and writer prompts

8 months ago

A beautiful exciting of an Angel, depicted in three-quarter profile, she looks straight ahead out of the picture and she looks into the camera at a zero degree angle. delicately crafted in a schematic, model-sheet like, anatomical-mechanical, artistically intricate style matte background pencil sketch Raffael da Urbino smooth vector procreate illustrator lines HQ, 8K, 2½D perfect composition, anatomically correct, elaborate, enchanting, dreamy Art de la Renaissance, Léonard de Vinci, Michel-Ange, Botticelli, Raphaël Lithograph artwork Renaissance artist scientist, engineer, anatomist, sculptor, writer black-and-white liquid Ink Rollerball Pens line drawing Lorenzo di Credi Three-quarter profile "La Gioconda"-like eyes

9 months ago

A Renaissance drawing by the artist Leonardo da Vinci, carefully made in the laboratory studio on parchment paper. A beautiful exciting person, depicted in three-quarter profile, she looks straight ahead out of the picture and she looks into the camera at a zero degree angle. delicately crafted in a schematic, model-sheet like, anatomical-mechanical, artistically intricate style matte background pencil sketch Raffael da Urbino smooth vector procreate illustrator lines HQ, 8K, 2½D perfect composition, anatomically correct, elaborate, enchanting, dreamy Art de la Renaissance, Léonard de Vinci, Michel-Ange, Botticelli, Raphaël Lithograph artwork Renaissance artist scientist, engineer, anatomist, sculptor, writer black-and-white liquid Ink Rollerball Pens line drawing Lorenzo di Credi Three-quarter profile "La Gioconda"-like eyes

7 months ago

A hyper-realistic portrait of a Vietnamese-American writer inspired by Diane Nguyen; black bob haircut with blue highlights; thoughtful expression with glasses; wearing green jacket with striped shirt; seated at coffee shop with laptop and notebook; city street visible through window; soft evening lighting; coffee cup and literature books nearby; UHD --ar 9:16 --v 6.1

5 months ago

surrealist, deconstucivist Fashion full body photo of a 24 year old Irish-Swedish female bohemian writer with Fatalistic acceptance expression. Her body is Defined, strong arms with tight, smooth skin, toned muscles, abs, small breast, flat chest. She has Fair, sensitive skin with slight redness on the cheeks, easily irritated. The skin pores and texture are clearly visible and in focus. Her Eyes with pointed outer edges, Enigmatic, dark emerald eyes, framed by long, elegant eyelashes. Her eyebrows are Rounded and fluffy shaped, complementing her delicate facial features. Cropped, boxy shirts with uneven hemlines, midriff, Convertible pants with detachable sections, Standing with one hand on a hip and one hand on a phone , rule of thirds, in the background Tilted concrete beams in an outdoor installation, in the style of Sarah Bahbah

7 months ago

An award-winning, psychologically charged double exposure oil painting that encapsulates the chilling tension and horror of Misery. The central figure is an injured writer, Paul Sheldon, trapped in a secluded home, his face a portrait of pain, fear, and growing desperation. His image blends with the twisted and claustrophobic environment of Annie Wilkes’ home, where his reality begins to unravel. The double exposure effect seamlessly merges Paul’s form with the oppressive, isolated surroundings—his body dissolving into the stark, unsettling details of the home: the dimly lit rooms, the ominous tools she uses to imprison and torture him, and the distorted shadows of Annie Wilkes lurking in the background. Annie’s eerie presence flickers through the composition, her wild eyes and terrifying grin subtly woven into the very structure of the house, merging with Paul’s image as the lines between captor and captive blur. The palette is dominated by muted, earthy tones of dark wood, grayish-blue light, and blood-red accents, emphasizing the isolation, tension, and violence that permeates the scene. The oil paint’s textured brushstrokes convey both the suffocating atmosphere of the home and the brutal physical and psychological torment that Paul endures. The image of the typewriter and the tools of his captivity are subtly integrated into his form, representing his helplessness and the looming threat of Annie’s unhinged obsession. This double exposure masterpiece evokes themes of fear, captivity, obsession, and survival, capturing the emotional horror and claustrophobic terror of Misery in a haunting, visually stunning manner.

4 months ago

foreground: profile view of a writer at work in his study. A middle-age African-American man with some grey in his hair wearing horn rimmed glasses types on a laptop. Hundreds of alphabet letters flow out the keyboard into the air, background: floating pages of manuscripts. Detailed, 8k

6 months ago

An award-winning double exposure oil painting inspired by Richard Laymon’s The Stake, where horror, obsession, and ancient evil converge. The central figure is a writer or vampire hunter, crouched over a half-dug grave in a desolate, moonlit clearing. His eyes are locked on a weathered wooden stake in his hand—part weapon, part relic. Within his silhouette, the double exposure reveals a rotting coffin buried in the earth, its lid cracked, revealing a corpse twisted in death or undeath—fangs bared, eyes open. Around it swirl memories and hallucinations: bloodstained pages, flashes of a seductive vampire woman, and glimpses of past violence beneath the soil. Branches and roots weave through the imagery like veins, binding life, death, and lore together. The palette is rich with deep browns, crimson reds, and haunted moonlight grays, with earthy textures and streaks of decay. Oil brushstrokes crawl across the canvas like creeping ivy, alternating between smooth illusions and gnarled, dry textures of old wood and disturbed earth. Themes of repressed horror, myth colliding with reality, and the cost of curiosity permeate the painting. The double exposure captures both a literal and metaphorical unearthing—where digging for the truth awakens something better left buried.