i" looms under a dusty, golden-hour sky, with minimal zombies lurking. The atmosphere is tense and gritty, filled with floating debris and a sense of silent desolation. The shot is captured on a high-end film camera. Note: Use facial description from the uploaded photo without the bag

5 months ago
[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago
A chilling scene in Kraków, Poland, with zombies in the style of The Walking Dead swarming through the historic Rynek Główny square. The Cloth Hall and St. Mary’s Basilica are heavily damaged, with shattered windows and blackened walls from fires. The zombies are relentless, their decayed forms contrasting with the eerie emptiness of the square. The ground is strewn with abandoned belongings, and a cold, gray light bathes the scene. Gritty, hyper-realistic rendering.

5 months ago
[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of " skynet " on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

2 months ago
<lora:2941998:1.0> ohwx man A rugged built man slick back black hair and a short trimmed black beard, golden rims black sunglasses [EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He's wearing a dark grey, scuffed, athletic sneaker. He's also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He's wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor's intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime. num_images=4 negative_prompt= seed=344362715 steps= cfg_scale= controlnet= input_image_url= mask_image_url= denoising_strength= controlnet_conditioning_scale= controlnet_txt2img=false super_resolution=true inpaint_faces=true face_correct=false film_grain=false face_swap=false hires_fix=false backend_version=0 ar=1:1 scheduler=euler_a color_grading= use_lpw=false w=896 h=1152 style=Cinematic tune_id=1504944

5 months ago
[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

2 months ago
"Old wooden bench in front of a sinister abandoned European train station, inspired by 'Sweeney Todd: The Demon Barber of Fleet Street', 1960s setting, worn-out wood slats with cracked surfaces and moss in the crevices, rusted iron armrests and legs, placed near a fog-covered cobblestone platform, dim antique gas lamps casting flickering shadows, mist swirling around the base of the bench, background shows broken train tracks and a crumbling brick station with shattered windows, full moon glowing above, eerie and lonely atmosphere, ultra-detailed textures, cinematic horror lighting, National Geographic style, DSLR depth of field, highly realistic, no modern elements, --ar 16:9 --v 6"

5 months ago
[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago
[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago
Amid the crumbling ruins of a bombed-out city in World War II, a woman dances alone on a cracked stone floor. Her dress is torn and stained with soot, her skin and hair dusted with ash. Barefoot, she moves with raw, instinctive emotion—twirling, stumbling, leaping with desperation and grace. Around her lie the remains of walls, twisted iron, and shattered windows. The silence is overwhelming, broken only by the wind blowing dust and papers across the ground. Her dance is not polished, but powerful—a silent rebellion against destruction, an act of survival, of remembering life. The sky above is gray and heavy, with faint beams of light cutting through lingering smoke. The atmosphere is haunting, surreal, and deeply human. The lighting is soft, natural, with strong contrast between light and shadow. The camera starts wide, showing the vast emptiness, then slowly pushes in, handheld and slightly shaky, drawing the viewer into her world—into every trembling breath and every movement that says, "I’m still here."

5 months ago
[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

2 months ago
Abandoned sinister European train station inspired by 'Sweeney Todd: The Demon Barber of Fleet Street', 1960s setting, dark fog-covered platform with cracked stone tiles, rusted rails disappearing into mist, vintage iron lampposts flickering weak yellow light, broken wooden benches, old clock tower stuck at midnight, weathered brick walls with soot stains, abandoned train carriages with shattered windows, eerie silence with faint echoes, puddles reflecting the full moon above, mysterious shadowy figures barely visible in the distance, ultra-detailed textures, no modern elements, cinematic horror lighting, DSLR depth of field, National Geographic style, highly realistic, --ar 16:9 --v 6"

5 months ago
[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago
[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago
[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.