A sample prompt of what you can find in this page
Prompt by Grayve

atmospheric haze prompts

hundreds of results

3 months ago

A stunning, cinematic masterpiece in ultra-realistic 8K resolution, capturing a serene moment of a nude woman sitting gracefully in an oversized, transparent martini glass. Her side is facing the viewer, her pose elegant and relaxed. Her legs are folded naturally within the wide basin of the glass, her body leaning slightly with a gentle curve, while her arm rests casually on the rim. She glances softly over her shoulder toward the light, her expression thoughtful and serene. The martini glass is filled with clear water, creating subtle ripples and intricate reflections that dance across the glass. The stem of the glass extends elegantly from a smooth stone base, anchoring it firmly in the scene. The soft, golden light of dusk illuminates the setting, casting realistic, dynamic shadows that enhance the contours of the woman and the glass. The background opens up to a serene desert landscape, dotted with iconic cacti, desert brush, and faintly visible rocky formations in the distance. The sky is painted in hues of orange, pink, and soft purple as the sun dips below the horizon, casting a warm glow over the scene. A light, dusty haze hangs in the air, scattering the light and creating an ethereal atmosphere. In the foreground, small desert elements such as scattered stones, dry grass, and faint animal tracks add depth and realism, while the delicate sparkle of the sand reflects the low-angle sunlight. The interplay between the golden-hour light, the clear water, and the smooth surface of the glass creates intricate refractions and shadows, emphasizing the surreal beauty of the moment.

ElectricL
16 790

8 months ago

Wide-angle cinematic photograph, shot with a 24mm lens and infinite depth of field (2.0), ensuring sharp focus on every element (2.0). A beautiful young woman sits casually by the back wheel of a Ferrari F40 (1.8), leaning against the car with one knee bent (1.7). She wears high-waisted jeans and a fitted white tank top (1.8). Her face is vividly detailed with natural skin texture, subtle highlights, and lifelike imperfections (2.0). Her wavy hair flows slightly in the summer night breeze, catching faint highlights from the car’s lights and starlight (1.9). The Ferrari F40 is viewed from a three-quarter angle (2.0), showcasing its low-slung wedge shape, iconic pop-up headlights, aggressive air intakes, and slatted rear vents (2.0). The glossy deep Ferrari red paint reflects subtle glimmers from the night sky (2.0), with faint smudges and scratches adding realism to its polished surface (2.0). The headlights emit sharp, volumetric beams that cut through a thin, misty ground haze (2.0), while the warm red taillights cast soft glows, reflecting faintly off the slightly dewy asphalt (2.0). Tiny details, like condensation forming around the taillights (1.8) and star reflections in the car's paint (1.8), enhance the realism. The night sky is dark and dramatic, rendered in deep indigo and black, avoiding oversaturated tones (2.0). It is filled with countless vivid stars, each sharp and distinct, with the glowing Milky Way stretching prominently across the horizon (2.0). Subtle celestial gradients and faint nebulae add depth and atmosphere (1.9). The ground haze interacts dynamically with the car’s beams (1.8), creating cinematic depth without obscuring the details. The composition is rich with blink-and-you-miss-it details (1.9): fine strands of the woman’s hair catching the light, faint dust particles floating in the haze illuminated by the beams (1.8), and tiny scratches on the Ferrari’s polished surface (2.0). The balance of cool ambient tones from the sky and warm, dramatic lighting from the car creates a high-contrast aesthetic (2.0). Everything—from the woman’s face to the car and the vivid starry sky—is rendered with razor-sharp clarity (2.0), achieving a professional, high-end photographic quality.

ElectricL
15 270

8 months ago

A dark, decayed factory steeped in dampness and neglect. Rows of broken, lifeless androids hang from chains and diagnostic cables, their battered forms suspended like relics of a forgotten era. Each android faces forward, their heads slumped and limbs dangling limply, as if gravity alone holds them in place. The androids are diverse—some humanoid with slender frames and fragmented synthetic skin, others industrial with exposed hydraulics, rusted plating, and shattered components. Many are missing limbs, their wires and cables hanging loosely, sparking faintly in the oppressive gloom. Among the rows, two androids stand out—their hands intertwined in a final act of connection before their power cells died. One is humanoid, its delicate features cracked and weathered, its synthetic skin peeling to reveal intricate, rusting frameworks. The other is industrial, bulkier, with heavier plating and exposed joints, its arm barely holding on by a tangle of wires. Their clasped hands emit a faint glow, flickering like dying embers, the last remnant of their shared existence. The factory is drenched in atmosphere. Thick haze and mist cling to every surface, illuminated by the weak, flickering glow of malfunctioning CRT screens and sparking cables. Dim red light spills from a cracked overhead lamp, casting diffuse shadows across the room. A faint, rhythmic drip echoes through the cavernous space, the sound amplified by the oppressive silence. A flickering sign above the rows reads: “ANDROID MULTI-PURPOSE FOUNDRY.” The foundry walls are lined with rusted, obsolete machinery and control panels. Pools of stagnant water collect on the floor, reflecting the faint, scattered light in jagged, broken patterns. Dust and smoke swirl in the air, cutting through the faint godrays that streak through shattered skylights, further obscured by the thick haze. The shadows of dangling chains and lifeless androids create eerie silhouettes on the mist-covered walls. The atmosphere is suffocatingly gritty, a testament to the decay of innovation. The androids stand as silent witnesses to a bygone era, their shattered forms a chilling reflection of the hubris and failure of their creators. The two holding hands, surrounded by rows of decaying machines, remain a quiet, haunting symbol of connection amidst the ruin.

