apocalyptic city in background prompts

7 months ago

A medium close-up of a mysterious dark gunslinger playing a violin in the ruins of a destroyed city under heavy rain. His face is hidden in shadow beneath a wide-brimmed hat. He wears a long, dark trench coat with no glowing effects. The atmosphere is moody and cinematic, with rain falling and broken buildings in the background. The ground is wet and reflective. The character's long hair flows slightly in the wind, and the scene has a gritty, post-apocalyptic fantasy western feel. No magical or glowing effects present, purely realistic and dramatic. --ar 2:3 --stylize 750 --v 7

4 months ago

painting style, urbanpunk, low angle shot, a cybernetic samurai Optimus Prime in a post-apocalyptic setting, attacking me, body dynamic epic action pose, bladerunner city street ruined background with relfections in puddles, highly detailed, hyper-realistic masterpiece, dramatic cinematic lighting, tons of flying debris around him, epic and dynamic composition, intricate details, modifier=CarnageStyle, color=blood_red, intensity=1.6

4 months ago

painting style, urbanpunk, low angle shot, a cybernetic samurai Optimus Prime in a post-apocalyptic setting, attacking me, body dynamic epic action pose, bladerunner city street ruined background with relfections in puddles, highly detailed, hyper-realistic masterpiece, dramatic cinematic lighting, tons of flying debris around him, epic and dynamic composition, intricate details, modifier=CarnageStyle, color=blood_red, intensity=1.6. The setting appears to be a dark and eerie, due to the low-light conditions and greenish-blue tint pervading the scene,

5 months ago

A city is razed to the ground. The buildings are decimated to rubble. The only thing left are black roses growing through the blacktop of a roadway street. The roses are growing up through the street pavement. A Burned down car can be seen in the background. The air is filled with smoke and ash. The environment is post apocalyptic.

8 months ago

In an apocalyptic and devastated urban setting, a medium shot of a humanoid robot standing in front of a partially destroyed wall, revealing a ruined city in the background, serving as a backdrop for this striking scene. The robot wears a sleek, futuristic khaki full-face helmet that completely conceals its face; its eyes are also invisible. It wears a torn khaki military uniform, worn over its shoulders, expressing both the resilience and weariness typical of a post-apocalyp

8 months ago

In an apocalyptic and devastated urban setting, a medium shot of a humanoid robot standing in front of a partially destroyed wall, revealing a ruined city in the background, serving as a backdrop for this striking scene. The robot wears a sleek, futuristic khaki full-face helmet that completely conceals its face; its eyes are also invisible. It wears a torn khaki military uniform, worn over its shoulders, expressing both the resilience and weariness typical of a post-apocalyp

8 months ago

In an apocalyptic and devastated urban setting, a medium shot of a humanoid robot standing in front of a partially destroyed wall, revealing a ruined city in the background, serving as a backdrop for this striking scene. The robot wears a sleek, futuristic khaki full-face helmet that completely conceals its face; its eyes are also invisible. It wears a torn khaki military uniform, worn over its shoulders, expressing both the resilience and weariness typical of a post-apocalyp

6 months ago

A towering, nightmarish Cerberus-like monster rampages through the ruins of Vatican City in a dramatic dark fantasy painting. The three-headed beast is colossal, with burning red eyes and matted fur that bristles with hundreds of smaller, glowing eyes. Its mouths are wide open, dripping with black ichor, as it roars through crumbling cathedrals and shattered marble statues. The background shows the Vatican in apocalyptic ruin — Saint Peter's Basilica collapsed, the sky swirling with fire and ash. Faint holy symbols glow beneath the rubble, defiled and torn. The style mimics dark surrealist painters like Dan Seagrave, with richly detailed ink and paint textures, glowing highlights in red and ochre, and an overall vertical composition to emphasize the height and horror of the beast.

7 months ago

An apocalyptic scene featuring a battle-hardened fighter jet soaring through fiery chaos over a city under siege. A gigantic explosion erupts in the background, lighting the sky with vivid hues of orange, red, and yellow, accompanied by towering black smoke. The cityscape below features an empty highway leading toward the inferno, surrounded by devastated buildings and silhouetted powerlines. The fighter jet, glowing from the intense blaze, appears both ominous and awe-inspiring, flying dangerously close to the destruction. The scene emphasizes photorealistic textures, hyper-detailed environments, cinematic lighting, volumetric lighting, atmospheric fog, ray-traced reflections and shadows, and high-polygon modeling with material imperfections. The composition includes HDR color grading, deep contrast tones, luminescent highlights, and chromatic aberration, creating an immersive, hyper-realistic, and cinematic depth of field.

7 months ago

An apocalyptic scene featuring a battle-hardened fighter jet soaring through fiery chaos over a city under siege. A gigantic explosion erupts in the background, lighting the sky with vivid hues of orange, red, and yellow, accompanied by towering black smoke. The cityscape below features an empty highway leading toward the inferno, surrounded by devastated buildings and silhouetted powerlines. The fighter jet, glowing from the intense blaze, appears both ominous and awe-inspiring, flying dangerously close to the destruction. The scene emphasizes photorealistic textures, hyper-detailed environments, cinematic lighting, volumetric lighting, atmospheric fog, ray-traced reflections and shadows, and high-polygon modeling with material imperfections. The composition includes HDR color grading, deep contrast tones, luminescent highlights, and chromatic aberration, creating an immersive, hyper-realistic, and cinematic depth of field.

