A sample prompt of what you can find in this page
Prompt by ElectricL

blending in each other as in haze prompts

very few results

8 months ago

A futuristic museum hall filled with a soft, drifting haze of smoke. The entire space, including the walls and floor, is overwhelmingly white, almost disorienting in its purity. The ceiling is lined with long, continuous LED strips stretching across its entire surface. Their glow is partially absorbed by the swirling mist on the floor, creating an ethereal, diffused lighting effect. The room has no doors or windows, enhancing the surreal and otherworldly atmosphere. At the center of the space stands a minimalist glass display case. Inside, a breathtaking, floating female head is showcased, with bold red lips, editorial-style makeup, dramatic contouring, and shimmering metallic highlighter. She wears an extravagant avantgarde wig with black long textured hair with short fringe. The hair is black and has small metallic pins on it. Sculpted into futuristic, architectural shapes and intricate geometric designs. The head appears suspended in mid-air, as only the hair is fully visible, there is no body, just the striking, levitating form. Surrounding the display, elegantly dressed men and women in avant-garde, high-fashion futuristic attire stand in admiration, capturing the wig with their smartphones. Their outfits feature bold, sculptural silhouettes, reflective metallic fabrics, exaggerated shoulders, high-neck collars, intricate laser-cut details, and asymmetrical designs. Some wear visor-like glasses, glowing accessories, and gravity-defying structured garments. The bright flashes of their cameras reflect off the glass, creating a mesmerizing interplay of light. The scene carries an eerie yet mesmerizing surrealism, blending high fashion, advanced technology, and an air of mystery. The combination of futuristic aesthetics, editorial styling, and avant-garde fashion elements makes the composition feel like a high-end fashion editorial from a distant future.

4 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

6 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

9 months ago

a fierce and confident female firefighter, looks like villa jovovich, standing amidst a dramatic urban scene of smoldering rubble and glowing embers. She wears lingerie inspired by firefighter gear, designed with bold red and black tones accented by reflective yellow stripes. The outfit includes heavy fire boots and suspenders hanging loosely off her hips, blending rugged functionality with an alluring aesthetic. Her firefighter helmet is tilted slightly back, revealing her soot-smudged cheeks and piercing, determined eyes that convey both strength and resilience. The background is filled with dynamic elements of a firefighting scene: a firetruck parked nearby, its lights flashing faintly through the haze; a broken fire hydrant spraying water into the air; and thick smoke rising into the sky, creating a moody and atmospheric setting. Flames flicker and glow around the scene, casting warm light across her figure and highlighting the contrast between the delicate details of her attire and the rugged, chaotic environment. Her posture is bold and commanding, standing tall amidst the destruction as embers float around her like fiery stars. The lighting is dramatic, with the flames creating dynamic shadows and warm highlights, accentuating the textures of her outfit and the grit of her surroundings. The overall composition captures her strength, determination, and elegance, blending hyperrealistic details with a cinematic, visually striking atmosphere.

9 months ago

A hyperrealistic, cinematic portrait of a Soviet Spetsnaz soldier in Afghanistan during the late 1980s, standing defiantly against the harsh, rocky Afghan landscape. He holds a VSS Vintorez rifle equipped with a suppressor, gripped with confidence and readiness. His attire is a rugged blend of Soviet military gear and scavenged Afghan clothing, including a faded, dust-streaked keffiyeh loosely wrapped around his neck and a traditional Afghan tunic worn over his Soviet-issued fatigues, helping him blend into the surroundings while maintaining his elite military aura. Behind him, a steep, narrow chasm cuts through the mountains, adding to the dangerous and isolated feel of the environment. A thick haze of dust and sand lingers in the air, creating an atmospheric, sepia-toned light that casts long, dramatic shadows across his form and the landscape. Volumetric lighting breaks through the haze, illuminating particles in the air and accentuating the rugged texture of his weathered gear. Subtle details reveal his Spetsnaz identity: worn Soviet tactical boots, a small Spetsnaz insignia peeking from under his layers, and a sturdy utility belt holding a few essential tools. His expression is hard and determined, capturing the intensity of a soldier embedded deep in enemy territory. The muted tones of the rocky terrain and the rugged textures of his uniform and Afghan garments blend seamlessly, enhancing the realism of the scene. The image is rendered in a masterful, ArtStation-quality style, with intricate details like the worn grip on the VSS rifle, the fine dust coating his uniform, and the slight glint from the rifle’s suppressor. Lifelike shadows, dynamic lighting, and the gritty atmosphere of dust and smoke complete the scene, immersing the viewer in the harsh realities of 1980s Afghanistan