ElectricL
12 300

6 months ago

A futuristic museum hall filled with a soft, drifting haze of smoke. The entire space, including the walls and floor, is overwhelmingly white, almost disorienting in its purity. The ceiling is lined with long, continuous LED strips stretching across its entire surface. Their glow is partially absorbed by the swirling mist on the floor, creating an ethereal, diffused lighting effect. The room has no doors or windows, enhancing the surreal and otherworldly atmosphere. At the center of the space stands a minimalist glass display case. Inside, a breathtaking, floating female head is showcased, with bold red lips, editorial-style makeup, dramatic contouring, and shimmering metallic highlighter. She wears an extravagant avantgarde wig with black long textured hair with short fringe. The hair is black and has small metallic pins on it. Sculpted into futuristic, architectural shapes and intricate geometric designs. The head appears suspended in mid-air, as only the hair is fully visible, there is no body, just the striking, levitating form. Surrounding the display, elegantly dressed men and women in avant-garde, high-fashion futuristic attire stand in admiration, capturing the wig with their smartphones. Their outfits feature bold, sculptural silhouettes, reflective metallic fabrics, exaggerated shoulders, high-neck collars, intricate laser-cut details, and asymmetrical designs. Some wear visor-like glasses, glowing accessories, and gravity-defying structured garments. The bright flashes of their cameras reflect off the glass, creating a mesmerizing interplay of light. The scene carries an eerie yet mesmerizing surrealism, blending high fashion, advanced technology, and an air of mystery. The combination of futuristic aesthetics, editorial styling, and avant-garde fashion elements makes the composition feel like a high-end fashion editorial from a distant future.

Chorlo PRO
9 280

6 months ago

(Full-body shot, dramatic film-noir lighting, vintage 1960s aesthetics, ultra-detailed fabric and skin rendering, cinematic depth, alluring yet enigmatic presence) The femme fatale stands with her back to the camera, exuding an air of refined mystery. She is enveloped in a luxurious fur boa, its plush texture draping over her shoulders and cascading down her arms, concealing just enough to leave an aura of intrigue. She gazes toward an antique vanity mirror, her reflection revealing a captivating expression—lips slightly parted, eyes shadowed with a knowing intensity. The dim, amber glow of a mid-century bedside lamp casts long, seductive shadows, accentuating the contours of her poised figure. A sleek silk slip peeks through the embrace of the fur, tracing the lines of her form in soft highlights. Stockings shimmer subtly in the low light, held in place by delicate garters, adding a touch of elegance. In one hand, she holds a vintage cigarette holder, its unlit tip resting between her fingers as a thin wisp of smoke lingers in the air—a remnant of past indulgences. The room is an opulent mid-century dream, with a velvet chaise lounge partially visible behind her. An old rotary phone, its receiver off the hook, lies beside an untouched glass of whiskey on the vanity—silent witnesses to an untold story. The atmosphere is thick with timeless intrigue—she is a woman of untold secrets, a vision of vintage glamour and quiet power. With each carefully placed shadow, she remains an enigma—captivating, untouchable, and forever etched in the lingering haze of a noir dream.

ElectricL
7 150

1 month ago

Bustling Ancient Roman city. A bride with long flowing dreadlock hair. She is wearing a gold dress made real, flowing gold flowers. Upon her head is a golden crown made of real gold flowers. 1. **Color Grading / Desaturation:** The image exhibits a heavily desaturated and muted color palette, primarily consisting of browns, grays, and dull greens. 2. **Contrast Enhancement (Localized/Regional):** foreground elements show good depth and texture due to contrast, while the background remains more flattened and obscured by haze. 3. **Haze/Fog Effect:** A significant atmospheric haze or fog is present, particularly in the midground and background. 4. **Vignetting (Subtle):** subtle darkening around the edges of the frame. 5. **Sharpening/Detail Enhancement:** The central figure, as well as the immediate foreground ground, show a good level of sharpness and detail. 6. **Depth of Field / Bokeh Effect:** The image uses a shallow depth of field. The main figure is in sharp focus, while the background (and all other figures or items) is significantly blurred (bokeh). 7. **Dynamic Range Compression / Shadow Enhancement:** compress of the dynamic range to enhance the moodiness and weight of the shadows. 8. **Texture Enhancement:** The textures of the clothing, hair, and personal effects are quite pronounced, employ texture clarity or enhancement filters to emphasize the overall quality of the image. 9. **Shadow Deepening:** The dark areas often appear slightly blurred or out of focus. Employ a shallow depth of field which emphasizes the well-lit subject. The darkness in the shadows is not a harsh, pure black, but rather a deep, desaturated blue-gray. 10. **Skin Wetness/Oiling Enhancement:** The most prominent effect is the amplification of the wet or oily appearance of the skin. Increase specular highlights and potentially add small white/light-colored dots or strokes to simulate water droplets or a very oily sheen. 11. **Clarity/Texture Enhancement (Skin, Subtle):** 12. **Gritty/Rough Overlay**: Apply a subtle, almost grainy or speckled overlay, particularly noticeable in the darker areas of the clothing and against the lighter background. This adds a sense of roughness and real-world grit. 13. **Weather Effects (Particles)**: The falling dust particles against the background contribute to the overall texture by introducing small, distinct elements that break up smooth areas and create a dynamic, atmospheric depth. These particles are sharp enough to be perceived individually, adding to the visual noise in a controlled way.

Selfishreasons
4 61