7 months ago

An apocalyptic scene featuring a battle-hardened fighter jet soaring through fiery chaos over a city under siege. A gigantic explosion erupts in the background, lighting the sky with vivid hues of orange, red, and yellow, accompanied by towering black smoke. The cityscape below features an empty highway leading toward the inferno, surrounded by devastated buildings and silhouetted powerlines. The fighter jet, glowing from the intense blaze, appears both ominous and awe-inspiring, flying dangerously close to the destruction. The scene emphasizes photorealistic textures, hyper-detailed environments, cinematic lighting, volumetric lighting, atmospheric fog, ray-traced reflections and shadows, and high-polygon modeling with material imperfections. The composition includes HDR color grading, deep contrast tones, luminescent highlights, and chromatic aberration, creating an immersive, hyper-realistic, and cinematic depth of field.

5 days ago

Album Cover for: “Trône sur les Ruines” Format: Wide shot, full body, cinematic environment, poster-quality Ultra-realistic cinematic concept art of a Moroccan man in his late 20s — light brown skin, clean-shaven, with a short buzz cut and medium taper fade — sitting proudly and powerfully on a massive brutalist throne. His body language is heavy and dominant: legs planted wide, elbows on knees, hands gripping the throne armrests. His eyes lock directly onto the viewer — serious, furious, proud. His expression carries the weight of survival and leadership born through chaos. He looks like a street king forged in war, not luxury. The throne is enormous, crafted from cracked concrete, twisted rebar, scorched books, shattered electronics, rusted weapons, and destroyed satellite parts — a symbolic fusion of revolution and ruin. It sits atop rubble and ash. Behind him, the destroyed skyline of a Moroccan city: burned buildings, collapsed domes, broken antennas, crumbling high-rises, graffiti-scarred walls. A torn Moroccan flag flutters in the distance, hanging from a bent metal pole. The man wears a modern warrior-royalty outfit: a long dark trench coat made from military fabric, lined with faded golden Moroccan embroidery (zellige patterns), a worn bulletproof vest underneath, armored combat pants with tactical straps, and black scratched leather boots. A tattered deep red cloak is thrown over one shoulder. On his chest, a bent metal star medal — not shiny, but earned. His crown is raw and symbolic: cracked gold fused with rusted iron, dented like it survived fire — resting slightly tilted on his head. The sky is cinematic: thick storm clouds rolling in, deep greys and purples, with one sharp beam of golden-orange light breaking through — hope after destruction. Ash and dust drift in the air, adding texture and motion. Typography: “Trône sur les Ruines” in cracked gold serif font, minimalist, sharp, placed bottom right or top left. Color palette: Ash grey, Moroccan red, coal black, bronze gold, burnt orange, storm blue. Mood: Powerful, apocalyptic, victorious. A portrait of survival and reclaimed legacy. Style: Cinematic, ultra-detailed, wide angle, poster-quality realism. Inspired by Yeezus, French war photojournalism, LiveLoveA$AP, and dystopian street rebellion aesthetics. — full body shot, wide angle, cinematic composition, Moroccan ruins in full view, background visible, throne fully visible, urban destruction, ash particles, crown visible, golden light from clouds, no blur, no fantasy, hyper-detailed, realistic lighting, gritty textures

3 months ago

Create an abstract painting where the cybernetic figure emerges from and decays into pure urban filth. The 3/4 pose should barely hold together, disintegrating into a maelstrom of caustic paint effects, chemical burns, and toxic waste. The pink hair should look like it's been dragged through hell - rendered as violent, contaminated streaks that appear to be actively decomposing, with areas where the paint bubbles and splits like festering wounds. Treat the canvas like an abandoned city wall - build up thick, crusty layers of media only to deliberately destroy them. The metallic bra and leather jacket should be buried under decades of grime, suggested only through traces of corroded metal and rotting leather visible beneath layers of industrial sludge. Add thick impasto areas that crack like dried mud, revealing diseased colors beneath. Create regions where multiple paint layers interact violently - separating, bleeding, and creating chemical reactions that eat through the surface. The cybernetic elements should look like they're actively decomposing - use techniques like acid etching, rust transfers, and actual material deterioration. Let paint thinner create unpredictable decay patterns. Include areas where metallic paint oxidizes into toxic blooms and where different media repel each other like oil and water, creating leprous textures. The background should feel like a toxic waste dump - incorporate actual dirt, rust, and urban debris into the paint. Use techniques that deliberately destroy the medium: oversaturate areas until the canvas rots, allow metallic elements to oxidize naturally, encourage paint to crack and flake. Add layers of grime using dry brushing with actual ash and dirt. Create effects that suggest chemical spills, acid rain damage, and industrial accidents through caustic color interactions and material decay. The color palette should feel diseased - contaminated pinks that turn gangrenous, metals oxidized to poisonous greens, blacks that break down into putrid browns. Every color should look like it's been soaked in toxic waste and left to rot. Build up texture with actual organic matter - coffee grounds, sand, rust - anything that adds real physical decay to the surface. The entire piece should look like it was created in a contaminated zone - intentionally damaged, corroded, and infected. The paint application should appear desperate and uncontrolled, as if the artist's tools were found in a junkyard. Let accidents and material failures become part of the piece - runs, drips, chemical reactions, and decomposition should all contribute to its apocalyptic aesthetic.