8 months ago

a fierce and confident female firefighter standing amidst a dramatic urban scene of smoldering rubble and glowing embers. She wears lingerie inspired by firefighter gear,designed with bold red and black tones accented by reflective yellow stripes. The outfit includes heavy fire boots and suspenders hanging loosely off her hips,blending rugged functionality with an alluring aesthetic. Her firefighter helmet is tilted slightly back,revealing her soot-smudged cheeks and piercing,determined eyes that convey both strength and resilience. The background is filled with dynamic elements of a firefighting scene:a firetruck parked nearby,its lights flashing faintly through the haze; a broken fire hydrant spraying water into the air; and thick smoke rising into the sky,creating a moody and atmospheric setting. Flames flicker and glow around the scene,casting warm light across her figure and highlighting the contrast between the delicate details of her attire and the rugged,chaotic environment. Her posture is bold and commanding,standing tall amidst the destruction as embers float around her like fiery stars. The lighting is dramatic,with the flames creating dynamic shadows and warm highlights,accentuating the textures of her outfit and the grit of her surroundings. The overall composition captures her strength,determination,and elegance,blending hyperrealistic details with a cinematic,visually striking atmosphere.,<lora:add-detail-xl:1>,realistic,highres,reality,<lora:FantasyWizardWitchesXLV3:1>,hkmagic

3 months ago

A stunning and intricate illustration of a lone figure standing before a massive, futuristic central computer core in a dimly lit, cavernous control room. The core is the heart of an ancient, decaying system that governs an entire solar system, its towering structure covered in glowing panels, flickering CRT monitors, and spinning reels of magnetic tape. The design reflects a blend of cassette futurism and retrofuturism: exposed wires snake across the floor like veins, enormous vacuum tubes pulsate faintly with energy, and analog dials twist and click as the system struggles to maintain its colossal operations. The figure, dressed in a tattered yet advanced jumpsuit of metallic fabrics, stands with a posture that conveys awe and hesitation. Their face, partially illuminated by the glowing panels, shows a mix of determination and exhaustion. They are dwarfed by the sheer scale of the computer core, which stretches endlessly upward, disappearing into a haze of smoke and low-hanging cables. The room is filled with atmospheric lighting: dim oranges and greens reflect off the polished yet grimy metal surfaces, while holographic projections of planetary orbits and system schematics flicker erratically in mid-air. The computer core itself is worn and weathered, with signs of neglect—broken panels exposing its intricate inner workings, patches of rust, and vines of alien growth encroaching from the corners of the room. Yet, it exudes power, its central sphere—a rotating gyroscope of light and machinery—glowing with an intense energy, hinting at its still-functioning capacity to control and sustain the planets and stars of the system. The air is dense with particles of dust, illuminated by beams of soft light cutting through the smoke, while faint sparks fly from malfunctioning components. The soundscape is almost tangible: the hum of the core, the rhythmic clatter of mechanical parts, and the faint crackle of ancient speakers. Rendered in a hyper-detailed retrofuturistic style, with an emphasis on the texture of worn-down technology, dynamic lighting, and the overwhelming sense of scale and history.

6 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

6 months ago

An award-winning watercolor oil painting masterpiece capturing the serene beauty of a port off the coast of Spain, bathed in the golden light of the Mediterranean sun. The scene is a vibrant yet peaceful harbor, where gentle waves lap against the colorful docks of small fishing boats, their hulls painted in hues of red, blue, and white. The port, alive with the soft bustle of daily life, is framed by sun-drenched hills dotted with terracotta-roofed cottages and lush greenery. In the distance, the deep blue of the sea meets the sky in a soft haze, while small hills stretch beyond, their contours softened by the warm light. The watercolor technique blends seamlessly with oil paint to create soft, fluid transitions between sky, sea, and land. The delicate washes of light are contrasted with the richer, more vibrant strokes of the boats, the fishermen’s figures, and the quaint buildings along the shore. Reflections in the water create a dreamlike atmosphere, as the city and boats shimmer with delicate hues, like a watercolour painting coming to life. The color palette is infused with soft pastels—the blues and greens of the sea and sky, the warm ochres and reds of the buildings, and the deep, cool tones of the shadows cast by the afternoon sun. Brushstrokes are light and airy, capturing the delicate movement of the water and the lazy, tranquil nature of the port. Yet, moments of rich, vivid color punctuate the scene, bringing the lively energy of the place into sharp relief. Themes of serenity, beauty, and timelessness permeate the painting. It speaks of the harmony between nature and human life—where the sea meets the land in a dance of light, color, and calm—a perfect retreat where the heart finds peace in the simplicity of the moment.